I began to grasp the breadth of Mel Chin’s work in 2015 when I included his video document “S.O.S. (Straight off the Street) Reloaded” in the first exhibition that I curated for the art organization No Longer Empty (NLE). Chin’s 2012 video document portrays Bronx residents with their messages to then-President Barack Obama scrolling across the screen to the More

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