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Still from Israelism.
Without presenting a single shred of evidence, Rep. Nancy Pelosi recently contended on CNN that protesters challenging U.S. and Israeli policies in Gaza are doing the Kremlin’s bidding. “For them to call for a cease-fire is Mr. Putin’s message. Make no mistake, this is directly connected to what he would like to see… I think some of these protesters are spontaneous and organic and sincere. Some, I think, are connected to Russia. And I say that having looked at this for a long time now… I think some financing should be investigated. And I want to ask the FBI to investigate that,” Pelosi squealed.(Paging Joe McCarthy!)
Nevertheless, undaunted, two thirty-something American Jewish filmmakers have made Israelism, a documentary that is the worst ideological nightmare for the mindless pro-Israel camp. Erin Axelrod and Sam Eilertsen expertly give the lie to the one-sided propaganda about Palestinians that American Jews and others have been indoctrinated with regarding the Israeli occupation, apartheid and other dehumanizing policies, in a skillfully rendered, award-winning 80-minute nonfiction film. Challenging the dominant pro-Israel mythos, American Jewish and Palestinian activists, along with independent presidential candidate/academic Cornel West and intellectual Noam Chomsky, expose the lies that have been perpetrated and perpetuated by the ultra-Zionist militaristic regime and its supporters, threatening their stranglehold over the hearts and minds of Jewish and other Americans.
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Israeli ground operations in Gaza, November 1, 2023. Photo: IDF. CC BY-SA 3.0
There is nothing new under the sun in terms of incitement to war methods or the dehumanization techniques necessary to create compliant and bloodthirsty populations. The only thing that is new are the shifting and doomed populations who find themselves in the way of empire. Students of history, generally without a shred of self-examination, congratulate themselves for being born to a more enlightened time knowing that even if they were transported to those historical events, they would never have participated. They would have been the principled objector. It’s a comforting thought with absolutely no skin in the game. But when given present-day examples of such horror, and an opportunity to, if nothing else, be on the right side of history, they fall prey to the techniques that always worked in the past. They believe the current troubles are simply too complicated to unravel; that it’s all completely different from historical precedents. Unless a chink in the armor of this thinking takes place, we are doomed to move from genocide to genocide, whenever a population or group is deemed unfavorable or simply in the way. The words may not be exactly the same, but they always bear a striking similarity. That is, they dehumanize the other and make any and all attempts to rid themselves of the so-called savages part of a greater good. You still have to behave in a certain non-murderous ways within your in-group, but all bets are off when combating “the other”. It’s like quantum mechanics don’t seem to apply to everyday macro interactions. You get to murder and annihilate others, but still tuck your kids in at night like you aren’t a monster.
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Image by mohammed al bardawil.
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This content originally appeared on CounterPunch.org and was authored by Jeffrey St. Clair.
This post was originally published on Radio Free.
A newspaper clipping glimpsed in a new documentary is headlined “New Mexico’s Infant Mortality Highest in U.S., Report Says.” Lois Lipman’s film explains why that rate is so high for babies, as well as for others, especially Indigenous and Hispanic inhabitants, in her gripping First We Bombed in New Mexico. Onscreen Tina Cordova, born and raised at Tularosa, only 30 miles from the Trinity Site, declares: “We are the first victims of the atomic bomb.” While the title of Lipman’s gripping 95-minute chronicle may be derived from Joseph Heller’s 1967 satirical antiwar play We Bombed in New Haven, this new production, which won jury and audience awards at the Santa Fe International Film Festival, is in the tradition of anti-nuclear bomb nonfiction classics such as 1982’s The Atomic Café, Judy Irving/Chris Beaver’s 1982 Dark Circle, Jim Heddle’s 1984 Strategic Trust: The Making of Nuclear Free Palau, Dennis O’Rourke’s 1986 Half Life, and Robert Stone’s 1988 Oscar-nominated Radio Bikini.
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Image by Asim Z Kodappana.
What we feel defines who we are and what we believe. Such a statement seems obvious to the point of tautology. Yet we often don’t behave as if we genuinely credit it. Many of us are, despite increasingly savage attacks from neofascist champions of unreason, still children of the Enlightenment. And broadly, the Enlightenment dream was to strengthen people’s reasoning powers to the point where they would persuade one another through logical, rational argumentation and public debates conducted with impeccable calm. Feelings were irrelevant to this project, unnecessary, potential bearers of error. Gottfried Wilhelm Leibniz, one of the fathers of calculus, expressed this rationalist attitude especially clearly in 1679 when he wrote about his pet project to create a universal language, declaring with poignant optimism, “The only way to rectify our reasonings is to make them as tangible as those of the Mathematicians, so that we can find our error at a glance, and when there are disputes among persons, we can simply say: Let us calculate, without further ado, to see who is right.”
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Salvador Allende.
Chilean writer Ariel Dorfman is probably best known to Americano audiences for his play Death and the Maiden, a parable about torture that Roman Polanski adapted for the big screen in 1994, starring Sigourney Weaver and Ben Kingsley (there were two other versions, a 2016 Iranian reboot plus 2020’s The Secrets We Keep, with Noomi Rapace and Chris Messina). From 1970-1973 the Buenos Aires-born Dorfman served as a cultural and press advisor to Salvador Allende, the democratically elected socialist president of Chile. In 1971 Dorfman co-authored How to Read Donald Duck, Imperialist Ideology in the Disney Comic, which has just been re-published by OR Books.
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Image by Li-An Lim.
It’s not true that humanity is committing suicide, as exemplified by the COP28 farce of a climate summit. The world’s industrialists and financiers are committing humanity to ecocide. More than ever, it’s easier to imagine the end of the world than the end of capitalism.
Death by capitalism. That phrase has a certain catchy feeling to it. But it’s no joke, is it? No, no joke at all.
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Image by Ashwini Chaudhary(Monty).
In the Twilight of the Idols, in one of his more peckish, dyspeptic moments, Nietzsche opined about freedom in terms that bear a striking resemblance to the deranged fever dreams of the modern American authoritarian Right. He declared:
“The value of a thing sometimes does not lie in that which one attains by it, but in what one pays for it — what it costs us…Liberal institutions cease to be liberal as soon as they are attained: later on, there are no worse and no more thorough injurers of freedom than liberal institutions. Their effects are known well enough: they undermine the will to power; they level mountain and valley, and call that morality; they make men small, cowardly, and hedonistic — every time it is the herd animal that triumphs with them. Liberalism: in other words, herd-animalization.”
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As the nuclear industry flooded the commons with reassuring deception, Iodine 131 and a wide range of other radioisotopes were being ingested by the region’s children and mothers, women and men, plants and animals. The federal, state and local governments refused to compile a database or to track the health of the people in the area.
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