Category: Media

  • Drug companies tried desperately to get Twitter to block users who wanted poor countries to have access to the COVID vaccine. Plus, politicians in Iowa are actually trying to loosen child labor laws – we might be headed back to the days of children working in the mines. Mike Papantonio & Farron Cousins discuss more. Transcript: *This transcript was […]

    The post Big Pharma’s Deadly Twitter Censorship & Politicians Trying To Roll Back Child Labor Laws appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • As the ancient Greeks reminded us, bone cold definitions as starting points are essential in any discussion.  One current discussion, insignificant to posterity but amusing for advertisers and the presently bored, is the ludicrous reactions to a plastic doll rendered into celluloid form.  And as a doll, it can be no other.  Mattel’s Barbie has become, courtesy of Greta Gerwig, a talking point so silly it deserves to be treated trivially.  But money, advertising, and Mattel, won’t allow that.

    Commentators, whatever their ilk, cannot help themselves.  Jourdain Searles, evidently struggling to earn a crust or two, asks two banal questions.  This first: “In a cinematic landscape drowning in IP, would a live-action film about the Barbie doll, Mattel’s flagship toy, be held up as proof of the continued commodification of cinema as an artform?”  The second is not much of an improvement: “And in a more progressive cultural landscape, could a woman-directed film about Barbie dolls be feminist?”  Not necessarily.

    The New York Times does not disappoint in its silliness. “Can a doll with an ingratiating smile, impossible curves and boobs ready for liftoff be a feminist icon?”  No, it cannot, but stating something so embarrassingly asinine is very much in character with this field.

    From the conservative, domestic, home stove huggers, this is distinctly not on.  Ben Shapiro of the Daily Wire lamented the unironic use of “the word ‘patriarchy’ more than 10 times.”  Toby Young in The Spectator moaned that, “The film is a gender studies seminar disguised as a summer blockbuster,”.  Kyle Smith, formerly a National Review critic, echoed the grievance in the Wall Street Journal.  “As bubbly as the film appears, its script is like a grumpier-than-average women’s studies seminar.”

    Young goes a bit deeper in opining that Barbie is an act of “self-flagellation – a way of doing penance for a sin of being associated with a brand that was insufficiently woke in the past.”  Don’t be too white; don’t be too thin.  “This paean to female empowerment is a plea for forgiveness from the titans who run Mattel, but I suspect it will be another case of ‘Go woke, go broke’.”

    On Sky News Australia, one researcher even thought it worthwhile her time, and everybody else’s, to assume that a fictional character was terrifying in promoting “an anti-men agenda”.  The males are seen as “useless and unintelligent or villains”.  Whoopy Goldberg’s riposte to such views comes to mind.  “It’s a movie about a doll!” she exclaimed on The View.  Barbie lacked “genitalia, so there’s no sex involved.  Ken has no genitalia, so he can’t – it’s a doll movie!”

    Hugging a somewhat different ground from the conservative side of the fence, the National Review’s Jack Butler can be found suggesting that Barbie is a “highly sophisticated” film “and one that many conservatives are almost certainly getting wrong.” It was “not really a movie about men.  But it does not hate them.”

    Across the pond, the perennially randy Tory politician and disgraced former prime minister Boris Johnson tells fellow conservatives to calm their nerves when considering Barbie.  Managing to turn his commentary on the film into one about global demographics and necessary fecundity, he finds the true meaning: “You want lots more little babies who will soon turn into doll-demanding kiddies.  Mattel wants human reproduction!”

    The right winger who gets the gong for the daftest commentary of all must surely be the Texan Senator Ted Cruz, who has mounted his own crusade against Barbie as a font of “Chinese communist propaganda” out to brainwash his two girls, largely because it purportedly sports a map that depicts a disputed dash-line used by the PRC to claim the South China Sea.

    Those at Warner Bros. must have been giggling all over in stating that the line depicts “Barbie’s make-believe journey from Barbie Land to the real world.  It was not intended to make any type of statement.”  But then again, expect anything from a man who accused Big Bird of Sesame Street for promoting government propaganda, and Disney for plotting the eventual sexual union of Mickey Mouse and his pet dog Pluto.

    From the feminist-liberationist side of things, we find a mirror of the conservative cantankerousness suggesting they might have a point, albeit a flimsy one.  In Refinery29, we find Patricia Karounos declaring  Barbie to be “the feminist movie you’ve been waiting for” while making the dotty remark that anyone (no, everyone) who had seen the advertising for the film knows that “Barbie is everything.”  There is a “feminist” monologue from America Ferrera that is also praised by such outlets as The Daily Beast for examining “the difficulties of womanhood”.

    The absurd nature of the whole doll business reached a highwater mark on Australia’s ABC network in Gruen, a program dedicated to demystifying the world of advertising.  On the panel, hardboiled advertising veterans dissect the entrails of their industry, including its ruthless manipulations.  For one of the panellists, Russel Howcroft, Barbie was something of a modern Joan of Arc, a figure who really ought to think deeply about who she will eventually marry.  “She’s just a toy, Russel!” came the mocking response from a fellow panellist.

    Ultimately, the likes of Gerwig are having everybody on for the ride. You have all been had, most notably by the vast advertising complex that is Mattel.  Whether you hate (or adore) the toy, dislike (or like) the commodity made flesh, or find the whole thing somehow repellent (or insightful), was always the point.  The one group of individuals who will be counting their pennies, leaving aside the contracted actors, are the advertising agents, gurus, and witch doctors who told the world that a pinked-up doll somehow mattered in any significant way to anybody.

    This post was originally published on Dissident Voice.

  • The documentary world has come a long way since Nanook of the North. Now considered the first-ever documentary, the silent film first hit the big screen in the 1920s and followed the real lives of Quebec’s indigenous population, albeit with a few fictional scenes thrown in.

    jump to the list

    But throughout the 20th century, as the movie industry (and subsequently the TV industry) picked up the pace, most people were more interested in fiction than reality. Lately, things have started to change. Amid the rise of streaming platforms (looking at you, Netflix) and their succession of hits like Tiger King, The Deepest Breath, and Planet Earth III, documentaries are more popular than ever.

    Documentaries are powerful sources of information. But they also resonate with viewers because they are engaging, creative examples of storytelling. They help break down complex subjects into stretches of two hours or less through montages, expert interviews, archival footage, and voiceovers (often from well-known celebrities). And this is exactly why the vegan world has embraced them.

    Where simple facts and figures struggle, a documentary utilizes imagery and emotive language to represent the heart of many issues, while simultaneously tugging on emotions.

    The best vegan documentaries, streaming on Netflix and beyond

    If you’re in the mood to be immersed in some of the biggest dilemmas the world is currently facing—but also desire to learn about the solutions we already have at our fingertips—we’ve rounded up some of the best vegan documentaries available to stream right now.

    VegNews.youarewhatyoueatposterNetflix

    1‘You Are What You Eat: A Twin Experiment’

    Last year, Stanford Medicine published a ground-breaking study that examined the effects of dietary habits on 22 sets of twins. In the study, one twin followed a vegetable-rich omnivorous diet, and the other followed a vegetable-rich plant-based diet. The researchers found that in the first four weeks, those on a plant-based diet had lower levels of LDL cholesterol and insulin, and they lost weight. A new must-see documentary series guides us through the experiment process and results—which surprised even the study authors themselves—as well as the eye-opening history of the Standard American Diet.
    Check it out

    VegNews.thesmellofmoneyThe Smell of Money

    2 ‘The Smell of Money’

    Backed by Joaquin Phoenix, and executive produced by Kata Mara, 2022’s The Smell of Money is an exposé of environmental racism, and takes a harrowing look at the impact of factory farms on communities that surround them. Follow the legal battle between one North Carolina community and Smithfield Foods, one of the largest pork producers in the US.
    Check it out

    VegNews.poisonedposterPoisoned

    3 ‘Poisoned’

    In 2023, Poisoned: The Dirty Truth About Your Food, hit Netflix. The documentary takes a closer look at grocery store shelves and examines how the food industry’s systemic failures don’t just hurt animals and the planet, but they’re also putting people at risk of dangerous foodborne diseases.
    Check it out

    1-cowspiracyCowspiracy

    4 ‘Cowspiracy: The Sustainability Secret’

    Released in 2014, Cowspiracy: The Sustainability Secret, is still changing lives today. The film, which was directed by Kip Anderson and produced by Keegan Kuhn, examines the real impact that animal agriculture is having on the environment, from deforestation to greenhouse gas pollution to ocean dead zones. It also pulls back the curtain on industry denial, as researchers, authors, speakers, activists, and animal advocates take viewers on a deep dive into the ugly truth: the meat we consume as a society is devastating the natural world.
    Check it out

    3-SeaspiracySeaspiracy

    5‘Seaspiracy’

    Produced by Anderson and directed by Ali Tabrizi, 2021’s Seaspiracy takes a deep and sobering look at the state of the fishing industry. It not only examines environmental issues like plastic pollution (a significant percentage of which comes from things like nets and lines) but also the human cost of industrial fishing. But, of course, it also explores the solutions to these issues, one of which is, perhaps unsurprisingly, taking seafood off our plates.
    Check it out

    7-MILKEDMilked

    6‘Milked’

    Milked, released in 2021 and directed by Amy Taylor, is a feature-length documentary that follows activist Chris Huriwai as he travels throughout New Zealand. On his journey, he exposes the country’s multi-billion-dollar dairy industry and the scale of the impact it’s having on people and the planet. It’s another wake-up call from executive producer Kuhn, who stars in the film alongside environmentalists like Jane Goodall and Suzy Amis Cameron.
    Check it out

    8-eating-our-way-to-extinctionEating Our Way to Extinction

    7‘Eating Our Way to Extinction’

    Directed by Otto and Ludo Brockway and narrated by actor Kate Winslet, 2021’s Eating Our Way to Extinction is exactly what the title says it’s going to be. Accompanied by awe-inspiring cinematography, the film intends to be an eye-opening warning of what will happen to us and the planet if nothing changes with the food system soon. It features leading environmental experts, scientists, and global figures alongside powerful appearances and first-hand accounts from indigenous people.
    Check it out

    5-GameChangersThe Game Changers

    8‘The Game Changers’

    Star-studded The Game Changers—which counts James Cameron, Arnold Schwarzenegger, Jackie Chan, and Lewis Hamilton among its executive producers—focuses on exposing the myth that meat is a necessary part of optimal athletic performance. While many think that packing in animal protein is a key part of sporting success, the film—which was directed by Louie Psihoyos—aims to demonstrate that the opposite is true. It spotlights world-renowned plant-based athletes like Patrik Baboumian (a record-holding strongman), Kendrick Farris (a record-holding weightlifter), and Dotsie Bausch (a US cycling champion). Keep an eye out for the documentary’s sequel, which was announced in June 2023.
    Check it out

    11-DominionDominion

    9‘Dominion’

    Directed by Chris Delforce, 2018’s feature-length film Dominion takes its lead from Earthlings in many ways. For one, it stars Phoenix, alongside other big names like Sadie Sink, Rooney Mara, and Sia. But it also mimics techniques, like the use of hidden camera footage. It expands on this by adding harrowing drone footage to the mix, which aims to expose “the underbelly” of animal agriculture.
    Check it out

    12-73cows73 Cows

    10‘73 Cows’

    BAFTA-winning 73 Cows differs from many of the documentaries on this list, because it is not a factory farming exposé, and it doesn’t follow an activist or environmentalist. Instead, this moving film tugs on the heartstrings by focusing on Jay Wilde, a former beef farmer, and the personal journey that led him to give up his herd of cattle and pursue a career in vegan farming.
    Check it out

    2-what-the-healthWhat the Health

    11‘What the Health’

    Another hit from Kuhn and Anderson, 2017’s What the Health examines another dangerous side of meat and dairy consumption: the impact it is having on our health. With input from medical experts, like Milton Mills, MD; Garth P. Davis, MD, FACS, FASMBS; and Neal Barnard, MD, FACC, the film explores the link between diet and disease and investigates the real reason why some of the biggest health organizations in America aren’t doing more to educate the public.
    Check it out

    VegNews.theendofmeatposterThe End of Meat

    12‘The End of Meat’

    If you’re looking for a little bit of hope, check out German filmmaker Marc Pierschel’s The End of Meat. Released in 2017, the documentary features interviews with innovators and leaders in both the vegan food and animal rights spheres and takes a look at what a cruelty-free future might look like. “Instead of focusing on the negative consequences of consuming meat, I wanted to show the hugely beneficial possibilities of a post-meat world and what that might look like for humans, animals, and the planet,” Pierschel said in a statement at the time of release.
    Check it out

    6-Eating-AnimalsEating Animals

    13‘Eating Animals’

    Narrated by actor Natalie Portman, a passionate vegan and animal advocate, Eating Animals is based on the best-selling book of the same name, which was written by Jonathan Safran Foer. Like the novel, the documentary—which was produced by Christopher Dillon Quinn, alongside Portman and Foer—aims to expose the horrors of factory farming. It encourages people to look beyond cognitive dissonance and see what’s really going on at the end of their fork.
    Check it out

    4-blackfishBlackfish

    14‘Blackfish’

    Released in 2013, Blackfish remains a thorn in SeaWorld’s reputation and ticket sales. Directed by Gabriela Cowperthwaite, the film examines the ethics and dangers of keeping cetaceans in captivity by following the life of Tilikum, an orca who was captured off the coast of Iceland before spending the majority of his life in SeaWorld marine parks. Orcas have never killed human beings in the wild, but the stress of captivity likely led Tilikum to kill three people, two of whom were his trainers.
    Check it out

    9-forks-over-knivesForks Over Knives

    15‘Forks Over Knives’

    Similar to documentaries like What the Health, 2011’s Forks Over Knives—directed by Lee Fulkerson—aims to educate people about the healing power of plant-based nutrition. The feature-length documentary explains why embracing a whole foods, plant-based diet may just extend your life and reduce the threat of debilitating chronic disease.
    Check it out

    VegNews.vegucatedposterVegucated

    16 ‘Vegucated’

    This 2011 documentary directed by Marisa Miller Wolfson is a fascinating look at three meat-eaters’ journeys as they try out a vegan diet for six weeks with the help of Wolfson herself. The film addresses issues like cognitive dissonance, animal rights, and even sees participants take a look behind the cloak of the meat industry as they uncover the harsh reality of factory farms and slaughterhouses in the US.
    Check it out

    VegNews.thecovedocumentaryposterThe Cove

    17‘The Cove’

    Directed by Louie Psihoyos, 2009’s The Cove is centered around the brutal capture and slaughter of dolphins in Taiji, Japan. The feature-length documentary, which won an Oscar for Best Documentary in 2010, stars Ric O’ Barry, a dolphin trainer turned activist who worked on 1996’s Flipper.
    Check it out

    10-earthlingsEarthlings

    18‘Earthlings’

    It may have been released in the mid-aughts, but 2005’s Earthlings, narrated by Phoenix and directed by Shaun Monson, is still relevant today. Relying on hidden camera footage, the documentary takes aim at issues like factory farming, the pet trade, and animal testing, and strives to expose how and why some of the world’s biggest industries rely fundamentally on animal cruelty.
    Check it out

    This post was originally published on VegNews.com.

  • Were you lucky enough to see the play of The Appleton Ladies’ Potato Race as it has toured Australia over the last few years? Written by former Canberra resident Melanie Tait, it’s a heart-warming, funny, feminist saga about a culture war in a small town.  

    And tomorrow Wednesday (26 July) the movie of the play premieres at 7.30pm On 10 And 10 Play. Or, you can stream on Paramount+ from the following day.

    BroadAgenda editor, Ginger Gorman, chatted with Melanie.

    For those of us who have fuzzy brains, briefly remind us of the plotline of Potato and what inspired it?

    Dr Penny Anderson (played by Claire van der Boom) returns to her home town to discover the event of the year – The Appleton Potato Race – has $2000 prize money for the blokes, and $200 for the women. It’s inspired by something similar happening in my home town, Robertson.

    This is your first movie. What a big deal! Congratulations. How did it come about?

    Thanks Ginger! When I was a kid growing up in Robertson, if you’d have told me that one day I’d have anything to do with a movie, let alone write one, I’d have been stoked.

    The film is based on a play I wrote for Ensemble Theatre in 2019. It was an incredible production directed by Priscilla Jackman and starring Valerie Bader, Merridy Eastman, Sapidah Kian, Amber McMahon and Sharon Millerchip. The play was a dream – it was critically received well, sold out before it opened (ah, pre-covid theatre times…!) and went on to tour Australia.

    Independent producer Andrea Keir read it, then came to see it and wanted to make it into a film. Usually these things take years, I’m told. Within three weeks of having the rights to the play, Andrea had a deal with Paramount+ and the movie was on its way.

    Appleton Ladies Potato Race – Trailer.

    I understand you wrote the script. Was it hard to write for TV (as opposed to the stage)? What other differences were there in the creative process?

    Initially the network didn’t want me to write the screenplay, having some pretty ancient views on the ability of playwrights to write for the screen (not sure where this comes from – most of our great screenwriters have been in theatre at some stage in their careers), but producer Andrea fought hard for me to do the job, and Paramount+ ended up supporting me with a mentor, the brilliant screenwriter and novelist Kylie Needham (who went on to be our Script Editor on the film).

    I learned so much about the process. For example, because we were under such a tight deadline, I couldn’t understand why the network wanted me to write a ‘treatment’ (a lengthy document telling the story of the film) instead of just kicking on with the screenplay. I’ll forever be grateful to Rick Maier from Paramout+ and Channel 10 for insisting on it and teaching me what an important tool it is. Once the treatment was written, it was like a blueprint for the script and I found it smoother work.

    Still, a film is much tougher on the artistic ego and vision of the writer than theatre is. At least it was for me in this process. In theatre, the playwright is consulted on most things when a play is being developed and brought into production. We tend to have a say in the team around us – who the director is, the key cast etc.

    In film, I handed over the script and that was pretty much it – I wasn’t even at a table read-through and was only ever on sit as a visitor, not an active part of the artistic process.

    It was my first time working on a film, and I think we tend to think that, when doing something for the first time everyone around us knows better. I’m not entirely sure that’s true, and if I get to make another film I want to be much more involved. Ultimately, the world of The Appleton Ladies’ Potato Race comes from my imagination, so I think I have a lot to contribute.

    That said: both theatre and film are incredibly collaborative and everyone brings their unique set of skills and vision to make the whole.

    The Appleton Ladies' Potato Race: The women line up to race. Picture: Lisa Tomasetti

    The Appleton Ladies’ Potato Race: The women line up to race. Picture: Lisa Tomasetti

    Folks in Robertson – your hometown and the place that inspired Potato – were super excited that parts of the movie were filmed there. How do they feel about the movie coming out? What has the reaction been like? (Not everyone was stoked when the real events took place, and you were campaigning for equal prize money back in X year).

    I hope they’re excited! So many people from Robbo contributed to the movie – as extras, with locations etc. I really hope they enjoy it.

    Not that we want to name drop. But let’s name drop. You’ve got some extraordinary Aussie actors in the cast. Who are they and what was it like to work with them?

    There’s some incredible actors in this movie. I feel like in Robyn Nevin and Tiriel Mora we’ve got half the cast of the Aussie classic The Castle reuniting! I’m scared to single anyone out because they’re all so great.

    And what about the director? How did you work together with her and other members of the creative team?

    About 15 years ago, the director Lynn Hegarty and I were put together by our then agent to work on a film project together – I ended up getting a traineeship journo job at the ABC in Darwin and left Sydney so our film died – so it really seemed right that Lynn came in to direct the movie. We spent a couple of days together in Melbourne before the beginning of pre-production, which was great.

    Like I said, I wasn’t really involved after that, but I’m really grateful to Lynn for sticking almost to the letter to the script. She fought hard for a bunch of things that meant a lot to the story and my vision for the film.

    The other really essential part of the creative team was editor Katie Flaxman. Katie and I have been close friends since our early twenties, so I was really able to talk a lot of the process through with her.

    What do you want folks to take away from the film?

    That the gender pay gap is absolute bullshit, whether it’s at the local show or it’s in the management structure at your office. That the only way we change things is by speaking up, organising and actually doing something about injustice.

    That potato racing is a great sport, full of extraordinary skill, speed and strength!

    We’ve seen a big push in the last six months – especially from actors like Bryan Brown –  for Australian content quotas for streaming services. Why do you think it’s so important to tell Aussie stories (like this one).

    It’s essential! The two shows that influenced me most growing up as a person, and as an artist were A Country Practice and Brides of ChristA Country Practice, in particular, really taught me about the world around me, the challenges in our society and what being a decent member of a community was. As an adult, I’ve gone back and watched it (and made a podcast about it!) and realised it does all that stuff and reflects what was happening in Australia in the eighties – what we cared about, what we were angry about, why we laughed and cried. So, there’s that cultural reflection part. And, it’s funny too, thanks Esme!

    There’s also a practical part to making more Australian work. A show like ACP made around 90 hour long eps a year for thirteen years.  So annually, that’s 90 directing jobs, 90 screenwriting jobs, 90 lighting director jobs, countless acting jobs etc etc.

    And surely, it’s no coincidence that some of the best and most successful Australian films come from this time – when we had actors and creatives constantly practicing their screen skills? The roll call is extensive and there’s so much shared DNA between all of these projects: The Castle, The Man From Snowy River, Muriel’s Wedding, Priscilla Queen of the Desert, Crocodile Dundee, Strictly Ballroom, Romper Stomper, Babe etc.

    More Australian stories on screen has such far reaching implications to our culture, our economy and our sense of national worth. Bring back A Country Practice! 

    The Appleton Ladies' Potato Race - Darren Gilshenan, John Batchelor, Laurence Coy as Billy. Photo: Lisa Tomasetti

    The Appleton Ladies’ Potato Race – Darren Gilshenan, John Batchelor, Laurence Coy as Billy. Photo: Lisa Tomasetti

    What’s next for you? More films in the works?

    I’m working on a bunch of plays at the moment, and two screenplays (one I’m co-writing with the author Yvette Poshoglian – a one woman story machine! – which I’m super excited about). I also have a television series in development with Cecilia Ritchie, who was one of the excellent Executive Producers on The Appleton Ladies’ Potato Race. Hopefully the Potato Ladies does super well and everyone wants to make all my things (including that A Country Practice reboot!).

     

     

    • Picture at top: The Appleton Ladies’ Potato Race: Claire van der Boom as Penny and Katie Wall as Nikki. Photo: Lisa Tomasetti

    The post Inspired activism drives brilliant new Aussie movie appeared first on BroadAgenda.

    This post was originally published on BroadAgenda.

  • RNZ Mediawatch

    Nothing much changed in a 1News Verian poll released last Monday. However, some commentators treated the boring results as a blank canvas on which to express their creativity.

    1News presenter Simon Dallow described the results of the newly named 1News Verian poll on Monday as a harsh verdict on the government.

    “It is just under three months until the election and Labour seems to have been dented by a series of ministerial distractions,” he said as he introduced the story at the top of the bulletin.

    Despite that effort to dress up the poll as a tough verdict on the government, it was mostly notable for how un-notable it was.

    Few parties moved more than the margin of error from the last 1News poll in May, which also showed National and Act with the numbers to form the next government — just. National and Labour both dropped the same amount: 2 percent.

    You might have thought the damp squib of a result would put the clamps on our political commentators’ narrative-crafting abilities.

    Instead, for some it proved to be a blank canvas on which they could express their creativity.

    ‘Centre-right surge’
    At Stuff, chief politics editor Luke Malpass called the poll a “fillip for the right” under a headline hailing a “centre-right surge”.

    One issue with that: the poll showed a 1 percent overall drop for the right bloc of National and Act.

    “Fillips” generally involve polls going up not down. Similarly, a drop in support doesn’t traditionally meet the definition of a surge in support.

    The lack of big statistical swings wasn’t enough to deter some commentators from making big calls.

    On Newstalk ZB, political editor Jason Walls said Labour was plunging due to its disunity.

    “All [Chris Hipkins] has been really able to talk about is what’s happening within the Labour Party — be it Stuart Nash, be it other ministers who are behaving badly. Jan Tinetti. Voters punish that. And we’ve seen that from the Nats in opposition. They punish disunity.”

    It’s uncertain what National’s equivalent 2 percent drop was down to. Perhaps voters punish unity as well.

    Wider trends context
    Mutch-McKay’s own commentary was a bit more nuanced, placing the poll in the context of wider trends.

    On TVNZ’s Breakfast the day after the poll’s release, she said some people inside Labour couldn’t believe the results hadn’t been worse for the party.

    Perhaps that air of disbelief also extended to the parliamentary press gallery.

    After all, the commentators are right: Labour has had a terrible few months, with high-ranking ministers defecting, being stood down, being censured by the parliamentary privileges committee, facing allegations of mistreating staff, or struggling with the apparently near-impossible task of selling shares in Auckland Airport.

    Maybe a sense of inertia propelled some of our gallery members to keep rolling with the narrative of the last few months, in spite of the actual poll result.

    Or maybe part of the issue is that hyping up the significance of these polls is a financial necessity for news organisations which pay a lot to commission them.

    “You’ve got to squeeze the hell of it. You’ve paid $11,000 or $12,000 for a poll, it’s got to be the top story. It’s got to be your lead. It’s got to have the fancy graphics,” Stuff’s political reporter and commentator Andrea Vance said recently on the organisation’s daily podcast Newsable.

    ‘Manufacturing news’
    “It just feels like we’re manufacturing news. We’re taking a piece of information that’s a snapshot in time and we’re pretending that we know the future,” she said.

    Vance went on to say these kinds of snapshot polls don’t actually tell us all much — but she said long-term polling trends are worth paying attention to.

    It’s probably no coincidence then that the most useful analysis of this latest poll focused on those macro patterns.

    In a piece for 1News.co.nz, John Campbell noted the electorate’s slow drift away from the centre, with Labour losing 20 percent of the electorate’s support since 2020 and National failing to fully capitalise on that drop-off.

    He quoted Yeats line, “the centre cannot hold”, before asking the question: “What do Labour and National stand for? Really? Perhaps, just perhaps, this is a growing section of the electorate saying — you’re almost as bad as each other.”

    That sentiment has been echoed by other commentators. In his latest column for Metro magazine, commentator and former National Party comms man Matthew Hooton decried the major parties’ lack of ambition.

    “At least Act, the Greens and Te Pāti Māori aren’t insulting you with bullshit. Instead they offer ideas they think will make your life better, even if they’ll never happen. So here’s a better idea than falling for the big scare from National or Labour.

    ‘Reward ideas-based parties’
    “How about using your ballot paper to tell them to f*** off and reward one of the three ideas-based parties with your vote instead?” he wrote.

    And on his podcast The Kaka, financial journalist Bernard Hickey and commentator Danyl McLauchlan criticised our major parties for their grey managerialism.

    “You kind of have to go back to the mid-1990s when so many people just hated the two major parties because they didn’t trust them,” he said.

    “We seem to be going through a similar phase now. The two major parties are just these managerial centrist parties. They don’t have much to offer by way of a vision.”

    Maybe it’s a little shaky to say anyone’s surging or flopping on the basis of a couple of percentage points shifting in a single poll.

    But if you zoom out a bit, at least one narrative does have a strong foundation — voters saying, to quote Shakespeare this time — “a plague on both your (untaxed) houses”.

    This article is republished under a community partnership agreement with RNZ.

    This post was originally published on Asia Pacific Report.

  • By John Minto

    Palestine Solidarity Network Aotearoa (PSNA) congratulates New Zealand film director Jane Campion over her request for her 1989 debut film Sweetie to be withdrawn from apartheid Israel’s Jerusalem Film Festival.

    The announcement was made by Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) late last night.

    We are delighted to have an esteemed New Zealand director join at least four other international film directors — from the Basque region in Spain, United Kingdom and the United States — in requesting their films be withdrawn from the festival which is partnered with the Israeli Ministry of Culture.

    This is a moment of pride for Aotearoa New Zealand — similar to the pride felt when New Zealand entertainer Lorde cancelled a scheduled concert in Israel in 2018.

    A Sweetie film poster
    A Sweetie film poster. Image: Madman Pictures

    At a time when Palestinians are suffering immeasurably under the most fanatical, openly racist Israeli government ever, this solidarity action will be deeply appreciated by Palestinians everywhere.

    These film directors are taking action where governments — New Zealand included — have failed morally and politically, again and again and again to hold Israel accountable for its crimes against the Palestinian people.

    This is similar to the fight against apartheid in South Africa in the 1970s and 1980s when it was civil society organisations around the world, and in New Zealand, which led the anti-apartheid struggle outside South Africa while Western governments either colluded with the regime or looked the other way.

    John Minto is national chair of the Palestine Solidarity Network Aotearoa.


    The Sweetie trailer.

    This post was originally published on Asia Pacific Report.

  • The federal government keeps creating new offices to allegedly combat misinformation in the US and abroad, but are any of these agencies actually doing anything good? The answer to that question is fairly obvious, and it is clear what these government agencies are actually doing. Mike Papantonio & Farron Cousins discuss more. Transcript: *This transcript was generated by a […]

    The post US Government Creates MORE Online Spying Agencies appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • Lusaka, July 21, 2023—Zimbabwean authorities should thoroughly investigate the assaults of freelance reporters Annahstacia Ndlovu, Pamenus Tuso, and Lungelo Ndlovu in Bulawayo and hold their attackers to account, the Committee to Protect Journalists said Friday.

    On Monday, July 17, in Bulawayo’s central business district, a group of people wearing regalia of the ruling Zimbabwe African National Union-Patriotic Front, or ZANU-PF, slapped Annahstacia Ndlovu, a correspondent for U.S. Congress-funded Voice of America, across her face and punched her when she refused to delete a recording and photographs of their skirmish with vendors at a vegetable market in the city, according to news reports, a statement by the Zimbabwean chapter of the press freedom group the Media Institute of Southern Africa (MISA), and the journalist, who spoke to CPJ via messaging app.

    Members of the same group also slapped Tuso, a freelance journalist who is also chairperson of the Bulawayo Media Center, and Lungelo Ndlovu, a Reuters correspondent who is not related to Annahstacia Ndlovu, according to both journalists, who spoke to CPJ via messaging app.

    “Zimbabwean authorities should speedily investigate the assaults of journalists Annahstacia Ndlovu, Pamenus Tuso, and Lungelo Ndlovu, and bring all those responsible to justice,” said Angela Quintal, CPJ’s Africa program coordinator, in New York. “Journalists must be free to report without fear of attack, and those who prevent them from working must face immediate consequences, especially as there is heightened concern about journalist safety ahead of the August 23 general election.” 

    The journalists told CPJ that ZANU-PF supporters had ordered vendors to show proof of their support for the ruling party at their central business district office ahead of the August elections or risk losing trading space at the market. When the vendors refused, the supporters beat them up and told them that they were not allowed to trade at the market. 

    Annahstacia Ndlovu told CPJ that she and the other reporters were interviewing vendors about the skirmish with ZANU-PF supporters when one of the supporters ordered her to delete her footage. After she refused and identified herself as a member of the press, that man, aided by other supporters, slapped her across the face and punched her body. A woman confiscated her phone and deleted footage and photographs before handing it back, Ndlovu said, adding that her other phone fell to the ground during the assault and was damaged.

    “The ringleader assaulted me several times, while others were even touching my breasts,” she said. “They beat me all over the body. My face is swollen.”

    The journalist reported the attack to the Bulawayo Central Police station, where a case was opened for investigation, she said. According to a medical report reviewed by CPJ, Annahstacia Ndlovu sustained “serious injuries” to her eyes and a swollen right hip. The injuries presented a “potential danger to life” and the likelihood of a “permanent disability,” according to the report.

    Lungelo Ndlovu told CPJ that the attackers also slapped him and ordered to him to delete footage, but he managed to flee to safety.

    “They demanded I identify myself, which I did, and then they said [to] delete footage and some guy slapped me on the face. I didn’t see that coming. I couldn’t think of anything at that point, I had to run away,” Ndlovu said, adding that he had not deleted his footage.

    Tuso said he was slapped on the cheek but was not injured, saying, “They wanted to confiscate my camera, but I had to run away and hide it.”

    ZANU-PF spokesperson Christopher Mutsvangwa and his deputy, Michael Bhima, did not respond to CPJ’s repeated texts and phone calls seeking comment.

    When reached via messaging app, Bulawayo Central Police spokesperson Abedinco Ncube referred CPJ to Zimbabwe Republic Police spokesperson Paul Nyathi. CPJ called and texted Nyathi, but did not receive any reply.

    Earlier this month, CPJ condemned the Zimbabwe’s legislature’s passage of the so-called “Patriot Bill,” which threatens the rights to freedom of expression and media freedom in the country.


    This content originally appeared on Committee to Protect Journalists and was authored by Erik Crouch.

    This post was originally published on Radio Free.

  • By Rashika Kumar in Suva

    Suva lawyer Richard Naidu is a free man after the Suva High Court ruled this week that no conviction be recorded against him.

    High Court judge Justice Daniel Goundar ruled on Tuesday that the charge of contempt scandalising the court against Naidu be dismissed.

    He said summons to set aside the judgment that had found Naidu guilty in November last year was by consent and was dismissed as he did not have jurisdiction.

    Justice Gounder ordered the parties to bear their own costs.

    While delivering his judgment, Justice Gounder said while mitigation and sentencing were pending, a new government had come into power and a new Attorney-General had been appointed.

    He said that after the change of government [FijiFirst lost the general election last December], Justice Jude Nanayakkara, who had been previously presiding over the case, had resigned as a Fiji judge and left the jurisdiction without concluding proceedings.

    Justice Gounder said the new Attorney-General, Siromi Turaga had taken a different position regarding the proceedings, which he had expressed in an affidavit filed in support of the summons to dismiss the proceedings.

    Ruling set aside
    Turaga stated that his view was that the proceedings should never have been instituted against Naidu in the first place.

    In the affidavit, Turaga said he had conveyed to Naidu that his view was that the ruling of 22 November 2022 ought to be set aside and the proceedings dismissed.

    He added that Naidu had confirmed he would not seek to recover any costs he had incurred in defending the proceedings.

    Justice Gounder said the Attorney-General played an important function as the guardian of public interest in contempt proceedings which alleged conduct scandalising the court.


    Lawyer Richard Naidu’s conviction ruled not to be recorded and the charge of contempt dismissed. Video: Fijivillage.com

    He said the position of the Attorney-General had shifted and he was not seeking an order of committal against Naidu.

    The judge said Turaga dkid not support the findings that Naidu was guilty of contempt scandalising the court.

    He said it had not been suggested that the present Attorney-General was acting unfairly as the representative of public interest in consenting to an order setting aside the judgement.

    Facebook posting
    Naidu was found guilty in November last year by High Court judge Justice Jude Nanayakkara for contempt scandalising the court.

    Naidu posted on his Facebook page a picture of a judgment in a case represented by his associate that had the word “injunction” misspelt [as “injection”], and then made some comments that he was pretty sure the applicant wanted an injunction.

    The committal proceeding was brought against Naidu by the then Attorney-General, Aiyaz Sayed-Khaiyum.

    Naidu was represented by Jon Apted while Feizal Haniff represented the Attorney-General.

    Rashika Kumar is a Fijivillage reporter. Republished with permission.

    This post was originally published on Asia Pacific Report.

  • By Rakesh Kumar in Suva

    The Fijian Media Association (FMA) has labelled comments made by former prime minister Voreqe Bainimarama this week to media workers of Mai TV, Fijivillage and Fiji Sun outside the Suva courthouse as “distasteful, unbecoming, and unacceptable”.

    Bainimarama told the Mai TV cameraman in the iTaukei language on Tuesday: “Qarauna de dua tacaqe, au na qai caqeta yani na muna.” (“Be careful no one stumbles, for I will then kick your backside.”)

    The former prime minister also told the Fijivillage cameraperson “watch out, you slip, and then I will kick your backside”.

    Earlier in the week, Bainimarama also told a Fiji Sun press photographer “kwan kwan”, a derogatory term commonly used to chase away dogs or animals.

    In a statement, FMA said they found these comments highly offensive.

    “The FMA continues to reiterate that journalists, photographers and videographers are doing an important work of informing the public, and threats of violence against them is unacceptable,” the statement read.

    The FMA stated that journalists had come through a period — 17 years of media repression since the 2006 military coup — where they had been beaten, intimidated, and abused and would not let these threats to deter them from doing their duty.

    Former prime minister Bainimarama and suspended police commissioner Sitiveni Qiliho are on trial on a count each of attempting to pervert the course of justice and abuse of office over an abandoned investigation relating to the University of the South Pacific in 2020.

    Rakesh Kumar is a Fiji Times reporter. Republished with permission.

    This post was originally published on Asia Pacific Report.

  • Nairobi, July 20, 2023—In response to the recent burglary of the privately owned news outlet Ethiopia Insider, including the stealing of video production equipment, the Committee to Protect Journalists issued the following statement:

    “The burglary of Ethiopia Insider, an outlet with a reputation for critical and independent journalism, could have a devastating impact on its operations,” said CPJ’s sub-Saharan Africa representative, Muthoki Mumo. “Police should investigate this incident, transparently determine its motive, and hold those responsible to account. A credible investigation will go far to reassure other media outlets that they are safe in Addis Ababa.”

    Around 7 a.m. on July 17, an Ethiopia Insider employee reporting for work found that the outlet’s office in Addis Ababa, the capital, had been robbed overnight. A locker, cabinet, and drawer were broken into, and three cameras, a smartphone, four laptops, and six camera lenses were taken, according to a statement issued by Haq Media and Communication, which manages Ethiopia Insider, and Tesfalem Waldyes, the outlet’s cofounder and editor-in-chief. 

    The office’s door was not broken or its lock tampered with, Tesfalem told CPJ, saying the outlet had reported the incident to police, who were investigating. Tesfalem said he did not know who was behind the burglary, but believed that the incident was “not a random robbery.” He noted that Ethiopia Insider shares a building with a photo studio, which owns similar equipment but was not robbed.

    Tesfalem said it was possible that that equipment was “selectively” taken to do the most harm to the company’s video reporting capabilities, noting that other valuables, such as lighting equipment, microphones, camera batteries, and an audio recorder were left behind.

    Over the last three years, CPJ has documented a difficult environment for journalists in Ethiopia, characterized by frequent arrests and physical attacks on journalists, the expulsion of at least two foreign correspondents, and internet disruptions.


    This content originally appeared on Committee to Protect Journalists and was authored by Committee to Protect Journalists.

    This post was originally published on Radio Free.

  • America’s Lawyer E61: A new poll shows that Kamala Harris is now the least popular Vice President at this point in her career, and that could be a major problem for Biden in next year’s election. The federal government is covered in agencies that are supposed to monitor misinformation and propaganda, but all they appear […]

    The post Kamala Will Be Biden’s Downfall appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • ANALYSIS: By Peter C. Pugsley, University of Adelaide

    While Christopher Nolan’s new film Oppenheimer is opening in much of the world this week, a Japanese release date has not yet been announced.

    A delay in naming a release date is nothing new for Japan, where Hollywood releases often take place weeks or months later than other national markets.

    Japan’s cinema industry is savvy enough to take a wait-and-see approach to blockbuster films.

    If Oppenheimer fails at the box office in other markets, then Japan may decide on a quick opening in a smaller number of cinemas. If it is the global hit the producers hope, it may open across the country.

    Some have speculated the tragic history of events in Hiroshima and Nagasaki make the film too sensitive for Japanese audiences. But concerns that the film contains sensitivities to Japan’s past can be easily discarded by a quick glance through Japan’s cinematic history.


    The Oppenheimert trailer.   Video: Universal Pictures

    The Japanese film industry
    The Japanese film industry began in 1897, developing quickly through studios such as Nikkatsu and Shochiku. In the 1930s, the industry gained international attention with emerging filmmakers such as Yasujiro Ozu.

    By the late 1930s, studios and filmmakers were drafted into the war effort, making propaganda films.

    Until the end of the Second World War, the Japanese government had been strictly censoring all films in line with efforts to produce this state-sanctioned propaganda. From 1945 to 1949, the US-Occupation forces set up procedures to ensure films avoided intensely nationalist or militaristic themes.

    Japan’s film classification body was created in 1949 following the withdrawal of the Production Code. This gave Japanese authorities the chance to determine their own rules around film content based on themes of language, sex, nudity, violence and cruelty, horror and menace, drug use and criminal behaviour.

    Japanese film was always quite progressive in terms of artistic licence, escaping the type of strictly enforced limitations found in America’s Hays Code, which put restrictions on content including nudity, profanity and depictions of crime.

    Filmmakers in Japan had freedom to practise their art, so the pinku (soft pornography) films of the 1960s and 70s were the products of the major studios rather than underground independents.

    These freedoms saw Japanese filmmakers absorb influences from Europe (particularly through French and Italian cinema), but saw significant content differences between Japanese and Hollywood cinema until the close of the Hays era.

    Since the 1950s, censorship in the form of suggested edits or very rarely, “disallowed films”, has mostly been in response to violent or overly-explicit sexual imagery, rather than concerns over political or militaristic issues.

    Japan is the third biggest box office market in the world, behind only China and North America, and cinema is dominated by local films.

    While it can appear that Japanese cinema is dominated by anime and live-action remakes of manga and anime, it includes a rich array of genres and styles. The late 1990s saw a global appetite for horror films, under the mantle of J-horror. Films like Battle Royale (2000) and Ichi: The Killer (2001) created a new level of violence combining the horror genre with comic moments. Meanwhile samurai and yakuza films continue to find audiences, as do high-school themed dramas.

    Internationally, the arthouse stylistics of films by Hirokazu Kore-eda, Kiyoshi Kurosawa and Naomi Kawase are feted at Cannes and Venice.

    The war on screen
    Many Japanese filmmakers have explored the Second World War.

    As early as 1952, Kaneto Shindo’s Children of Hiroshima directly addressed the aftermath of the war through confronting imagery then with a gentle, humanist touch.

    A year later, Hideo Sekigawa’s Hiroshima upped the political ante with a docudrama critical of the United States’ actions in a film that included real survivors from the nuclear blast acting as victims.

    The obvious metaphorical imagery of successive Godzilla films reflect fears of the potential horrors nuclear activities could unleash.

    The title of Shōhei Imamura’s Black Rain (1989, not to be confused with Ridley Scott’s yakuza film of the same name and same year) referenced the colour of the acid rain following the nuclear blast in Hiroshima, and was recognised with some of Japan’s highest film honours.

    Anime has also directly shown the damage wrought by Oppenheimer’s device, most notably with Barefoot Gen in 1983, and its sequel in 1986.

    In the style of Astro Boy and Kimba the White Lion, a young wide-eyed boy, Gen, is caught in the horrors of the conflict, watching as his mother literally melts in front of him.

    Summer with Kuro (1990) and In This Corner of the World (2016) each gave their own, less graphic, anime versions of lives touched by the conflict.

    Foreign films
    Foreign films about the second world war have also found an audience in Japan.

    Alain Resnais’ intensely serious French New Wave drama, the French/Japanese co-production Hiroshima Mon Amour (1959), exposed the international implications of personal relations after the bomb.

    Japan warmly welcomed Clint Eastwood’s 2006 twin-release of Letters from Iwo Jima and Flags of Our Fathers, which showed the battle from the views of Japanese and US soldiers, respectively.

    Both films would go on to win Outstanding Foreign Language Film at the Japan Academy Awards.

    Stories of the bombings of Hiroshima and Nagasaki are not a taboo topic in Japan. Of all the nations in the world to be banning films, Japan must surely be near the bottom of the list.

    Whether there’s a release date or not, Oppenheimer must have the appeal to be a box office hit to determine its suitability for release in Japan.
    The Conversation

    Dr Peter C. Pugsley is associate professor, Department of English, Creative Writing and Film, University of Adelaide. This article is republished from The Conversation under a Creative Commons licence. Read the original article.

    This post was originally published on Asia Pacific Report.

  • Jubi News

    Jayapura will once again host the sixth edition of the Papua Film Festival (FFP VI), scheduled to take place next month from August 7-9, 2023.

    The festival’s central theme, “Dari Kampung Kitong Cerita” (From Our Village, We Tell Our Stories), was determined by the Papuan Voices committee.

    During a press conference at the Papuan Voices secretariat in Waena, Jayapura City, festival chair Iren Fatagur revealed that the event would focus on various smaller themes, including food, social change, history and identity, local wisdom, women and children, and the negative impact of land grabbing.

    The festival will encompass two main components: film screenings and workshops. The workshops will explore different approaches used by filmmakers, particularly in the form of documentary films.

    Participants will gain insights into the documentary cycle, covering aspects such as expedition design and film duration.

    Harun Rumbarar, head of Papuan Voices, explained that the initial plan was to hold the sixth Papua Film Festival in Wamena following the Papuan Voices 2022 Congress in Biak.

    However, due to circumstances and prevailing conditions in Wamena, the decision was made to relocate the festival back to Jayapura.

    Shedding light on issues
    This year’s festival aims to shed light on simpler yet significant issues, focusing on cultural situations and social matters, highlighting stories from various villages.

    Unlike previous editions, FFP VI will not feature a competition but will instead showcase a selection of documentary films produced by Papuan Voices. The films will be screened and followed by discussions to gather responses and insights from the audience, assessing each film’s potential and strengths.

    “This year it’s more about telling the content and essence of the stories directly. Papuan Voices seeks to engage and empower local filmmakers, fostering storytelling capacities within the community,” Rumambar said.

    FFP VI expects to attract many attendees, offering a platform for cultural exchange, celebration, and capacity building among film enthusiasts and creators alike.

    Republished with permission.


    This content originally appeared on Asia Pacific Report and was authored by Pacific Media Watch.

    This post was originally published on Radio Free.

  • Listen to a reading of this article (reading by Tim Foley):

    One of my favorite follows on Twitter right now is a smallish account run by an anti-imperialist activist who goes by “Left I on the News”, because he has a real knack for going through articles in the mainstream press and highlighting the mundane little manipulations we’re fed each day to shape our worldview in alignment with the US empire.

    One story he singled out recently was a New York Times article titled “Russia Fires Drones and Missiles at Southern Ukraine,” which opens with the line, “Russian forces launched drones and missiles at cities in southern Ukraine from the Black Sea early Tuesday, Ukrainian officials said, a day after Moscow blamed Kyiv for an attack on a bridge linking the occupied Crimean Peninsula to Russia.”

    Can you spot anything funny in that sentence? It’s not super obvious at first glance.

    “Look how the NYT phrases this subhead to make Russia sound extra evil,” Left I tweeted with a screenshot of the article. “Not ‘a day after Kyiv attacked the Kerch Bridge’, but a day after Russia blamed them for doing it (as if it’s just some wild accusation). Remember — the most effective propaganda is the subtlest.”

    “The most effective propaganda is the subtlest” is a phrase you should try to remember, because it’s so very true.

    It is indeed ridiculous to try to frame this as some wild accusation by Russia, as though Moscow should have remained open to the possibility that the bridge was struck by Bolivia or Nepal. CNN reports that Ukrainian officials have taken credit for the attack, and just days ago Ukraine’s deputy defense minister publicly acknowledged that Ukraine was behind last year’s attack on the very same bridge. No serious person doubts that Ukraine was behind the attack, including those who support Ukraine.

    But that subtle manipulation didn’t really stand out when you first saw it, did it?

    As we’ve discussed previously, these subtle little adjustments of perception are what constitutes the vast majority of the propaganda westerners ingest through the news media from day to day. This is because the really overt, ham-fisted propaganda isn’t what’s effective; what’s effective is those sneaky little lies that slide in unchecked underneath people’s critical thinking faculties.

    Contrast the above example with the response we’ve been seeing to Yeonmi Park, whose outlandish, larger-than-life propagandistic lies about what it’s like to live in North Korea have turned her into an internet meme. She’s become so widely mocked that even The Washington Post, among the first to help amplify her as a trustworthy North Korean defector after her arrival in the US in 2014, is now openly questioning her credibility.

    This is because propaganda only works if it doesn’t ring people’s cognitive alarm bells. You can’t slide propaganda down people’s throats if it triggers their critical thinking gag reflex. If you want to poison someone’s food, you can only pull off the deed if they don’t taste the poison or throw it up before it takes effect.

    So most propaganda isn’t of the Yeonmi Park “communists are so poor that they have to eat mud and get out of the train and push it because there’s no electricity” variety. It’s subtle. It’s these tiny little adjustments where US allies are reported on more sympathetically than US enemies, claims made by unaligned governments are reported with much more scrutiny and skepticism than aligned governments, and the sins which take place within the US-centralized power structure are overlooked while those outside it are amplified and condemned.

    We’ve been ingesting these tiny little manipulations all our lives like microplastics in our water supply, and they build up within our reality tunnels to significantly warp our perception of what’s going on in the world.

    And the fact that it’s been so many tiny little lies over years and years means it’s a lot harder to extract all the perception management from our worldview once we’ve discovered that it’s happening. If it was just a few really big lies we could reorient ourselves toward truth fairly quickly just by recognizing them, but because it’s so very many tiny manipulations it takes years of sincere work to fully free yourself from all the distortions and false assumptions you grew up with.

    But it’s worth doing, because positive change can only come from an awareness of what’s true, whether you’re talking about individuals or humanity as a whole. Our task as humans is to come to a truth-based relationship with reality to the furthest extent possible, and that means fearlessly diving headfirst into the long, hard slog of sorting out fact from fiction, one lie at a time, no matter how subtle.

    _____________

    All my work is free to bootleg and use in any way, shape or form; republish it, translate it, use it on merchandise; whatever you want. My work is entirely reader-supported, so if you enjoyed this piece please consider sharing it around, throwing some money into my tip jar on PatreonPaypal, or Substack, buying an issue of my monthly zine, and following me on FacebookTwitterSoundcloud or YouTube. If you want to read more you can buy my books. The best way to make sure you see the stuff I publish is to subscribe to the mailing list on Substack, which will get you an email notification for everything I publish. For more info on who I am, where I stand, and what I’m trying to do with this platform, click here. All works co-authored with my husband Tim Foley.

    Bitcoin donations: 1Ac7PCQXoQoLA9Sh8fhAgiU3PHA2EX5Zm

    This post was originally published on Caitlin Johnstone.

  • RNZ News

    From today readers of rnz.co.nz will see a change to the home page, and a new initiative to tell the stories of Aotearoa New Zealand’s Asian community.

    RNZ.co.nz has added a lineup of four sections which focus on the growing communities of Aotearoa and are placed right at the top of the home page.

    Elevated links have been added to RNZ’s existing Te Ao Māori and Pacific sections.

    RNZ has also launched two new sections for Chinese and Indian New Zealanders and added them at the top of the home page as well.

    Public Interest Journalism Fund
    PUBLIC INTEREST JOURNALISM FUND

    The sections are part of a new initiative to speak to and report on issues in the growing Asian communities of New Zealand.

    The new Indian section features original stories in English by specialist reporters.

    The Chinese section has stories in the simplified Chinese script. Original stories are there as well as translations of RNZ news stories of interest to the Chinese community.

    NZ On Air survey
    RNZ is starting with the simplified script and will then scope whether it is feasible and useful to translate using the traditional script as well.

    The different approaches are a response to a NZ On Air survey which found the Indian and Chinese communities had different language needs and approaches to seeking out news.

    This is one of RNZ’s first steps into daily translated news. Before the launch, RNZ put systems in place to make sure it is getting translations right. The stories are double, and triple checked.

    RNZ is also asking for feedback to make sure it is getting it right on each story and will conduct regular independent audits to make sure our translations are on track. RNZ is keen for feedback.

    The new Indian and Chinese sections are a result of a two-year collaboration with NZ On Air. The unit of reporters and translators is being funded for the first year through the Public Interest Journalism Fund; the second year will be funded by RNZ, with a right of renewal after that.

    Stories from the Asian unit will also be made available to more than 40 media organisations across the country and the Pacific.

    RNZ believes that it is vital that RNZ supplies news to many different communities within Aotearoa New Zealand.

    The Asian population in New Zealand is growing fast, particularly in Auckland.

    In 2018, Asian New Zealanders made up 15 percent of the New Zealand population. The two largest groups are the Chinese and Indian New Zealanders, with about 250,000 people each.

    This article is republished under a community partnership agreement with RNZ.


    This content originally appeared on Asia Pacific Report and was authored by Pacific Media Watch.

    This post was originally published on Radio Free.

  •  

    (Marc A. Hermann / MTA)

    Grand Central Terminal under the haze of smoke from Canadian wildfires linked to human-caused climate change. (photo: Marc A. Hermann / MTA)

    Skies on the US’s East Coast turned an apocalyptic orange in early June, as wildfire smoke from Canada blew south. On Wednesday, June 7, New York City’s air quality ranked the worst in the world, with an Air Quality Index rating of more than 400 out of 500—deemed “hazardous” for any individual.

    Scientists expect forest fires to increase with the advance of climate disruption—mainly driven by fossil fuel consumption. Hotter, dryer weather, an increase in the type of brush that fuels these fires, and more frequent lightning strikes all contribute to this outcome (NOAA, 8/8/22; UN, 2/23/22; PNAS, 11/1/21; International Journal of Wildland Fire, 8/10/09).

    Short-term exposure to fine particulate matter in wildfire smoke can cause nose, throat and lung irritation, as well as worsening underlying conditions like asthma and heart disease. Over months or years, this exposure can increase chances of chronic bronchitis, as well as hospital admissions and deaths due to conditions like lung cancer and heart disease. In Delhi, India, which typically has the worst air quality in the world, pollution takes an average of nine years off residents’ life expectancy (Democracy Now!, 6/8/23).

    With a sepia hue and the smell of a campfire engulfing the East Coast, the immediate effects of human-caused climate change seemed as concrete as they had ever been. But on US TV news, viewers were more likely to hear climate denial than reporting that made the essential connection between fossil fuel consumption and worsening wildfires—if they heard mention of climate change at all.

    A minority mentioned climate

    Wildfire Segment Breakdown

    Searching the Nexis news database for transcripts from June 5–9 on ABC, CBS, NBC, CNN, Fox and MSNBC, FAIR found 115 news segments that mentioned the forest fires and their effect on air quality. Of those 115 segments, only 44 (38%) mentioned climate change’s role.

    (FAIR defined a “segment” as any portion of a news show that discussed the wildfire pollution. Brief top-of-show or pre-commercial mentions that previewed segments airing later in the show were counted as part of the segments they referred to. When shows included more than one segment covering wildfire pollution, each was counted separately.)

    Outlets varied widely in attention to the wildfire pollution issue: The broadcast outlets ranged from 20 segments at CBS to 10 at ABC and three at NBC. Among cable outlets, CNN had 55 segments, Fox had 23 and MSNBC four. (Note: Nexis relies on outlets to submit content, and submission policies vary among outlets.)

    At MSNBC, it was mentioned in three out of four segments (75%), and in two out of three segments (67%) on NBC. Climate change was mentioned in 48% of segments at Fox, 40% at ABC and CNN, and 10% at CBS.

    Even when outlets mentioned climate change, the detail and usefulness of the information varied greatly.

    Only seven wildfire pollution segments (6% of all 115 segments) named or even alluded to fossil fuels—by far the largest contributor to climate change—in a way that did not engage in climate denial. By disconnecting climate change causes and consequences, media outlets shield the fossil fuel industry and the politicians who aid and abet them from accountability, and avoid discussions about urgently needed action.

    Wildfire Segment Breakdown

    Passing mentions

    Of the 44 segments that mentioned climate change in relation to wildfire pollution, 10 did so only in passing, with no detail as to how, exactly, climate change increases the risk, severity and duration of such fires.

    For instance, CNN Tonight (6/6/23) referred to the air quality in New York City as a “climate crisis,” but went no further into discussing how the broader climate crisis is exacerbating events like these.

    CNN’s Poppy Harlow (This Morning, 6/8/23) remarked on how “important it is that we focus on climate change and all that is happening,” but said nothing else to direct the audience’s focus in that direction.

    ABC also had two passing mentions, as when World News Tonight (6/7/23) aired a soundbite from White House press secretary Karine Jean-Pierre describing the smoke as “yet another alarming example of the ways in which the climate crisis is disturbing our lives and our communities.” Then the segment ended.

    Though a passing mention is better than no mention at all, tossing in the term “climate change” does very little to help audiences understand how climate disruption exacerbates events like these, or to explain the human causes of the climate crisis. This silence deprives viewers of any conversation about potential climate solutions or mitigations, leaving them only with confusion and fear.

    Climate denial

    Fox: CNN: Buy a Tesla to Save the Planet

    Fox‘s Jesse Watters (6/7/23) used the wildfire pollution as an opportunity to mock electric cars—and rival CNN.

    Ten segments in the study period engaged in outright climate change denial, either mocking or attempting to debunk climate change with pseudo-science. These segments were less helpful than not mentioning climate change at all, actively discouraging people from taking action to ameliorate the climate catastrophe.

    CNN aired an interview with Mike Pence (CNN Live Event, 6/7/23), who claimed climate change isn’t happening “as dramatically as the radical environmentalists like to present,” and that the solution is “expanding American energy and natural gas.” He faced no pushback for his scientifically illiterate response.

    But Fox led in climate disinformation, with nine denialist segments. Jesse Watters (6/7/23) offered a typical example:

    A liberal in Canada goes camping, starts a forest fire, smokes out America, and they tell us to pay Elon Musk. But, is manmade global warming causing Canadian forest fires? Why don’t you open a history book, and you’ll learn about New England’s Dark Day. It happened in 1780, long before the Industrial Revolution. Dark clouds stretched from Maine to New Jersey, blotting out the sun…. That dark cloud in 1780 was from Canadian wildfires, 240 years ago. Can’t blame that on climate change. Everybody was riding horses.

    And you might be surprised to find out, over the last 100 years, there have been less wildfires, not more. The Wall Street Journal says in the early 1900s, about 4% of land worldwide burned every year. By 2021, that was down to 2.5%. So, instead of obsessing over climate change, they should take a look at forest management and making sure Canadian campers listen to Smokey the Bear.

    The Wall Street Journal op-ed (10/27/21) Watters cited is by a climate denialist, and misleadingly only takes into account the metric of land burned, ignoring factors like the severity and frequency of more recent fires, and the likelihood of land burned trending back upward (WWF International, 2020). The World Resources Institute (8/17/22) found that forest fires burned nearly twice as much tree coverage globally in 2021 than it did in 2001.

    Forest fire ‘hysteria’

    Fox: Radical Left Uses Wildfire Smoke as Climate Cudgel

    Fox‘s Laura Ingraham (6/9/23) brought on former TV weather forecaster Anthony Watts to use the climate crisis to bash the left.

    Blaming fires solely on poor forest management despite clear links to climate change was a common tactic at Fox (The Five, 6/7/23; see Media Matters, 6/9/23). Laura Ingraham (Ingraham Angle, 6/9/23) argued that because forest fires are “so normal that Canada’s government website has a page…devoted to educating the public about them,” that concern over these out-of-control fires is “hysteria.”

    In reality, Canada is having its worst-ever wildfire season (Bloomberg, 6/7/23). In early June, more than 200 wildfires burned across Canada, accompanied in some areas by record heat. More than half were out of control (Washington Post, 6/3/23).

    Earlier in the week (6/7/23), Ingraham’s guest, Steve Milloy of the conservative, climate-denying Energy and Environment Legal Institute, claimed that “there’s no health risk” from wildfire smoke (not true), and that there are no public health emergencies in countries like India and China due to their low air quality. (Also a lie—air pollution was responsible for nearly 18% of deaths in India in 2019, and causes an estimated 2 million deaths in China per year.) He argued that wildfire smoke is “natural” and “not because of climate change.”

    Fox also applied its typical red-scare tactics, saying climate concern is “about socialism” (Hannity, 6/7/23), and that “the climate crazies are trying to use a Canadian forest fire as yet another excuse to take your freedom, take your power and take your money” (Ingraham Angle, 6/7/23).

    Meanwhile, Fox misled viewers that mainstream media coverage of the fires was rife with discussions about the climate crisis. On The Five (6/7/23), Greg Gutfeld complained: “So, already, the media is blaming climate change. ABC is connecting it to climate change. USA Today asked if the fires were actually caused by climate change.”

    If only centrist corporate outlets were as committed to offering climate crisis context as Fox is to promoting climate change denial.

    Explanatory mentions

    CNN's Bill Weir on the East River

    CNN climate correspondent Bill Weir (6/7/23) offered perhaps the most thorough explanation of how the climate crisis worsens wildfires.

    Twelve other segments that mentioned climate change offered slightly better than a passing mention, explaining things like how a warmer and drier climate exacerbates these fires, or how events like these will worsen as the climate crisis continues. But these segments did not allude to the reality that climate change is caused by people.

    Some of these segments included the sparest of explanations, as when ABC’s Rob Marciano (World News Tonight, 6/7/23) briefly mentioned “climate change with the extra warmth” amplifying the fires, and potentially contributing to weather systems that kept the smoke hanging over the northeastern US.

    Three mentions  (The Lead, 6/8/23; Situation Room, 6/8/23; CNN Newsroom, 6/9/23) were of the same brief soundbite, from Daniel Westervelt, anti-pollution adviser to the US State Department, warning, “With increasing climate change and increasing warming, we can expect more and more of these kind of wildfires to continue.”

    CNN climate correspondent Bill Weir (Erin Burnett Outfront, 6/7/23) offered perhaps the most thorough explanation of how the climate crisis worsens wildfires, demonstrating the connection to the melting ice in the Arctic:

    The Arctic, the northern top of the planet, has been warming up four times faster than the rest of the planet. When I do those reports, I can almost hear the viewers’ eyes glazing over. Like, what do I care about what happens in the Arctic?

    This is directly related to that. There was a heat anomaly in May over Canada, looked like a giant red blob of paint where they had temperatures in the high 90s, way sooner than is normal, that dries things out, one lightning strike sets that off like a tinderbox. And that’s why there’s over 100 fires burning in central Quebec.

    And then the weather patterns connect us. Now, we’re breathing the results of a climate in crisis.

    Weir went on to briefly mention the “cost of doing nothing”; however, he was referring entirely to the economic impact of people not being able to leave their homes on poor air quality days. While he thoroughly explained the connection between a warming planet and devastating wildfires, he did not elaborate on the human causes—nor the human solutions—to the climate crisis.

    Human-caused—but how?

    MSNBC: Climate Change Spurs Intensifying Wildfires in Canada

    MSNBC‘s All In (6/7/23) acknowledged that humans were changing the climate—but didn’t say how.

    Five of the 44 segments that mentioned climate change did point to human responsibility for climate change, either directly or by mentioning the need to reduce emissions. But these segments did not reference fossil fuels, which are the main way humans are changing the climate and the major source of greenhouse gas emissions.

    Thus Fox (Special Report, 6/7/23) aired a soundbite of New York City Mayor Eric Adams saying, “We must continue to draw down emissions,” without remarking on Adams’ comment.

    On CNN Newsroom (6/9/23), climate scientist Zeke Hausefather said briefly, “I hope it will serve as a wake-up call that we need to cut emissions and reduce the impacts of this going forward.”

    Other segments that described or alluded to the climate crisis as human-caused without mentioning fossil fuels included CNN‘s Lead (6/7/23), MSNBC‘s All In (6/7/23) and CNN This Morning (6/8/23).

    The fossil fuel distinction is important, especially because the industry has spent billions to confuse the public on its environmental impact. In the early 2000s, a PR firm for BP coined the term “carbon footprint,” diverting the blame of the climate crisis onto individual citizens and away from these greedy corporations. We can sip our iced coffee out of paper straws all we want, but unless the world’s economies immediately and drastically cut fossil fuels, the planet is headed to far exceed the 1.5°C rise scientists have warned about (Amnesty International, 3/20/23).

    Acknowledging ‘Addiction to oil’

    MSNBC Climate Crisis

    Joy Reid (MSNBC, 6/7/23) put the blame squarely on the world’s “unrelenting dependence on oil.”

    All of the segments that took the crucial next step of connecting the wildfires to fossil fuel emissions—seven in all—appeared on cable news networks.

    On MSNBC’s The Reidout (6/7/23), host Joy Reid called out the world’s “unrelenting dependence on oil,” warning that

    we will suffer the consequences, as the planet we live on and that our children and grandchildren will inherit becomes even more dangerous to live in.

    Environmentalist Bill McKibben appeared on CNN Newsroom (6/8/23) to link the poor quality of New York’s air to the dire situations facing people across the world as a result of fossil fuel–driven pollution:

    It’s terrible in New York right now, and we shouldn’t make light of it. But it’s precisely how most people across much of the world live every single day. That’s why nine million people a year—one death in five on this planet—comes from the effects of breathing fossil fuel combustion.

    Beyond fear-mongering, McKibbon offered a solution:

    The good news is we have an easy fix. We now live on a planet where the cheapest way to produce power is to point a sheet of glass at the sun. We should be in an all-out effort to move to renewable energy and to save energy so we don’t have to use as much of it.

    In another segment that day,  CNN Newsroom (6/8/23) discussed the American Lung Association’s report that stated 90,000 lives would be saved if the US could electrify its vehicle fleet by 2050. “That doesn’t account for the prevalence of wildfire smoke now more common on a planet heated up by fossil fuels,” CNN chief climate correspondent Weir reported.

    This data was mentioned in two other CNN segments (Anderson Cooper 360 Degrees, 6/7/23; CNN Newsroom, 6/8/23).

    Elsewhere, Weir (This Morning, 6/8/23) attributed India’s poor air quality to coal burning, unchecked motor regulations and the burning of agricultural fields.

    And on his MSNBC show (Alex Wagner Tonight, 6/7/23), Alex Wagner called out Republican efforts to defend a household source of fossil fuel emissions even as the wildfires demonstrated the dire effects of unchecked climate disruption:

    House Republicans had an agenda item on the topic of air quality, but it had nothing to do with combating climate change. They were taking a vote on protecting gas stoves.

    Solutions-based journalism

    Democracy Now!: “Climate Silence”: Corporate Media Still Failing to Link Wildfires & Extreme Weather to Climate Crisis

    Author and activist Genevieve Guenther (Democracy Now!, 6/30/23) told journalists, “You need to connect the dots from what you’re reporting to the climate crisis, and then through the climate crisis to the use of fossil fuels that is heating up our planet.”

    When the best mainstream TV news outlets have to offer during an environmental and public health crisis is seven mentions of the key cause that needs to be urgently addressed, there’s little for the public to gain.

    In a recent segment on Democracy Now! (6/30/23), Genevieve Guenther, author and director of End Climate Silence, emphasized the importance of these connections, advocating for all reporters to be educated on the climate crisis, regardless of the beat they cover. “You need to connect the dots from what you’re reporting to the climate crisis, and then through the climate crisis to the use of fossil fuels that is heating up our planet,” she said.

    It is necessary to go beyond cursory headlines to name what is responsible, not to further fear and complicity, but because doing so allows us to offer solutions. We live in a time where, despite Big Oil’s tireless efforts to confuse the public, renewable energy is cheaper—and by many measures, more efficient—than fossil fuels (ASAP Science, 9/9/20).

    A 2022 study shows that news framing that centers credible responses to climate problems were associated with confidence in one’s ability to make changes and more support for collective action (Environmental Communication, 11/11/22). If apocalyptic air enveloping major news headquarters hundreds of miles away from record-setting fires doesn’t prompt these necessary conversations, what will?


    Research assistance: Lara-Nour Walton and Brandon Warner

     

    The post As Skies Turn Orange, Media Still Hesitate to Mention What’s Changing Climate appeared first on FAIR.


    This content originally appeared on FAIR and was authored by Olivia Riggio.

    This post was originally published on Radio Free.

  • Pfizer is spending big money to control online media. And, a group of 8 teenage girls have been arrested for murdering a homeless man in Canada, and authorities think social media may have played a role in the killing. Mike Papantonio & Farron Cousins discuss more. Transcript: *This transcript was generated by a third-party transcription software company, so please […]

    The post Pfizer Paying Big Money To Control Media Criticism & Teen Girls Commit Murder For Online Fame appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • Raza Rumi, director of the Park Institute for Independent Media at Ithaca College in NY, joins Mickey for a wide-ranging conversation about the importance of non-corporate media and media literacy.…

    The post The Importance of Independent Media and Critical Media Literacy Education in a Democratic Society appeared first on Project Censored.


    This content originally appeared on Project Censored and was authored by Project Censored.

    This post was originally published on Radio Free.

  • A new report from The Intercept has revealed that the Pentagon is scrolling through social media trying to identify people making mean tweets about military generals. They claim they’re doing this for safety reasons, but they’re actually trying to keep tabs on anyone that is critical of the US war machine. Mike Papantonio & Farron Cousins discuss more. Transcript: […]

    The post Pentagon Is Spying On People Who “Hurt Generals’ Feelings” appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • Dakar, July 17, 2023—Burkinabè authorities should immediately reverse the suspension of French television news channel La Chaîne Info (LCI) and stop censoring local and foreign media coverage of the jihadist insurgency in Burkina Faso and the Sahel region, the Committee to Protect Journalists said Monday.

    On June 23, Burkina Faso’s media regulator, the Superior Council for Communication (known by its French acronym CSC), suspended LCI, which is part of private broadcaster TF1, for three months for allegedly airing false information about deteriorating security conditions in the country on its current affairs show, “24H Pujadas,” according to several media reports and a copy of the decision.

    “We call on the Burkinabè authorities to reverse their decision and immediately lift the suspension of LCI’s broadcasting,” said Angela Quintal, CPJ’s Africa program coordinator in New York. “The latest suspension of a French media outlet over its insurgency reporting appears retaliatory rather than grounded in fact and robs the people of Burkina Faso of their right to know what is happening in their country.”

    Thousands of Burkinabè citizens have died and millions have been displaced in the eight-year insurgency led by militants affiliated with Al-Qaeda and Islamic State, who currently control large areas of the country. Soured relations between France, the country’s former colonial power, and Burkina Faso’s ruling military junta led to the February withdrawal of French troops helping to fight the insurgents.

    LCI is the third French outlet to be suspended since December 2022 in Burkina Faso after France 24’s suspension in March and the radio station RFI in December. In addition, two French journalists working for Le Monde and Libération were expelled from Burkina Faso in April.

    The CSC suspension decision said commentary by LCI’s popular “24H Pujadas” host, Abnousse Shalmani, on an April 24 segment titled “Sahel, the lost zone” was “not based on any concrete evidence” and “lacked objectivity and credibility.” It also said the report exaggerated the scale of the insurgency and “seditiously” exposed “unverified” failures in Burkina Faso’s military response to the insurgency, Reuters reported.

    Blahima Traoré, CSC general secretary, told CPJ by messaging app that the three satellite television providers that carry LCI for subscribers, were formally notified of the decision on June 23.

    Canal+ Burkina, Neerwaya Multivision, and Stars Médias Burkina—the three providers—would be “liable for penalties” if they failed to suspend LCI for three months from the notification date, a CSC notification sent to Canal+ Burkina’s general manager said. At least one of the three—Canal+ Burkina—has suspended LCI broadcasts, but the channel is still available online, Guézouma Sanogo, president of the Association of Journalists of Burkina, told CPJ via messaging app on July 10. CPJ was not able to immediately confirm whether Neerwaya Multivision and Stars Médias Burkina have suspended LCI broadcasts.

    According to Article 46 of the 2013 law that establishes the regulator and sets out its powers and composition, the CSC can suspend the broadcasting of a program “for a maximum of three months” depending on the seriousness of the breach.

    CPJ tried unsuccessfully to contact LCI and Shalmani for comment via their social media accounts.


    This content originally appeared on Committee to Protect Journalists and was authored by Committee to Protect Journalists.

    This post was originally published on Radio Free.

  • Jubi News

    Media organisations in Papua — including the Alliance of Independent Journalists (AJI) of Jayapura City, the Indonesian Journalists Association (PWI) of Papua and the Indonesian Television Journalists Association (IJTI) of Papua — have lambasted intimidation against Abdel Gamel Naser, a reporter with the Cenderawasih Pos.

    The incident occurred while he was covering the issue of mangrove forest destruction in the Youtefa Bay Nature Park conservation area in Jayapura City last Tuesday.

    Gamel, as he is commonly known, allegedly faced intimidation from two police officers who were present near the location.

    The officers approached Gamel and questioned why he was photographing the area.

    Despite explaining that he was a journalist, the officers forced him to delete three images from his reportage.

    “To avoid further conflict so I can continue my reporting elsewhere, I deleted the photos,” he explained.

    “As I was leaving the location, [the police officers] issued further threats,” Gamel said in a press release issued by the media groups.

    A halt to logging
    Gamel was among a group of about a dozen journalists who were covering the halt of logging and material stockpiling in the mangrove forest area of Youtefa Bay Nature Tourism Park.

    The halt was carried out by the Papua Forestry and Environment Service, the Papua Natural Resources Conservation Center, and the Papua Police Special Crimes Unit.

    According to Gamel, the intimidation occurred while he was capturing images near a location where police lines had been established, and several police officers were nearby.

    Lucky Ireeuw, chair of the AJI Jayapura, strongly condemned the alleged intimidation faced by Gamel during his work. he said such repressive actions hindered the exercise of press freedom in Papua.

    “The intimidation suffered by Gamel obstructs press freedom and violates Law No. 40/1999 on Press,” Ireeuw said.

    He called on the Papua police to take decisive action against the officers implicated in the alleged intimidation.

    “We urge the police to ensure press freedom in Papua,” Ireeuw added.

    ‘Arrogant’ display
    Meanwhile, PWI Papua deputy chair Ridwan Madubun strongly condemned the “display of arrogance” that resulted in the intimidation of his fellow journalist Gamel. Madubun saoid such actions were unjustifiable, especially when they happened while journalists were carrying out their responsibilities in the public domain.

    He also expressed dismay at the ongoing repressive acts against journalists in Papua.

    Journalists are safeguarded by law in carrying out their coverage duties to inform the public.

    Papua police spokesperson Senior Commander Ignatius Beny Ady Prabowo said efforts had been made within the police institution to educate officers about press freedom since their training at the National Police School.

    “I have just been made aware of the alleged intimidation against Gamel,” Prabowo said.  “Journalists who encounter such incidents can report them to our Internal Division.”

    Republished from Jubi with permission.

    This post was originally published on Asia Pacific Report.

  • Police violence against African-Americans. Poverty in the United Kingdom. Widespread pollution. An oligarchy controls the U.S. government.

    In recent weeks, China’s state media has been pumping out a slew of negative news reports about the United States and Europe in recent weeks – even as many middle-class and wealthy Chinese flee the country.

    A June 24 video feature on U.S. politics by state news agency Xinhua in English warned: “The rich have power, while the poor have weak rights.”

    “Under the veneer of American democracy, it’s actually the rich who rule the country,” the report said. “Behind the mask of one person one vote is actually one dollar, one vote.”

    It said Abraham Lincoln’s promise of government “of the people, by the people and for the people” had fallen into the hands of an oligarchy. “U.S. elections have become a fig leaf for capitalists to exercise power,” the report said.

    Across the Atlantic, one in seven British people went hungry in 2022 due to lack of money to buy food, state news agency Xinhua reported on June 29, citing a report from the Trussell Foundation.

    “Government figures estimate that British households are in the midst of the two-year decline in living standards that has been the biggest since comparable records began in the 1950s,” the report said. It was widely picked up by mainland Chinese news sites and bloggers, with photos of restrictions on the sale of bell peppers at a Manchester supermarket.

    ‘It’s not Mars’

    While China’s state media — which is registered under legislation governing the agents and representatives of foreign governments in the United States — has long been subject to stringent political controls on what it can publish at home, Xinhua and other overseas organizations have much freer rein when reporting from foreign countries.

    And there is a stark variation in the type of language state media use when reporting on bad news — depending where it’s happening.

    ENG_CHN_WestDecline_07112023.3.jpg
    A demonstrator runs across a street on the third night of protests sparked by the fatal police shooting of a teenager in the Paris suburb of Nanterre, France, June 30, 2023. Credit: Aurelien Morissard/AP

    A keyword search for “wildfires” on the Global Times website in English on July 12 turned up around a dozen stories using negative language like “worst ever,” “losing face” and “rampant wildfires” to describe the fires and air pollution in the United States, Canada and further afield, while around five use more neutral language about global climate change.

    “It’s not Mars, it’s the U.S.!” begins one article, with a picture of New York city enveloped in orange haze.

    The language contrasts with last year’s coverage of wildfires outside Chongqing, which use language like ‘vanquished’ and ‘heroes’ and ‘all flames put out’ to portray the heroic struggle of the firefighters. The same search on the China Daily website yields similar results.

    Yet coverage of Canadian wildfires from 2009 offers a much more balanced picture, with two using heroic language about firefighting efforts and two focusing on evacuations and damage.  

    ‘Run’

    While is is unclear whether the apparent flurry of bad news out of the West is deliberate, the grim and sometimes downright snarky coverage comes amid news of the “run” movement, a steady flow of Chinese people leaving the country who are worried about their economic future, tired of the restrictions in daily life and disenchanted with their leaders and political system. 

    Some desperate Chinese are trekking through the jungles of Latin America to get to Mexico, where they cross into the United States and apply for political asylum.

    ENG_CHN_WestDecline_07112023.2.jpg
    There have been widespread reports of Chinese people trekking through the jungles of Latin America to get to Mexico, where they cross into the United States and claim political asylum. Credit: Courtesy photo

    Meanwhile, a June 17 report from state broadcaster CCTV focused on police violence against Black people in the United States.

    “Three years after the death of George Floyd, violent law enforcement in the US police system is still widespread,” the headline reads, referring to a recent Department of Justice investigation into racism in the police force.

    “Violent law enforcement exists widely in the American police system,” the report said. “The reality is that a large number of social problems in the United States have become bargaining chips for politicians from both parties to compete for political interests.”

    A day earlier, the China Daily reported on a court ruling that two police officers in Oklahoma, who are facing manslaughter charges for the 2021 killing of Quadry Sanders, an African-American, were unjustifiably terminated and must be reinstated.

    “The deceased’s mother filed a lawsuit, but the local police and the government denied any wrongdoing by the officers,” the report said.

    In a recent commentary, the Global Times accused U.S. media of using “this ‘losing-face’ moment to smear China for its pollution in the past, which prompted Chinese netizens to fight back with pictures of clear-sky Chinese metropolises, advising the U.S. to learn from China’s great achievements in improving air quality in the past years.”

    The overseas Chinese news service Qiaobao took up the police violence and racism theme with its reporting of the French riots over the killing of Nahel Merzouk, a teenager of North African descent.

    “The riots in many places caused by the French police shooting and killing teenagers are still continuing, and have attracted a lot of attention,” the paper wrote, drawing a parallel with the killing of George Floyd.

    Translated by Luisetta Mudie. Edited by Malcolm Foster.


    This content originally appeared on Radio Free Asia and was authored by By Hwang Chun-mei and Gu Ting for RFA Mandarin.

    This post was originally published on Radio Free.

  • Facebook has made the decision to stop allowing news articles to be posted on their platform in Canada, after they were told they would have to start paying them. The efforts to force Facebook to pay outlets is being driven by corporate media outlets who know that they will win no matter what happens. Mike Papantonio & Farron […]

    The post Facebook Doesn’t Want To Pay For News Articles, So They Banned Them! appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • It should be called for what it is.  The recent apoplectic, lurid coverage of what was, at best, a matter for a corporation’s human resources department dominating several news cycles even as drownings continued in the Mediterranean, war continued being waged in Ukraine and climate change continued issuing ominous reminders of its existence.

    The issue at hand?  Allegations that a BBC presenter, said to be a “household name”, had paid £35,000 to a youth over a period of several years in return for sexually explicit photos.  The payments are said to have started when the young person in question was 17, leading to questions about whether a crime had taken place in the making, sharing or possessing of incident images.

    The story made its debut in that king of rags, The Sun.  The howls followed.  As an article headline read: “Top BBC star who ‘paid child for sex pictures’ could be charged by cops and face years in prison, expert says.”

    Within a few days, three issues started to thump and pulsate in the mediascape: whether the as yet unnamed presenter had solicited the images in the first place; whether the BBC had shown indifference in ignoring the complaints of that behaviour by a concerned family member; and whether the entire matter was, according to the lawyer representing the young person, “rubbish”.

    The whole affair led to various episodes of sheer terror within the BBC itself, with Jeremy Vine, a colleague of the still unnamed presenter, demanding the identity be revealed in order to stop “yet more vitriol being thrown about at perfectly innocent colleagues at his”, placing the broadcaster “on its knees”.

    The BBC found itself in a bizarre, masochistic bind of constantly covering itself, repeatedly running stories on the matter, including a report on July 11 that a second young individual had supposedly received abusive messages from the presenter via a dating app. Much of this was put down to journalistic integrity, not wishing to sweep such matters under the carpet.

    More details emerged, even as the NATO summit in Vilnius continued.  The unnamed person was outed as BBC anchor Huw Edwards.  On July 12, it was revealed by his wife, Vicky Flind, that he had been hospitalised, suffering a mental breakdown – the handiwork, it was claimed, of The Sun’s lurid coverage.  But what also emerged was that the police had found no evidence or grounds to suggest that a crime had been committed.  The whole matter had been an issue of outing the private life of a public figure.

    The excuses and apologias are thickening over the reasons for the coverage, fed by platoons of analysts, journalists, and pundits.  The BBC, reasons former president of CBS, Howard Stringer, is “always at the centre of the storm because of its power.”  It’s seen, like the monarchy, “as a symbol of continuity in a polarised society.”  Edwards, having himself broken the news of Queen Elizabeth II’s death, having led BBC coverage of King Charles III’s coronation, and having been an anchor of BBC News at Ten, “captured that sense of stability.”

    A far better reading of this was that the BBC had fallen for the bait crudely laid out by Murdoch’s less savoury publications. In its self-policing zeal, the corporation had effectively done the bidding of a tabloid.  In doing so, former editor of The Guardian Alan Rusbridger suggested it had “lost its sense of proportion”.  The BBC, he observed, “gets into this mindset where it feels it must make up for sluggishness in handling issues by showing a clean pair of hands in covering them.” Such a mindset was well aided by the conduct of previous employees, such as the late comedian and predatory Jimmy Savile, whose conduct was only exposed after his death in 2011.

    While its own management regarding complaints was hardly beyond rebuke – the BBC director-general, Tim Davie, did only involve himself in the matter after The Sun put additional allegations from the mother to the broadcaster on July 6 – the colossal canvas here is obvious.  This was a salvo fired by the Murdoch Empire.

    Since the 1980s, Murdoch has done venomous battle with public broadcasters through his various press outlets, with the BBC being foremost among his targets.  In his own, revealing words, “A monopoly is a terrible thing – until you get one.”

    In 1985, a sense of Murdoch’s attitude to the corporation was made clear in a January leader in The Times.  “The BBC,” it went, “should not survive this parliament in its present size, in its present form and with its present terms of reference intact.”  The implications were all there: cutting, trimming, slimming.

    Again, the same view is to be found on July 17, 2015 in the paper’s leader titled “Slimming Auntie,” this time in response to the DCMS Green Paper on BBC Charter renewal.  The nub of the issue: the BBC’s boggling power, aided by public funds.  “The corporation is a broadcaster, not a publisher. It cannot expect a renewed charter to endorse a status quo that lets it trample on private sector rivals with public funds.  Technology has allowed the BBC to expand as if on steroids.”

    Such opinions stem from an individual who presided over the now defunct News of the World, a central outlet in the phone-hacking scandal that eventually saw the demise of Britain’s most popular lavatory reading.  It catalysed the Leveson Inquiry, which managed to at least get a confession from Murdoch that the paper had been engaged in a cover-up over the extent of the phone hacking.

    On May 1, 2012, a UK parliamentary select committee report found that the media mogul “exhibited wilful blindness to what was going on in his companies and publications” and concluded that he was “not a fit person to exercise the stewardship of a major international company”.  Such an exemplary steward for public interest journalism.

    The Sun, for its part, denies ever suggesting the need for a criminal inquiry in the Edwards saga.  Just see its journalism as doing a public duty, aiding desperate parents.  “From the outset, we have reported a story about two very concerned and frustrated parents who made a complaint to the BBC about the behaviour of a presenter and payments from him that fuelled the drug habit of a young person.”  How very noble of them.

    This post was originally published on Dissident Voice.

  • America’s Lawyer E60: Ron DeSantis’ presidential campaign seems to be going under faster than any other campaign at the moment, and the Florida governor has no idea how to get things turned around. If you’ve ever spoken out about the US military, then you can bet that the Pentagon is keeping tabs on your social […]

    The post DeSantis’ Campaign Is In A Downward Spiral appeared first on The Ring of Fire Network.

    This post was originally published on The Ring of Fire.

  • New York, July 12, 2023 – Two Bangladeshi social media outlets shuttered by authorities must be allowed to operate freely, the Committee to Protect Journalists said Wednesday, amid mounting indications of a pre-election campaign to silence critical voices.

    On Sunday, June 25, the Chittagong district administration in southeast Bangladesh sealed the offices of the privately owned social media-based platforms CplusTV and C Vision and confiscated their equipment, according to a statement by Bangladeshi Journalists in International Media. The two outlets stand accused of “illegally operating without licenses.”

    A person familiar with the case, who spoke to CPJ anonymously due to fear of reprisals, corroborated this account and alleged that the local authorities acted under the direct orders of Bangladesh’s Ministry of Information and Broadcasting. 

    The outlets were being selectively targeted ahead of the country’s January 2024 national election due to their coverage of politics and human rights in Chittagong, this source added.

    “Bangladesh authorities’ sealing of the offices of the social media-based news platforms CplusTV and C Vision and the seizure of their equipment are clearly selective targeting ahead of the upcoming January 2024 national election,” echoed Carlos Martínez de la Serna, CPJ’s program director.  “A free and fair election requires unhampered access to information. Authorities must allow both outlets to operate freely and without fear of reprisal.”

    The targeting of CplusTV – which continues to broadcast – and C Vision appears to fit into a broader crackdown against media and other critical voices ahead of the polls. 

    Broadsheet Bengali-language newspaper The Dainik Dinkal stopped publishing in February after the quasi-judicial Bangladesh Press Council upheld a government suspension order.

    On Monday, July 10, Prime Minister Sheikh Hasina warned journalists not to publish news “that will malign the country’s image and hamper its ongoing advancement.”

    Authorities shut down Chittagonian-language CplusTV’s office without any prior notice or written order, days before the Eid al-Adha holiday, the person familiar with the case said, adding that authorities did not provide a list of the items seized, contrary to legal requirements. 

    This source added that CplusTV, which has been active since 2016, is not required to register as an online media outlet under local regulations because it operates exclusively on social media and does not run through a cable operator. CplusTV filed two applications with the Chittagong district commissioner contesting the move, but has not received a response, the person said.

    CplusTV continues to post on Facebook, where it has around 2.2 million followers, and on YouTube, where it has around 1.1 million subscribers.

    Following CplusTV’s coverage of a gas crisis in Chittagong in May 2023, its owner and editor-in-chief Alamgir Apu was subjected to a smear campaign by state-aligned Bangladeshi media outlets, articles reviewed by CPJ show.

    C Vision’s Bengali-language Facebook page, which has around 635,000 followers, last posted on June 24. C Vision did not respond to CPJ’s calls and messages requesting comment.

    CPJ called and messaged Bangladesh’s Information Minister Hasan Mahmud for comment but received no reply.

    This content originally appeared on Committee to Protect Journalists and was authored by Committee to Protect Journalists.

  • Diyarbakır, July 11, 2023—In response to Tuesday’s opening of the trial of 17 Kurdish journalists and a media worker on terrorism charges in a court in Diyarbakır, Turkey, the Committee to Protect Journalists issued the following statement:

    “Turkish authorities must immediately release the defendants and drop the terrorism charges, which are solely based on their journalistic work,” said Özgür Öğret, CPJ’s Turkey representative. “Turkish authorities should also take necessary steps to ensure that pretrial arrest cannot be weaponized against the members of the press.”

    The journalists and media worker were charged with membership in the outlawed Kurdistan Workers’ Party (PKK). They are employed by local ARİ, PEL, and PİYA production companies and produce Kurdish-focused shows and content, which the indictment alleged were propaganda for PKK. The government has designated PKK as a terrorist organization. 

    The defendants — 15 of whom have been under pretrial arrest for 13 months — have denied the charges and, if convicted, face up to 15 years imprisonment under Turkey’s anti-terrorism laws. 

    Turkey was the world’s fourth-worst jailer of journalists, with 40 behind bars at the time of CPJ’s December 1, 2022, prison census. Of those, more than half were Kurdish journalists.

    CPJ’s email to the Diyarbakır chief prosecutor’s office did not receive a response.


    This content originally appeared on Committee to Protect Journalists and was authored by Committee to Protect Journalists.

    This post was originally published on Radio Free.

  • Junta officials are preparing to sue two independent media outlets, accusing them of not paying broadcasting fees imposed just before the military took power in a coup d’etat more than two years ago.

    The Yangon offices of the Democratic Voice of Burma, or DVB, and the Mizzima news agencies were raided by junta security forces in March 2021 – a month after the Feb. 1, 2021, military coup d’etat.

    The State Administrative Council, the official name of the military government, revoked the operating licenses of the outlets, which now operate online and underground.

    The junta’s Ministry of Information announced the lawsuit on Saturday, saying they still must pay for using the state-owned Myanmar Radio and Television platform to air news and entertainment in the months before the military takeover.

    According to the lawsuit, DVB owes a month’s fee of more than 20 million kyats, or about US$9,500, while Mizzima must pay 80 million kyats, or about US$38,000, for four months of services. 

    DVB and Mizzima told RFA on Monday that the lawsuit was illegal because it was brought by a junta that unlawfully seized power. 

    ENG_BUR_JuntaMedia_07102023.2.jpg
    Mizzima News’ office in Thanlyin, Yangon, was raided by junta troops on Mar. 9, 2021, eight days after the military coup. Credit: Citizen journalist

    ‘Within minutes of the military coup’

    That’s also why DVB doesn’t owe any fees to the junta, said Editor-in-chief Aye Chan Naing. Its broadcasting license contract was signed with a civilian government that was elected by the people, he said.

    “We had to pay MRTV every three months,” he told RFA. “We were never late to pay. But within minutes of the military coup, our television channel was cut for exactly one month without any notice from them.”

    Mizzima’s founder and chairman, Soe Myint, told RFA that the outlet would pay the bill if it could access its bank account, which had 90 million kyat (about US$42,000) when it was seized by the junta in March 2021. 

    He said he hasn’t received any emails or official paperwork about the lawsuit. 

    “If it is in an independent, judicially competent and safe situation, I am ready to defend this lawsuit in court at any time. Whether it is inside Myanmar or anywhere abroad,” he said. “I can present the fact that the military junta unlawfully seized my house and all my properties in any free and fair court of law.” 

    The junta has also charged seven Mizzima employees with violating Section 505(a) of Myanmar’s Penal Code, Soe Myint said. That part of the law pertains to the circulation of statements, rumors or reports with the intent to cause military officers to disregard or fail in their duties.

    RFA attempted to contact junta Deputy Information Minister Maj. Gen. Zaw Min Tun for a response on the lawsuit, but his phone rang unanswered.

    Translated by Myo Min Aung. Edited by Matt Reed and Malcolm Foster.


    This content originally appeared on Radio Free Asia and was authored by By RFA Burmese.

    This post was originally published on Radio Free.

  • In Brief

    The death of a French teenager of African descent shot by police during a roadside confrontation has sparked public clashes with police and riots across France. 

    Coverage of the riots by Chinese language Twitter accounts are rife with misinformation accompanied by misleading videos not taken during the riots and fake images “corroborated” by other fake images. 

    Asia Fact Check Lab (AFCL) checked and disproved four such widely circulated stories about the riots. 

    In Depth

    Are animals running wild on the streets? 

    An article published by Liu Hong, the former deputy editor-in-chief of the Chinese news outlet Huanqiu magazine, for the Wechat news column Jinri Toutiao on July 2 mentions that “several lions and elephants” were released from a zoo during the riots, without providing any visuals to support the claim.

    A Jinri Toutiao article describing the riots in France. The title reads, “This is an ominous sign that all of Europe is now on edge.” Credit: dcreenshot taken from Jinri Toutiao
    A Jinri Toutiao article describing the riots in France. The title reads, “This is an ominous sign that all of Europe is now on edge.” Credit: dcreenshot taken from Jinri Toutiao

    After running keyword searches for “riots in France” and “zoos” across both Twitter and Facebook, AFCL found several accounts making similar claims that included various videos as evidence. Two of the most widely circulated clips were of a zebra and lion escaping from the zoo. Image searches using screenshots taken from both videos provided no results due to poor image quality. 

    Chinese netizens on Twitter posted videos of animals escaping from the riots in France, including both a zebra (left) and a lion (right). Credit: screenshot from Twitter.
    Chinese netizens on Twitter posted videos of animals escaping from the riots in France, including both a zebra (left) and a lion (right). Credit: screenshot from Twitter.

    However, a follow-up search for related stories using the phrase “zebra escape france” showed that a similar video clip of the zebra was published in a report by the UK news outlet Daily Mail on April 13, 2020. 

    A keyword search revealed that a video released by the Daily Mail matches a clip purporting to show a zebra released during the recent riots. Credit: screenshot taken from Google
    A keyword search revealed that a video released by the Daily Mail matches a clip purporting to show a zebra released during the recent riots. Credit: screenshot taken from Google

    The report states that the zebra escaped from a zoo in the Paris suburb of Ormesson-sur-Marne during a COVID lockdown in 2020 before being filmed running on the road. 

    The clip circulating on Twitter is footage from the original Daily Mail video. Credit: screenshots from the Daily Mail and Twitter.
    The clip circulating on Twitter is footage from the original Daily Mail video. Credit: screenshots from the Daily Mail and Twitter.

    A separate video spread on Twitter and TikTok with the phrase “saint denis” in the title also purported to show lions let loose during the riots. AFCL searched Google using the phrase “saint denis lion” and found that a user had posted the same video on YouTube in 2020.

    Search results showed that a video purportedly showing lions released during the recent riots across France was posted on YouTube three years ago. Credit: screenshot taken from YouTube
    Search results showed that a video purportedly showing lions released during the recent riots across France was posted on YouTube three years ago. Credit: screenshot taken from YouTube

    Despite the edited version of the video showing only the top half of the original video’s frame, both versions have an identical name of “mardi” located in the lower left frame. The two videos’ identical lighting, framing and content confirm that they come from the same source.  

    Comparing the similar sources of light in both videos proves that they come from the same source. Credit: creenshots taken from Twitter and YouTube.
    Comparing the similar sources of light in both videos proves that they come from the same source. Credit: creenshots taken from Twitter and YouTube.

    Did armed French teenagers hijack a police car?

    The same article on Jinri Toutiao that mentioned the animals also included a photo of armed youths driving a police car while holding a French flag, accompanied by a warning to all Chinese tourists in France to avoid areas already hit by the riots and to report any emergencies to the police. 

    This same photo was separately posted by a Chinese language Twitter account accompanied by a description that the protesters were armed with military weapons and had hijacked a police car during the course of the riots.

    Copies of the same photo supposedly showing French teenagers hijacking a police car. On Jinri Toutiao (left) the caption tells Chinese tourists in France to take precautions and remain vigilant, while a Chinese netizen on Twitter (right)  claims that the car was hijacked by youth armed with military weapons. Credit: creenshots taken from Jinri Toutiao and Twitter
    Copies of the same photo supposedly showing French teenagers hijacking a police car. On Jinri Toutiao (left) the caption tells Chinese tourists in France to take precautions and remain vigilant, while a Chinese netizen on Twitter (right) claims that the car was hijacked by youth armed with military weapons. Credit: creenshots taken from Jinri Toutiao and Twitter

    Several accounts on the popular Chinese social media site Weibo also reposted the photo, claiming that the police have turned into bandits during the riots in France.

    The photo of French youths hijacking a police car was also posted on Weibo. One of the post titles claims that the police in France have turned into bandits. Credit: screenshot from Google
    The photo of French youths hijacking a police car was also posted on Weibo. One of the post titles claims that the police in France have turned into bandits. Credit: screenshot from Google

    After searching the photo through Google, AFCL found it had originally been posted online in January 2023, before the riots began. One of the results from the search was a link to the Chinese video sharing platform Douyin, where a suggested keyword “Athena movie” and a final search using the phrase found revealed that the photo was actually a still taken from the 2022 Netflix movie Athena.

    Google search results show that the phrase “Athena film” appeared in the title of a video posted on Douyin in January 2023. Credit: screenshot taken from Google
    Google search results show that the phrase “Athena film” appeared in the title of a video posted on Douyin in January 2023. Credit: screenshot taken from Google

    The same image appears at 1:26 in the film’s official trailer, proving that the photo was not taken during the recent riots in France.

    The same image appeared in a trailer for Athena. Credit: screenshot from YouTube.
    The same image appeared in a trailer for Athena. Credit: screenshot from YouTube.

    Were French youths shooting like snipers from the tops of buildings?

    A separate photo circulated by Chinese netizens on Twitter shows a young man in a black down jacket aiming down from a tall building while holding what appears to be a sniper rifle, with captions added by the netizens describing the person as a teenage sniper in the riots.

    Chinese Twitter users reposted an image of a person who they all separately claim is a sniper amidst the riots in France. Screenshot from Twitter.
    Chinese Twitter users reposted an image of a person who they all separately claim is a sniper amidst the riots in France. Screenshot from Twitter.

    AFCL searched the photo on Google and found a video uploaded by a Twitter user on June 9, 2023 among the search results.

    The photo matches a video posted by a Twitter user on June 9, 2023. The caption reads, “I'm hunting from the roof of the CDI during the 10am break to get ready for lunch.”  Credit: screenshot from Twitter
    The photo matches a video posted by a Twitter user on June 9, 2023. The caption reads, “I’m hunting from the roof of the CDI during the 10am break to get ready for lunch.” Credit: screenshot from Twitter

    The search also returned sources dated as early as 2022, however the links to these older search results were broken. AFCL was unable to further verify whether the video features a real sniper or is merely a prank. Regardless, the earlier posting dates of all these results verify that this image is unrelated to the recent riots in France. 

    Earlier online videos of the same person appeared in 2022, but the link is broken and the original content cannot be checked. Credit: screenshot from Twitter
    Earlier online videos of the same person appeared in 2022, but the link is broken and the original content cannot be checked. Credit: screenshot from Twitter

    Do French people enjoy sipping wine even during a riot? 

    Several Twitter accounts posted the same photo of a man and woman sipping wine on a street with a fire burning directly behind them, accompanied by nearly identical comments that read “French people have big hearts. …… Find a good spot to watch the action.” 

    Several Chinese Twitter users retweeted a photo of French people supposedly sipping wine during the riots. Credit: screenshot from Twitter
    Several Chinese Twitter users retweeted a photo of French people supposedly sipping wine during the riots. Credit: screenshot from Twitter
    The photo in fact had nothing to do with the current riots. The photo appears in a March 2023 report from the British newspaper The Independent which notes that it was taken during separate protests launched that month against French President Emmanuel Macron’s pension reform. Many Weibo discussions at the time commented on French people’s ability to maintain calm in the face of the riots.

    The same photo was discussed on Weibo in March 2023. The accompanying caption reads, “On how the French can remain so calm when facing a riot.” Credit: screenshot from Weibo
    The same photo was discussed on Weibo in March 2023. The accompanying caption reads, “On how the French can remain so calm when facing a riot.” Credit: screenshot from Weibo

    Asia Fact Check Lab (AFCL) is a branch of RFA established to counter disinformation in today’s complex media environment. Our journalists publish both daily and special reports that aim to sharpen and deepen our readers’ understanding of public issues.


    This content originally appeared on Radio Free Asia and was authored by By Dong Zhe for Asia Fact Check Lab.

    This post was originally published on Radio Free.