A single, brief phrase always comes to mind when I think of Germany. Whatever may be the specific matter to hand, sooner or later my thoughts go to three words that seem to me — and to many others, given they have survived so long in the discourse — to capture some essence of the nation and its place in the world.

“Germany is Hamlet.” For a long time I attributed this pithy observation to Gordon Craig, among Germany’s great 20th century historians. Craig (Germany, 1866–1945; The Germans) was noted for succinct observations of this kind. He saw Germany as a nation divided in history between its humanist achievements (Goethe et al., Kant et al., Thomas Mann et al.) and its regrettable givenness to varieties of absolute power.

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