Category: The Dissenter

  • After eight years, we have decided that it is time to shut down Shadowproof, but that does not mean that the independent journalism that we fostered is coming entirely to an end.

    In a span of time defined by numerous global crises and an ever-shifting online media landscape, readers like you helped us develop an oasis for incisive reporting on prisons, policing, whistleblowers, and crackdowns on political activists.

    So many members and donors made it possible for Shadowproof to hire over 90 freelance journalists to cover stories and perspectives that were often outside the beats of most other publications. We were able to pay journalists fairly and give them a solid platform as many major media organizations were uninterested in their work or treated them poorly in the context of layoffs and politically motivated firings.

    There is so much to be proud of in the last eight years, and we can’t recount all of it here. The Marvel Cooke Fellowship, overseen by co-founder Brian Nam-Sonenstein, was a remarkable success thanks to the support of Mariame Kaba and dozens of subscribers, who funded in-depth reporting from incarcerated and marginalized writers on the movement to abolish the prison industrial complex.

    Shadowproof further distinguished itself through regular coverage of the extradition case against WikiLeaks founder Julian Assange. Co-founder Kevin Gosztola drew from this reporting to write a book, Guilty of Journalism: The Political Case Against Julian Assange, that was published in March of this year. 

    Countless other reporting projects – from our dogged coverage of the prison strikes of the 2010s to our on-the-ground reporting at the Democratic National Convention in 2016, early investigations into privatized prison health care, our development of model Medicare For All legislation, reporting trips to the UK to cover the Assange case – made critical interventions and contested mainstream narratives and, in some cases, mainstream silence on major events of the time.

    Yet in the past couple of years, we have moved away from the Shadowproof website. We propped up other media platforms, like newsletters, podcasts, and YouTube channels, that gave us more outlets for sharing our work. Kevin has produced the bulk of his journalism on Assange, whistleblowers, government secrecy, and press freedom through The Dissenter Newsletter, which began as a project of Shadowproof. 

    Brian recently joined the Prison Policy Initiative (PPI) as a senior editor and researcher, where he has been publishing the bulk of his work on police and prisons. Meanwhile, the media technology space has radically changed and in some ways introduced tools that made it simpler and less cumbersome to publish work without operating a full website and organization. And so, like all good things, we have made the decision to celebrate our accomplishments and fully transition away from Shadowproof.

    Kevin will continue his extensive coverage of Assange through The Dissenter Newsletter, and if you are not yet a subscriber, we strongly encourage you to sign up. He is also developing a YouTube channel to accompany his written journalism. He is still on Twitter (@kgosztola), and he has updated a Substack account here to make it easier for readers to follow postings that appear on several platforms.

    Brian plans to continue his collaborations with incarcerated writers and his work covering the abolition movement, including through the Beyond Prisons podcast. You can follow him on Twitter (@bsonenstein) for updates on such projects in the coming months.

    Beginning today, Shadowproof memberships will transition to supporting The Dissenter newsletter. Members will receive an email with more information, but if need help making changes to your subscription, please contact Brian at brian@shadowproof.com.

    This change will present new challenges. Kevin Gosztola will continue his journalism at The Dissenter newsletter but without much of the supportive infrastructure that was built through Shadowproof.

    Please chip in a few dollars to help Kevin cover some of the operating expenses that he will have to shoulder. 

    Go to thedissenter.org/donate to support his work.

    Finally, we are immensely grateful to all the journalists and writers who collaborated with us.
    In particular, Dan Wright, Kit O’Connell, and Roqayah Chamseddine deserve special mention for working as founding Shadowproof staff members. Their talents, perspectives, and contributions were essential to starting and shaping our work over the years. We would like to thank Rania Khalek, Kim Wilson, Maya Schenwar, Jane Hamsher, and many others for their friendship and support over the years, without which none of this would have been possible. We’d also like to thank our families, whose love and encouragement have always been crucial to our ability to experiment and take risks with this work. 

    We would also like to thank our many freelance contributors over the years, listed below. We encourage you to seek them out, follow their work, and support them. And if you are a publisher, we highly encourage you to work with them.

    We are honored to have published the work of the following writers, and want to give special thanks (from most recent to earliest contributor) to:

    ***

    Raymond Williams

    Christopher Blackwell

    Emily Nonko

    Jessica Phoenix Sylvia

    Sierra Dickey

    C. Dreams

    Jovan Strong

    Lawrence Jenkins

    Minali Aggarwal

    Brendan Maslauskas Dunn

    James Jones

    Caren Holmes

    Luke Ottenhof

    Sam Bishop

    Nicole Froio

    Felix Sitthivong

    Vanessa Taylor

    Larissa Banitt

    Daniel Moritz-Rabson

    James Anderson

    Kit Klarenberg

    Mohamed Elmaazi

    Caleb Brennan

    Juan Moreno Haines

    Eoin Higgins

    Rahsaan Thomas

    Rebecca Chowdhury

    Lucia Geng

    Michael Sainato

    Tom Secker

    Tamar Sarai

    Amanda Abrams

    Citlali Pizarro

    Ken Klippenstein

    Emma Rosewood

    Brian Zayatz

    Will Lennon

    Ella Fassler

    Billie Anania

    Kiran Misra

    Clare Busch

    Lex McMenamin

    Joergen Ostensen

    Jared Ware

    James Potuck

    Jonathan Michels

    Steven Yoder

    Maddie Rose

    Rainier Harris

    Adam Mahoney

    Reina Sultan

    Jessica Buxbaum

    Jonathan Ben-Menachem

    Tavleen Tarrant

    Halley Bondy

    Katie Dancey-Downs

    Devyn Springer

    Ian Alexander

    Adryan Corcione

    Arvind Dilawar

    Mike Kuhlenbeck

    Will Parrish

    Camille Fassett

    Miles Quarles

    Natascha Elena Uhlmann

    Michael Arria

    Jon Walker

    Joanne Leon

    Aaron Cynic

    Will Cox

    Will Pierce

    Lauren Gill

    Siobhan O’Leary

    Ashoka Jegroo

    Brandon Smith

    Nick Musgrave

    Larissa Banitt

    Rory Fleming

    Elizabeth King

    Willie Burnley Jr.

    Brian Saady

    Brandon Jordan

    Paul Gottinger

    Branko Marcetic

    Steve Horn

    Gadeir Abbas

    Zachary Senn

    Ben Foldy

    Desiree Kane

    Laura Muth

    We plan to keep the Shadowproof archive online for the foreseeable future. (If you wish to help fund that work, you can do so through donations and subscriptions to the Dissenter). 

    Running an independent media platform is difficult and often unglamorous work, but it is essential given the media landscape which all too often feels like a rocky wasteland.

    We have learned so much from those we mentioned and many others, and we strongly encourage the next generation of young independent publishers to stick with journalism, even if it is a struggle. Your efforts are desperately needed in these times. We encourage independent publishers to make themselves available to mentor and support emerging publications focused on voices for liberation.

    This is intergenerational work, and it cannot be done in isolation or with a highly competitive and cutthroat attitude. It is critical that independent media organizations and media workers work together, are accountable to each other, and take their role in our movements seriously. They must do everything they can to pay people well, empower them in the editorial process, and help them develop their skills.

    We cannot afford to lose more journalists to this unforgiving media economy that has already pushed so many people out.

    Thank you for believing in our work and supporting us.

    The post Shadowproof Is Shutting Down appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • WikiLeaks founder Julian Assange and his legal team believe that Assange may be extradited to the United States before the end of summer.

    It is unfortunately time for us to prepare for court proceedings, and so far, you came through for us marvelously.

    I am so grateful to our readers for exceeding our goal of raising $1,000 to support my coverage of Assange’s U.S. court proceedings. You raised over $3,000.

    Now that we have plenty to cover the costs of traveling to Alexandria, Virginia, if Assange is arraigned, let’s build on this momentum and raise our goal to support our coverage going forward.

    Donate $50 to help us reach $5,000 and establish an independent journalism fund that will ensure I am at any US proceedings that are convened in 2023.

    We know the prestige media won’t do this case justice, so it’s important to have independent media like Shadowproof there to give it the attention it deserves.

    But each reporting trip will require Shadowproof to spend money on airfare ($400 round trip), taxi or Uber/Lyft rides ($150+), and food and incidental expenses ($150+). We also may need to pay for lodging, which can run over $100 a night.

    The bigger our budget, the easier it will be for us to plan our travel and coverage—including collaborating with other reporters to produce the most robust reporting on Assange’s prosecution possible. 

    Can you help me cover the costs of regularly traveling to Alexandria, Virginia, to report on the next chapter in a prosecution by the United States that puts all journalists at risk?

    I have reported extensively on the Assange case since 2010. This year, I published Guilty of Journalism: The Political Case Against Julian Assange to help the public understand the stakes of this case.

    In recent years, donors like you have funded my work on this case as I provided live court updates from London and published detailed articles for subscribers of Shadowproof’s newsletter The Dissenter

    I earned recognition in 2013 from PBS FRONTLINE for my journalism on the military court-martial against Chelsea Manning.

    Andrew Cockburn, DC editor for Harper’s Magazine, praised my reporting on Assange while critiquing the prestige media for their lack of coverage and interest in this unprecedented case.

    Can you chip in $25 and ensure I am in court to document the initial phase of US proceedings against Assange? 

    The post What’s Next In The Julian Assange Case appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    John Wayne slaughtered our Indian brothers
    Burned their villages and raped their mothers
    Now he has given them a white man’s lord
    ‘Live by this, or die by my sword!’


    These are lyrics from “John Wayne Was A Nazi” a scathing tune by hardcore pioneers MDC. The single was originally released a year after Wayne’s death in 1980 when they were known as The Stains. After changing their name, it appeared on their 1982 debut album “Millions Of Dead Cops.”

    The song challenged the celebrated actor for his bigotry and role in helping to prop up an oppressive colonial system. It referred to his movies that often portrayed Wayne as a heroic cowboy fighting against the villainous Native Americans.

    Wayne’s film portrayals weren’t far off from his real-world views. For example, in a 1972 Playboy interview, Wayne said: “I don’t feel we did wrong in taking this great country away from them, if that’s what you’re asking. Our so-called stealing of this country from them was just a matter of survival.”

    “There were great numbers of people who needed new land, and the Indians were selfishly trying to keep it for themselves.”

    Elsewhere in the interview, Wayne also stated “I believe in white supremacy until the blacks are educated to a point of responsibility. I don’t believe in giving authority and positions of leadership and judgment to irresponsible people.”

    It is no wonder that the song declares, “When I see John, I’m ashamed to be white.”

    Recently, Canadian hardcore band Fucked Up and Indigenous EDM act Halluci Nation reworked the tune.

    Halluci Nation’s Ehren “Bear Witness” Thomas declared, “The song has been with me since high school. The song and MDC have stuck with me over the years. It’s got rage to it and that message, but I love that there’s a dark humor to it as well. It really fits in with the way we make music and visuals, with the message that we try to put forward about confronting one-dimensional misrepresentations of indigenous people in the media. John Wayne becomes a stand-in for the entire colonial project.”

    “For me, it’s like this: you watch The Searchers in school, and John Wayne is presented very much as an iconic North American type of figure,” added Fucked Up vocalist Damian Abraham. “As a young punk kid hearing this song for the first time, it did change the way I looked at him — it subverted it to where all of a sudden the hero is the villain, and you can see what’s going on in pop culture.”

    “As a young punk kid, this song was one of the first that showed the cracks in that veneer.”

    Exposing those cracks is an important step in tearing down oppressive colonial systems and rebuilding an equitable society.

    Listen to “John Wayne Was A Nazi” By Fucked Up & The Halluci Nation:

    The post Protest Song Of The Week: ‘John Wayne Was a Nazi’ By Fucked Up & The Halluci Nation appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Daniel Ellsberg, the whistleblower and peace activist who released the Pentagon Papers that exposed the Vietnam War, has died at the age of 92. He was diagnosed with pancreatic cancer on February 17, and doctors gave him three to six months to live.

    He was a subscriber to Shadowproof’s Dissenter Newsletter. So it is only appropriate that I share some of my personal memories in honor of who he was and because he meant so much to so many people.

    Nearly two weeks after his diagnosis, Dan messaged his friends and supporters. That message was republished by various news media outlets as it circulated.

    “I feel lucky and grateful that I’ve had a wonderful life far beyond the proverbial three-score years and ten,” Dan wrote. “I feel the very same way about having a few months more to enjoy life with my wife and family, and in which to continue to pursue the urgent goal of working with others to avert nuclear war in Ukraine or Taiwan (or anywhere else).”

    Dan mentioned that his cardiologist had given him permission to abandon his salt-free diet, and that his energy level was high. He had done “several interviews and webinars on Ukraine, nuclear weapons, and first amendment issues.” He had two more scheduled interviews.

    One of those interviews was with me. In fact, around the same time that Daniel learned that he had cancer, I contacted him to ask if he would help me with the launch of my bookGuilty of Journalism: The Political Case Against Julian Assange. He already had given me a blurb for the book.

    Dan graciously agreed to talk with me once again about the Assange case. He even asked for a hard copy so that he could review the book. My publisher Censored Press quickly mailed a copy to him, and we planned to record on Wednesday, March 1.

    That became the day that friends and supporters of Dan were notified by him that he had cancer.

    When it was time for us to do the interview, Dan called me. He had not had a chance to read my book yet. Dan wanted to know if he could have a couple of hours to read the book and then we would record the interview. He even asked, which chapters should I read?

    I had asked Dan for an interview simply because I believed posting a conversation the same day that my book was released would help me get the attention of potential readers. I did not need him to prepare for the interview by familiarizing himself with specific sections of the book, and yet, that’s what Dan was willing to do because he was a generous person.

    The attention Dan gave to you was a sign of the love and respect that he had for those who were willing to fight for the same causes that were crucial to him.

    Dan logged on to record, but before he would allow me to start the interview, he brought up a couple errors, which he had identified in my book.

    The first error was in this paragraph from “The Abusive Grand Jury” chapter.

    After Pentagon Papers whistleblower Daniel Ellsberg, who worked for the RAND Corporation, provided copies of the Pentagon Papers to media organizations, the DOJ convened two grand juries in the Boston area—one in April 1971 that did not return any indictments and another in August 1971.

    Dan flatly told me that a grand jury investigation in April 1971 would have been impossible. I definitely was wrong, but I later showed him a declaration with his name on it that came from a lawsuit to force the release of grand jury records. It mentioned an April grand jury.

    “Ha ha! However, Kevin, that still doesn’t make sense, even if I said it,” Dan replied. According to Dan, law school students working with historian Jill Lepore, who filed the lawsuit, must have drafted the declaration. “It’s clear to me that I at least edited it, as well as signed it,” but that did not make the April date correct.

    The second error was in the chapter on “Standard News-Gathering Practices”:

    Thomas Kauper of the OLC advised White House Counsel John Dean that the Espionage Act would allow newspapers, and even “individual reporters,” to be prosecuted. Kauper further suggested the New York Times could be criminally charged for conspiring and encouraging the theft of the Pentagon Papers. But the US Supreme Court rejected the Nixon administration’s view and refused to issue an injunction against the Times or the Washington Post.  

    I had written a non sequitur. The Supreme Court did not rule on how far the Nixon administration could go in pursuing journalists for publishing leaks. The Supreme Court ruling only applied to prior restraint—whether the government could stop a newspaper from reporting on the Pentagon Papers. On that question, the Supreme Court decided the answer was no.

    But Dan was unaware of the advice from Kauper and was excited to learn about the Office of Legal Counsel memos reported by Reuters in June 2022.

    “Fascinating! I have to be selective in what investigations I want to prioritize in my remaining month(s), but this will be among them!” Dan wrote. He planned to read as much as he could about the memos, and see what John Dean remembered. “Nothing could be more relevant to the Assange case!”

    As we talked about the two sections of my book, Dan was tired and confused. He kept asking me over and over again about these parts, even though I had acknowledged the errors. It was the first time in my interactions with Dan—aside from some hearing problems—that his age really showed. Usually, he was cognitively sharp. We both recognized that it would be best to push our recording session to Friday.

    Not Able To Sleep

    On Friday, Dan was awake until 4 or 5 a.m. While he could not sleep, he read part of my book and a feature story in Harper’s Magazine from Washington, D.C., editor Andrew Cockburn that detailed how the media had failed Assange. Cockburn’s feature praised my coverage of both the Assange and Chelsea Manning’s cases as examples that other journalists should have followed. Dan called the feature “sensational” and said, “We must discuss it.”

    We talked for two hours. Before we officially started the interview, Dan went chapter-by-chapter to inform me of what he had read. “I’m kind of rundown, I’m afraid. It’s not the best day, like the other day,” Dan said. From 1:30 to 2:30 a.m., he was up reading my chapter on the Espionage Act “very carefully.”

    Dan asked why I omitted many of the details related to the Swedish extradition case from the book. While we discussed my reasons (the sexual allegations were not part of the U.S. case against him), Dan mentioned that he had spoken to Assange about the allegations. Assange had accepted that he behaved in an “ungentlemanly” manner with the two women. And though he did not deserve to be criminally charged, Assange recognized how his actions might lead someone to view him as a “chauvinistic pig.”

    “What is your personal opinion of the Russiagate allegations?” Dan had not had a chance to read the Russiagate chapter, but he was interested in my position.

    After we went back and forth on Assange’s claim that he had not received the Clinton campaign emails from a “state party,” Dan commented on Trump adviser Roger Stone, who repeatedly exaggerated and fabricated claims about his communications with WikiLeaks.

    “[Roger] Stone was once involved in an incident [on the steps of Capitol Hill] that was supposed to incapacitate me. We won’t go into that, but on May 3, [1972]—he was a young guy then—he brought a bunch of college students to provide an uproar as cover for CIA assets, who were to incapacitate me.”

    Dan was in rare form during our recorded interview. The moment I started asking questions he was energized. We spoke for nearly two hours, and he never told me that I needed to end the interview. I probably could have talked with him for another half hour if I wanted.

    Multiple times Dan paused. A glimmer appeared in his eyes as he chimed, “Okay, I’ll tell you something I’ve never said publicly.” Then he would share an extraordinary anecdote. Or he would acknowledge that he was “coming to a point,” where he did not have to worry about “antagonizing” a media organization or particular media figure. So Dan would call them out.

    Before Dan signed off, he revealed how he had made it through the interview. He had eaten a bunch of chocolate. I told Dan I would see him later, and he gave me an odd look. We knew we would never speak to each other again.

    The Joy Of Living Life As An Unapologetic Truth-Teller

    I first met Dan in December 2011, when Firedoglake editor-in-chief Jane Hamsher asked me to drive him to her house in Washington, DC, after a pretrial hearing at Fort Meade in Chelsea Manning’s case. He did not know anything about me, and yet I was invited by Alyona Minkovski to come to RT’s DC studio for her show.

    That left me no choice. I asked the RT producers if I could bring Dan and have him appear on the air with me. We appeared together, but the clip is no longer available on YouTube because all RT content was removed after Russia invaded Ukraine. Dan was courteous enough to appear with me, even though we barely knew each other.

    Daniel Ellsberg at the First Congregational Church in Berkeley, California, on January 31, 2013

    On January 31, 2013, I opened for Dan at the First Congregational Church in Berkeley, California. The event was sponsored by KPFA, a community radio station, and Dan spoke about his case, Manning’s case, Brown & Williamson tobacco whistleblower Jeffrey Wigand’s case, and other cases, where whistleblowers revealed crimes and misconduct.

    Months later, on September 20, Dan welcomed me into his home for an interview. He showed me his library, where he kept all his private papers, and when I told him I had not seen “The Most Dangerous Man In America,” the 2009 documentary about his whistleblowing, Dan gave me a DVD copy.

    We walked to lunch after the interview, and Dan shared his wisdom on an array of topics. He also was interested in what I had to say from my experience covering the military trial against Chelsea Manning and wondered what life in Chicago was like under Mayor Rahm Emanuel.

    There were a few more times that I spoke with him. When he released his book, Doomsday Machine: Confessions of a Nuclear Planner, I made certain that I had a chance to talk with him. He was part of a panel discussion that I hosted for the Assange Defense Committee in January 2021.

    Just prior to his cancer diagnosis, I asked if we could do a book event together in Berkeley, California. He responded, “With the greatest respect to you and [a] desire to see your book do as well as you deserve, I take it this means an in-person event, and I haven’t done those for three years, due to Covid concerns.”

    At the end of our final conversation, I said something to Dan about the fact that he had an opportunity to prepare for his death and say farewell to all the people that he wanted. I believe that Dan was very fortunate because my father died from a heart attack when he was 56 years old (I was only 26 years old).

    Seeing Dan’s life announcement, and the warm responses to it, made it easier for me to accept that one of the best human beings I have ever known had come to the end of his life.

    Dan was not at peace with the world around him. Wars and the threat of nuclear armageddon motivated him to do several more interviews while he could still speak with reporters. But he did feel joy and gratitude having lived his life unapologetically as a peace activist and truth-teller—someone who embodied the idea of the moral imperative.

    For the rest of my life, I will cherish the fact that I was one of the first journalists who Dan spoke with on his farewell media tour and that I had the privilege of interacting and sharing his wisdom with the world for over a decade.

    The post The Loving Truth-Teller That Was Daniel Ellsberg appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • The following independent journalism was made possible by paid subscribers. Take advantage of this discount offer and subscribe to Shadowproof’s Dissenter Newsletter today.

    While the United States Justice Department has increasingly wielded the Espionage Act to make an example out of government employees or contractors, federal prosecutors have been reluctant to charge current and former high-ranking officials. That makes the thirty-one Espionage Act charges against former President Donald Trump stunning.

    On June 8, 2023, Trump was accused by prosecutors of “unauthorized possession” of documents “relating to the national defense.” He was additionally accused of “willfully” retaining those documents and failing to turn them over to an officer or employee “entitled to receive them.”

    The alleged offenses fall under 793(e) of the Espionage Act, which has featured in a number of leak prosecutions against whistleblowers and media sources. Of course, Trump is neither. He kept the documents in boxes at his Mar-a-Lago Club in Palm Beach, Florida.

    Back on August 10, 2022, days after the FBI raided Trump’s estate, I published an analysis of prior cases where the Justice Department had investigated lower-level government employees or contractors for unauthorized possession of information. In big bold letters, I shared it under the headline, “Justice Department Unlikely To Charge Trump With Violating The Espionage Act.”

    I was fairly certain, given the example of General David Petraeus, that Trump’s legal team would be able to negotiate with the Justice Department behind closed doors to ensure that he was not charged with violating the Espionage Act. But I was wrong, and now I realize that would have required Trump to concede that he had done something wrong by possessing the classified documents.

    Numerous Republicans have lashed out at the Justice Department for indicting Trump, who has a commanding lead in polls for the party’s 2024 presidential primary. Republicans contend that the Justice Department has been “weaponized” against Trump.

    Such a response would be easy to flat-out dismiss if it weren’t for the fact that the Justice Department has been, in one way or another, investigating Trump since 2016.

    As Jeff Gerth exhaustively documented for the Columbia Journalism Review, Democratic presidential nominee Hillary Clinton and her campaign “secretly sponsored” and “publicly promoted” an “unsubstantiated conspiracy theory that there was a secret alliance between Trump and Russia.” Former FBI director and special counsel Robert Mueller oversaw a sprawling investigation into Trump, but the investigation failed to uncover evidence that would support criminal charges.

    Nonetheless, federal prosecutors appear to have plenty of evidence to show that Trump took hundreds of classified documents that should have been turned over to the National Archives and Records Administration (NARA) because they were not his property. He transported the boxes to his Mar-a-Lago Club and allegedly continued to hide documents from Justice Department officials and FBI agents when they requested that he return the files to the government.

    Republican Senator Lindsey Graham tweeted, “President Trump will have his day in court but espionage charges are absolutely ridiculous. Whether you like Trump or not, he did not commit espionage. He did not disseminate, leak or provide information to a foreign power or news organizations to damage this country.”

    “He is not a spy,” Graham added. “He is overcharged. Did he do things wrong? Yes, he may have. He will be tried about that. But Hillary Clinton wasn’t.” (Clinton improperly shared classified information on a private email server but was not charged with any offenses.)

    Importantly, Graham makes a distinction that has not prevented the Justice Department from securing convictions under the Espionage Act. It does not matter if the accused did not act as a spy. It does not matter if the accused did not provide information to a “foreign power.” It does not matter if the accused did not publicize the information to “damage” the United States. This is why there have been attempts to reform the law (attempts which Graham has not supported).

    Beyond that, Graham promotes ignorance by comparing apples to oranges. Trump was not accused of making an “unauthorized disclosure” of information. He was accused of “unauthorized possession,” which is different from most of the recent high-profile leak prosecutions.

    “Unauthorized possession” under the Espionage Act is a felony-level offense. Perhaps, another statute in the U.S. criminal code—18 U.S. Code § 1924—that specifically covers the “unauthorized removal and retention of classified information” would have been more appropriate for Trump and less shocking. That statute does not contain the word “espionage” in the law.

    Incredibly, the crime of mishandling classified information was a misdemeanor-level offense until 2018, when Trump signed a law that increased the punishment. He made “unauthorized removal and retention of classified information” a felony punishable with up to five years in prison.

    Very Little Repression In The Espionage Act Case Against Trump

    For two of the chapters of my bookGuilty of Journalism: The Political Case Against Julian Assange, I recount how the Espionage Act has historically been used to crack down on antiwar dissent and criminalize alternative media publications. Ralph Engelman and Carey Shenkman, who authored A Century of Repression: The Espionage Act and Freedom of the Press, compiled an even more exhaustive history of the weaponization of this 1917 law against Americans.

    The Espionage Act case against Trump, however, is an exception to the rule. Very little repression has occurred. The Secret Service knew before the raid in August 2022 that FBI agents would show up to conduct a search of the Mar-a-Lago Club.

    Trump was not immediately arrested and charged. Trump was given ample opportunity to hand over documents before they were seized. An investigation, with Special Counsel Jack Smith in charge, plodded slowly toward an indictment that occurred ten months later.

    Screen shot from U.S. Justice Department’s broadcast of Special Counsel Jack Smith announcing the indictment against Trump

    After Trump was officially charged on June 8, Trump’s legal team was notified. He was not immediately arrested. He was able to hold a rally in Georgia. An arraignment date for Tuesday, June 13, was scheduled days later, which was unusual, and bizarrely, the news media and the public learned that Trump had been indicted from the defendant himself when he posted about it on TruthSocial.

    The indictment was not unsealed by the Justice Department until June 9. Only then did Smith make a public statement about the charges.

    If there is any reason for concern, it is that the liberal Democratic establishment is eager to see this prosecution save President Joe Biden from a close election or potential defeat. Biden will be 81 years-old as he campaigns for re-election. Before Biden announced his 2024 campaign, polls showed around half of Democrats were opposed to Biden running for president again.

    The lack of enthusiasm for a presidential incumbent’s re-election may make it difficult for the Democrats to counter the right-wing demagoguery of Trump. But a prosecution is no remedy for an ailing democratic republic that only gives voters the illusion of choice in presidential elections.

    Now, torture advocate and former Bush administration official John Yoo contends that Trump should not be prosecuted because he is a former U.S. president and ahead of Biden in some polls. “We’re breaking an institutional norm that has been there since the beginning of our country, which is leave former presidents alone.”

    Yoo would know. He, along with David Addington, Steven Bradbury, Jay Bybee, Dick Cheney, Alberto Gonzales, Donald Rumsfeld, and other Bush administration officials, encouraged or engaged in a number of criminal acts. They all benefited from this supposed inviolable norm, and anyone who cares about accountability should oppose impunity or immunity for former US presidents.

    I have covered and reported on nearly every Espionage Act prosecution that has occurred in the past 10-15 years, particularly cases involving “unauthorized disclosures.”

    When Trump was president, NSA whistleblower Reality Winner, FBI whistleblower Terry Albury, drone whistleblower Daniel Hale, and WikiLeaks founder Julian Assange were all indicted under the Espionage Act.

    Trump nearly pardoned Assange and NSA whistleblower Edward Snowden, who was indicted under Obama. In the end, Trump was too scared that Senate Republicans might support his impeachment if he took a stand.

    Winner, who does not think Trump should go to prison, had an optimistic reaction to the indictment.

    “This is probably one of the most transparent and straightforward indictments that defines national defense information and gives the public a sense of the itemized description of every document, which is not how this particular law has been used against ordinary citizens,” Winner told NBC News. “So this might set the new legal standard on how it will be used in the future. Perhaps it could give people like myself who were acting out of moral conscience more leverage under the law.”

    Unfortunately, I doubt the charges against Trump will make it any easier for a person of conscience who is unfairly targeted. A former U.S. president was only charged because their defiance of authorities was so brazen that the government had to charge Trump to avoid embarrassment.

    Do not mistake that statement as one of support for the Espionage Act case against Trump. The potential harm to national security caused by Trump’s alleged actions is as theoretical and over-hyped as most cases. Which is to say that no one was ever truly in danger, despite the pronouncements of national security agents.

    By charging Trump, I believe the government has ensured that the immense power that prosecutors wield will go unchecked by lawmakers and another century of repression will be possible with widespread support from political elites.

    That will be terrible for future whistleblowers, media sources, and journalists or publishers, who are certain to have their lives upended because there was no meaningful push to reform or abolish the draconian law.

    The post The Espionage Act Is Not The Answer To Donald Trump appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    Divide and Dissolve is an Australian-based instrumental doom metal duo that features saxophonist and guitarist Takiaya Reed and percussionist Sylvie Nehill. For the female duo, the act of simply inhabiting a prominently white male genre space is political.

    Reed is descended from “indigenous people of the so-called United States.” The duo also collectively stated: “Our music is helping carve out space where it isn’t supposed to be. Heavy music is apparently supposed to look, sound, and feel a certain way. Divide and Dissolve is and will continue to be a point of difference.”

    “The abhorrent history of colonial violence, genocide, slavery, rape, and murder is still continuing today. It is this past, and the lasting and active power structures present in our world today that has driven me to prioritize decolonization,” according to Nehill.

    Divide & Dissolve’s intent is explicit with song titles such as “Reparations,” “Resistance,” ”Indigenous Sovereignty,” “Assimilation,” and “Cultural Extermination.”

    The duo recently released “Indignation,” a track off their upcoming fourth album Systemic due June 30. The tune is a “prayer that land be given back to Indigenous people,” explained Reed. “A hope that future generations no longer experience the atrocities and fervent violence that colonization continues to bring forth.”

    They also released an accompanying video directed by Sepi Mashiahof. Mashiahof said of the visuals, “In reflecting on the powerful and vital messaging found in Divide and Dissolve’s music: decolonization, the destruction of white supremacy, and liberation from oppressive structures—this video is about the collective grief we experience about the lives we all could have were it not for the cruel and arbitrary systems of power that impede each and every one of our potentials.”

    “The potential to truly love ourselves and each other is distorted by the agendas of vicious capitalist vultures who seek to emaciate our joys, bonds, and communities for their own gain. This video depicts an abstracted portrait of what suffering under these accelerating conditions feels like. Technology, dysphoria, dream-form sentience, transaction, and depersonalization constitute the thematic palette, laid upon the hope of shedding our current forms and transcending into boundless, beautiful ether.”

    Divide and Dissolve is proof that music doesn’t need lyrics to deliver a potent social message. As Reed explained, “I believe in the power of non-verbal communication. A huge percent of communication is non-verbal. We learn so much without using words.” 

    The post Protest Song Of The Week: ‘Indignation’ By Divide and Dissolve appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    No-No Boy is a multimedia project formed by Julian Saporiti & Erin Aoyama while pursuing their doctorates at Brown University.

    The project employs music as an educational tool to teach historical lessons about the Asian American experience, something they both share in their heritage. Saporiti’s family were refugees during the Vietnam War while Aoyama had family incarcerated at United States internment camps during World War II.

    Their name comes from the No-No Boys, who were Japanese Americans who refused to pledge allegiance to the U.S. government and who were detained in concentration camps. They also refused to fight in the war. These experiences were the basis of John Okada’s classic 1957 novel No-No Boy.

    No-No Boy released their debut album “1942” in 2018, but it has since evolved primarily into a Saporiti project.

    Saporiti followed it up in 2021 with the album “1975,” which featured considerable vocal, musical, and production contributions from Emilia Halvorsen. The album title referred to the year Saigon fell.

    Similar to “1942,” Saporiti explored his own family heritage and connected that heritage to the. experiences of those in WWII Japanese internment camps. He linked this history to modern-day immigrant detention centers and refugee camps.

    One of the album’s highlights is “The Best Goddamn Band In Wyoming” which relates the story of a 1940s Asian American swing band that perseveres in the face of bigotry.

    No-No Boy’s latest single “La Banda Más Chingón en Wyoming” is a mariachi reworking of that tune. It features Mariachi Los Broncos, whose bandleader Jessie Vallejo was drawn to the parallels between the Japanese internment camps and the detention centers set up at the U.S.-Mexico border that are filled with Latin American migrants.

    The new arrangement adds an element of exuberance in the face of adversity. The harrowing reality is balanced with the optimism that the human spirit will conquer and still find reasons to sing.

    The post Protest Song Of The Week: ‘La Banda Más Chingón en Wyoming’ By No-No Boy Featuring Mariachi Los Broncos appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    Armed with his weapon of choice, a guitar with the words “This Machine Kills Fascists” painted on it, Woody Guthrie was a pivotal contributor to the canon of protest tunes. He composed nearly 3,000 songs, many of which remained unpublished. This has allowed a new generation of artists to
    set these unused lyrics to music and create anthems that still resonate in modern society.

    One group that recently did this is the Celtic punk band Dropkick Murphys. The first time they made use of unused Guthrie lyrics was “Gonna Be a Blackout Tonight” for their 2003 album “Blackout.” They followed that up with their most well-known song, “I’m Shipping Up to Boston,” which appeared on their 2005 album “The Warrior’s Code.”

    After discussions with Woody’s daughter Nora, the band recorded an entire album of Guthrie lyrics in 2022 called “This Machine Still Kills Fascists.” During the same session, they also recorded a second album of Guthrie-penned lyrics, Okemah Rising, which will be released on May 12, 2023.

    “Every night, when the audience is singing along with Woody’s words, his steadfast defense of the working class, and his fight against social injustice and the abuse of political power comes across loud and clear,” said vocalist Ken Casey, the band’s founder. “So as long as Dropkick Murphys are involved, Woody’s message will always be heard.”

    The first video and single from the upcoming album is “I Know How It Feels.”

    “And I know how it feels to work ’til you drop. And it’s 10,000 bills that you owe,” the song declares. It continues, “[I] know how it feels when you got calloused hands. And blisters on both of your feet. You can’t pay the rent, so the men take your things. And throw you right out on the street.”

    With the working class under growing pressure and ongoing labor strikes and protests around the world, the song is a message of solidarity for the downtrodden.

    The song weaves its way to a verse of empowerment: “I know how it feels to join a union. Speak up like a man and fight. I know how it feels to march and sing. When you know that your fight is right.”

    Watch/listen to Dropkick Murphys’ “I Know How It Feels”:

    The post Protest Song Of The Week: ‘I Know How It Feels’ By Dropkick Murphys appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Die Jim Crow Records, the first record company to work exclusively with musicians impacted by the United States prison system, has collaborated with another formerly incarcerated artist named EL BENTLY 448.

    Wrongfully convicted, EL BENTLY 448, who is also known as Leon Benson, spent 25 years in an Indiana prison. Ten of those years were spent in solitary confinement. He was released on March 8, 2023, after he was exonerated.

    Shadowproof is honored to debut “Innocent,” a hip-hop track from Leon’s forthcoming EP that will be available on June 26. (Another track, “Mugabe,” was shared on April 26.)

    Leon told Shadowproof, “I was innocent, but I wasn’t an innocent person.” He recorded the track to explore this idea of being innocent, but born guilty.

    “You’re innocent born guilty if you’re born a different gender than somebody, if you’re born to a particular racial group, if you’re born in a particular time, in a particular location, in a particular economic status, or under a particular religion or culture,” Leon described.

    Leon added, “If you look at it, nobody had a choice of coming to the world. So when you come into the world, we are already made guilty by the powers that be in our life.”

    The lyrics for the track are autobiographical in the first verse. The second verse questions those who may believe that they are somehow more innocent than anyone who has been incarcerated.

    Leon wrote the track in 2012 while he was in solitary confinement. He hoped the track would help him bring awareness to his case so that he could be exonerated.

    As Leon recalled, he took that solitary cell that was meant for sensory deprivation, a “torture chamber,” and he transformed it into “a university, a place that I had to heal, learn, [and] grow.”

    “That’s where I got over a lot of anger because it was a place that I knew was meant for me to smother in, and even go crazy,” Leon shared.

    Fury Young founded Die Jim Crow in 2013. In 2014, Fury connected with Leon after an activist named Zulay Velasquez shared an announcement on the Facebook group for the Innocence Network that indicated Die Jim Crow was looking for artists. 

    “I’d never heard from someone in prison directly before (via cell phone) so we had a long uninterrupted conversation a couple hours later,” Fury shared. “We instantly hit it off, bonding about certain philosophy shit and world history. Then we continued to build!” 

    The Indiana Department of Corrections denied Die Jim Crow access to record music with Leon at least twice. So Leon found a way that he could record without them while he was in prison.

    For incarcerated musicians like Leon, making music is a form of “healing justice.” It is “music therapy.” Leon contended that allowing prisoners to “voice their particular experience” while locked up is a very powerful way of dealing with trauma. It can be a means of seeking rehabilitation before returning to society. 

    Leon grew up primarily in the area around Flint, Michigan. He was inspired by local music like the Dayton Family, Top Authority, and MC Breed. “They made the dream look really big. This is what made me try to put my voice on tracks” when he was about 13 years-old.

    “I used two radios,” Leon recalled. “One radio to record, one with the beat playing, and that’s how I used to make my first mixtapes.”

    The name EL BENTLY 448 is an amalgamation of El, bent, and -ly. Together, to Leon, they mean “becoming God in the nature of determination and talent.” What 448 refers to is numerology. Leon said it means “completion.” The number can represent the trust that one should have in their instincts and abilities to survive.

    “I’m a person who grew up in urban America. I used to be in the drug trade so it’s a lot of stuff that comes with LB 448,” Leon also shared

    According to Die Jim Crow, Leon’s song reflects the record label’s goal of dismantling stereotypes around race and prison. His lyrics deal with the injustice of wrongful conviction as well as the “emotional trauma that comes along with it.”

    “But even more so EL BENTLY 448 himself is an incredibly unique person,” the label added. “He spearheaded the fight for his freedom relentlessly until his dream of being a free man was achieved. It is an honor for us to provide our platform to him.”

    Listen to EL BENTLY 448’s “Innocent” from Die Jim Crow Records

    The post Die Jim Crow Records Releases New Music From Hip-Hop Artist Wrongfully Convicted And Imprisoned For 25 Years appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • The following article was made possible by paid subscribers of Shadowproof’s Dissenter Newsletter. Support independent journalism on whistleblowers and press freedom and become a subscriber with this limited offer for World Press Freedom Week.

    On World Press Freedom Day, the United States State Department abandoned its policy of not commenting on the case against WikiLeaks founder Julian Assange and essentially backed the prosecution against him.

    Matthew Lee of the Associated Press asked State Department spokesperson Vedant Patel “whether or not the State Department regards Julian Assange as a journalist who would be covered by the ideas embodied in World Press Freedom Day.”

    “I’m not asking for the [U.S. Justice Department point of view. I’m asking for what the State Department thinks,” Lee said.

    It was not the first time Lee had posed this question. In 2021, on World Press Freedom Day, Lee asked if President Joe Biden’s administration was looking into the Assange case, “his detention, his extradition, the request for extradition here, the charges against him?”

    “I realize you can’t speak for DOJ, but from the State Department’s perspective, is the current position still – does that still hold? Do you believe that Mr. Assange is a journalist?” Lee added. “And given the importance you place on accurate and factual information being disseminated, do you believe that the information that was published based on the U.S. government documents that he obtained and put out was either unfactual or inaccurate?”

    Jalina Porter, who was a spokesperson for the State Department, avoided the question. “So to your specific on Julian Assange, we’ll have to get back to you on that.”

    But now, with Biden going around repeatedly declaring that “journalism is not a crime,” Patel read a prepared response.

    “The State Department thinks that Mr. Assange has been charged with serious criminal conduct in the United States, in connection with his alleged role in one of the largest compromises of classified information in our nation’s history,” Patel declared. “His actions risked serious harm to U.S. national security to the benefit of our adversaries.”

    Patel continued, “It put named human sources to grave and imminent risk and risk of serious physical harm and arbitrary detention. So it does not matter how we categorize any person, but we view this as something, he’s been charged with serious criminal conduct.”

    The response was lousy and stale. The State Department basically dusted off a few talking points from 2010, when WikiLeaks first published U.S. State Embassy cables that exposed the inner workings of U.S. diplomacy.

    To be clear, Assange’s “role” was that of a publisher who received documents from U.S. Army whistleblower Chelsea Manning. A 2011 review by the Associated Press of sources, which the State Department claimed were most at risk from the publication of cables, found no evidence that any person was harmed. The potential for harm was “strictly theoretical.”

    Lee appropriately pushed back on the idea that being charged with “serious criminal conduct” made Assange a person unworthy of support on World Press Freedom Day.

    “Yeah, but anyone can be charged with anything. Evan Gershkovich has been charged with a serious criminal offense in Russia, and you say that he is a journalist, and he is obviously,” Lee replied. “And I just want to know whether or not you, the State Department – regardless of any charges that he faces – believe that he is a journalist, or he is something else.”

    Patel contended the two cases are “completely different.” He said, “The United States doesn’t go around arbitrarily detaining people, and the judicial oversight and checks and balances that we have in our system versus the Russian system are a little bit different.”

    The U.S. government subjected nearly 800 people to rendition, indefinite detention, and torture and brought them to Guantanamo Bay military prison, which was established a legal blackhole for alleged terrorism suspects. It’s still open, continues to hold detainees not charged with any crimes, and in fact, the United Nations recently condemned the US for keeping Abu Zubaydah in arbitrary detention, which “may constitute crimes against humanity.”

    Yes—the U.S. does arbitrarily detain people. Just not people the U.S. thinks should be free from arbitrary detention.

    Tip Jar

    “Okay. So, basically, the bottom line is that you don’t have an answer. You won’t say whether you think he is a journalist or not,” Lee stated.

    The State Department cannot say that US officials do not believe Assange is a journalist because they know that puts them at odds with civil society organizations that they frequently partner with on press freedom issues and campaigns to free detained journalists.

    Gershkovich’s case is not meaningfully different from the case against Assange. Russian intelligence accused Gershkovich of “collecting state secrets.” Like the U.S. government, the Russian government claims the authority to detain a journalist to make an example out of them and send a message that they will protect their military information from further disclosure.

    Few may know, the State Department intervened in the extradition process to help the Crown Prosecution Service win their appeal after a district judge ruled that extraditing Assange would be oppressive for health reasons. Diplomats offered empty “assurances” that Assange would not be mistreated in U.S. custody and leaned on the United Kingdom to approve Assange’s extradition to preserve the close partnership between the U.S. and the U.K.

    Now, on the same day, White House Press Secretary Karine Jean-Pierre was asked about Assange. “Advocates on Twitter today have been talking a great deal about how the United States has engaged in hypocrisy by talking about how Evan Gershkovich is held in Russia on espionage charges but the United States has Espionage Act charges pending against Julian Assange.”

    The reporter who asked this question also suggested the US had lost the “moral high ground.” Unlike the State Department, the White House did not feel compelled to take this question seriously. “Look, I’m not going to speak to Julian Assange and that case from here,” Jean-Pierre blurted.  

    CODEPINK co-founder Medea Benjamin, CODEPINK member Tighe Barry, and others in the peace group probably deserve credit for forcing the State Department to respond to a question about Assange with something more than “no comment.”

    Secretary of State Antony Blinken participated in a World Press Freedom Day event hosted by the Washington Post. As he sat down to talk with Post columnist David Ignatius, Benjamin stepped on to the stage. “Excuse us. We can’t use this day without calling for the freedom of Julian Assange.”

    The Post muted the audio for the video broadcast as security swiftly dragged Benjamin offstage. Security was so rough that it made Blinken uncomfortable. He stood up from his seat and told them, “Take it easy. Take it easy. Take it easy, guys.”

    Associated Press reporter Matthew Lee tied his Assange question to the protest, noting the case had been “raised perhaps a bit abruptly at the very beginning of [Blinken’s] comments.”

    Perhaps, that is why the State Department had a canned response ready. Or maybe the State Department flack had an answer prepared because all the advocates chatting about US hypocrisy bother the department.

    There is more political support in the world for ending the case than ever before, with parliamentarians in the U.K., Australia, Mexico, Brazil, and a handful of U.S. representatives urging the Justice Department to drop the charges. U.S. officials are afraid to engage reporters and defend the case in public.

    Confrontation works. Letters to the Justice Department that demand an end to the case are welcome, but they do not have the capacity to provoke an immediate response as CODEPINK’s protest apparently did.

    The post After Years Of Refusing To Comment, State Department Backs Assange Prosecution appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • The following article was made possible by paid subscribers. Support independent journalism on whistleblowers and press freedom and become a subscriber with this special World Press Freedom Day offer.

    For the United States government, World Press Freedom Day is an opportunity to further project an image of the U.S. as a supposed champion of journalism and human rights. But that projection is muddied greatly by the prosecution against WikiLeaks founder Julian Assange.

    An event was hosted by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) at the UN headquarters in New York. It marked the 30th anniversary of World Press Freedom Day.

    Dr. Agnès Callamard, the secretary general for Amnesty International, called attention to the double standard of so-called democratic countries while discussing challenges to protecting press freedom.

    “It is not just what is happening in Iran or in Russia that should worry us, although it should worry us a lot. It is also what is happening here [in the U.S.],” Callamard said. “Who is imprisoning Julian Assange? Who is creating more laws to curtail the freedom to protest? All of those indicators and trends are occurring within the so-called democracies of the world.”

    Callamard added, “Sadly, the playbook of autocracy, of control over conscience, of control over speech, has been well-learned by our so-called democratic leaders.”

    President Joe Biden, Attorney General Merrick Garland, and Secretary of State Antony Blinken have wielded the playbook of autocracy through deliberate acts of omission—by consistently dodging any attempts by reporters or civil society leaders to hold them accountable for pursuing the Assange case.

    At the White House Correspondents Dinner on April 29, Biden highlighted Russia’s detention of Evan Gershkovich and the abduction of Austin Tice in Syria over a decade ago.

    Then Biden proclaimed, “Tonight, our message is this: Journalism is not a crime.”

    However, that message seems fraudulent as the U.S. government remains committed to prosecuting Assange and keeps him in jail.

    Assange has been a target of surveillance and subject to some form of arbitrary detention for more than a decade. The journalism he oversaw as WikiLeaks editor-in-chief, which involved publishing classified documents from the U.S. government, effectively made him a target.

    Last year, Blinken uttered the following on World Press Freedom Day:

    When individual journalists are threatened, when they’re attacked, when they’re imprisoned, the chilling effects reach far beyond their targets. Some in the media start to self-censor. Others flee. Some stop reporting altogether. And when repressive governments come after journalists, human rights defenders, labor leaders, others in civil society are usually not far behind.

    A similar statement about the climate of fear fueled by prosecuting Assange has been made by Rebecca Vincent, the director of operations and international campaigns for Reporters Without Borders (RSF).

    If the U.S. government is successful in securing Assange’s extradition and prosecuting him for his contributions to public interest reporting, the same precedent could be applied to any journalist anywhere,” Vincent contended. “The possible implications of this case simply cannot be understated; it is the very future of journalism and press freedom that is at stake.”

    This year, Blinken will participate in a “moderated conversation on the state of press freedom worldwide” with Washington Post columnist David Ignatius.

    After Assange’s arrest on April 11, 2019, Ignatius argued the U.S. Justice Department had “drawn its indictment carefully enough that the issue [was] theft of secrets, rather than their publication.” The Washington Post Editorial Board has maintained that WikiLeaks “differs from journalism.” So Blinken will likely be permitted to advance a litany of double standards without being called on it.

    The United States Agency for International Development (USAID) marked World Press Freedom Day by promoting “Reporters Shield.” Under the new program, certain journalists and media organizations can apply to become “members” that are eligible to receive funds to help combat legal threats aimed at silencing them  (Note: USAID has in the past been used by the CIA as a front for operations.)

    According to USAID Director Samantha Power, who spoke at the UNESCO meeting, independent journalists around the world increasingly face lawfare from “corrupt leaders,” who are intent to drive them out of business.

    “Repressive or corrupt elites have tried to silence opposition by killing journalists. Now they are trying to kill journalism,” Power stated.

    Power was thinking of journalists countries like Russia, China, Iran, and North Korea, but the reality is that Assange and WikiLeaks might benefit from such a program.

    The CIA mounted a disruption campaign against WikiLeaks to make it difficult for the media organization to function. Officials reportedly discussed kidnapping or poisoning Assange while he was living under political asylum in the Ecuador embassy, and Mike Pompeo, when he was secretary of state, pressured Ecuador to toss Assange out of the embassy so the US could get their hands on him.

    Later in the meeting, Committee to Protect Journalists Jodie Ginsberg pointed out that if we really want to keep journalism safe then all governments must cease lawfare that involves targeting journalists with a “wide variety of spurious charges.”

    “One thing that the United States could concretely do is drop the charges against Julian Assange,” Ginsberg declared. She noted if Assange was brought to trial it would “effectively criminalize journalists everywhere.”

    Hitting Assange with Espionage Act charges and jailing him for the past four years has forced WikiLeaks to focus on freeing their founder. The organization has little to no funds to support the publication of new leaks, not to mention their reputation has been tarnished by smear campaigns engaged in by current and former U.S. intelligence officials. And it has also become harder to maintain the invaluable archive of documents on the WikiLeaks website.

    U.S. officials could abandon this case on World Press Freedom Day, but they will not because officials have entrenched themselves in the spiteful position that Assange is not a journalist. They see no conflict between their calls to free imprisoned journalists and their own autocratic conduct.

    The post US Double Standards On World Press Freedom Day appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • The following article was made possible by paid subscribers. Support independent journalism on whistleblowers and press freedom and subscribe to Shadowproof’s Dissenter Newsletter.

    Even as Pentagon Papers whistleblower Daniel Ellsberg closes in on the end of an incredible and impactful life, the Washington Post and the pundit class still cannot resist using Ellsberg as a prop to misleadingly assert that he is history’s best example of a “Good Leaker.”

    Devlin Barrett, a national security correspondent who covers the FBI and the United States Justice Department for the Post, spoke to Ellsberg and invited him to compare what he did to the leak of Pentagon documents, which were allegedly posted to a Discord chat group by Air National Guard reservist Jack Teixeira.

    The framing somberly noted how Ellsberg faces terminal pancreatic cancer, and to him, the war in Ukraine is eerily similar to the Vietnam War he helped end. “I’m reliving a part of history I had no desire to live again. And I hoped I wouldn’t. And by the way, that makes it easier to leave,” Ellsberg declared.

    But Barrett and the Post brought in Steven Aftergood, who is known in Washington, D.C., for his work with the Federation of American Scientists’ Government Secrecy Project, to comment on Ellsberg. Aftergood held up Ellsberg as the “archetypal” leaker of government secrets and pits him against many of the more recent whistleblowers, who Ellsberg himself has supported.

    “He actually read and understood all of the material he released. He knew what he was doing. And he acted with thoughtful discrimination by withholding four volumes of material on diplomatic negotiations that he considered particularly sensitive,” Aftergood argued.

    Aftergood added, “Government officials had told the public lies before, but rarely had they been exposed with such merciless clarity as they were in the Pentagon Papers.”

    Furthermore, Aftergood described Ellsberg as an “example” because he “took responsibility” and “did not try to evade the consequences of his decisions.” That supposedly “won the respect even of his adversaries and critics.”

    It is unclear who these “adversaries and critics” might be.

    Henry Kissinger was secretary of state under President Richard Nixon, and he dubbed Ellsberg the “most dangerous man in America.” Robert McNamara, the defense secretary who commissioned the classified Pentagon Papers study, wanted to hurt Ellsberg “very badly.” Later in their lives, they never showed Ellsberg respect for facing the “consequences.” So, Aftergood cannot be referring to them.

    Aftergood was obviously referring to NSA whistleblower Edward Snowden. A popular talking point promoted by President Barack Obama’s administration is that Snowden “fled into the arms of an adversary [Russia]” and that country engaged in a “concerted effort to undermine confidence in [US] democracy.”

    Ellsberg has wholeheartedly backed Snowden. “In my estimation, there has not been in American history a more important leak than Edward Snowden’s release of NSA material—and that definitely includes the Pentagon Papers 40 years ago.”

    What Aftergood, Barrett, and the Post did is similar to the tactic that prosecutors employed in the extradition proceedings against WikiLeaks founder Julian Assange when Ellsberg took the stand to defend Assange.

    Lead prosecutor James Lewis of the Crown Prosecution Authority emphasized that Ellsberg had withheld four volumes of the Pentagon Papers and made the same point that Aftergood made. But Ellsberg informed Lewis that he was wrong about the reason why Ellsberg did not disclose the volumes.

    Ellsberg did not want to give the U.S. government an excuse during the war for breaking off negotiations to end to the conflict. It did not bother him at all if the names of U.S. intelligence sources were exposed.

    As Ellsberg described, the 4,000 pages of original government documents that he disclosed contained thousands of names of Americans, Vietnamese, and North Vietnamese. There was even a clandestine CIA officer, who was named.

    Nowhere in the Pentagon Papers was there an “adequate justification for the killing that we were doing,” Ellsberg recalled. “I was afraid if I redacted or withheld anything at all it would be inferred I left out” the good reasons why the U.S. was pursuing the Vietnam War.

    Ellsberg was concerned about revealing the name of a clandestine CIA officer, though he mentioned the individual was well-known in South Vietnam. But he left it in the documents so no one in the government could get away with lying about redactions in the papers.

    Just like U.S. Army whistleblower Chelsea Manning, who released entire databases on the wars in Iraq and Afghanistan to WikiLeaks, Ellsberg believed the public needed to have access to the complete record. (Needless to say, Manning is not a “good leaker” to Aftergood.)

    In the extradition proceedings and in almost every instance where a whistleblower has courageously risked their livelihood, Ellsberg said the pundit class has used him as a “foil” against any “new revelations” of systematic government abuses of power. They have claimed certain leaks were different than his leaks to make it easier to discredit people who took great risks to reveal the truth.

    The inconvenient fact is that many of these “Bad Leakers” from the past 50 years are individuals who Ellsberg has championed. But soon the media establishment and wider pundit class will no longer have to worry about a longtime person of conscience getting in the way of their narrative.

    Ellsberg will no longer be around to correct them, and they will be able to focus on helping the FBI identify and hunt down leakers after they squeeze out all the scoops that they can from their disclosures.

    ***

    Back in early March, you may recall that I published a conversation with Daniel Ellsberg, who graciously agreed to help me promote my book Guilty of Journalism: The Political Case Against Julian Assange.

    We talked for over an hour and a half, and I edited the conversation to less than an hour so it could air on “The Project Censored Show” on KPFA radio in Berkeley, California.  

    But it is Daniel Ellsberg Week, a celebration of a peace activist and whistleblower. I shared some of the parts that were left out of my conversation, and I invite you to listen to Daniel share more of his insights on leaks, secrecy, the press, and lawless government.

    The post The Myth Of Daniel Ellsberg As The ‘Good Leaker’ appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • The following was originally published at Ongoing History of Protest Music.

    Mark Stewart made several contributions to the canon of protest music as part of the pioneering UK post-punk band The Pop Group, his solo work, and various other projects. He died on April 19, 2023, at the age of 62, and no cause of death was immediately shared.

    Several musicians including the trip-hop group Massive Attack, Steve Albini, and Nick Cave paid their respects and acknowledged Stewart’s considerable influence. Cave described Stewart as a “fearsome vocalist and unbelievably exciting frontman to whom I am deeply indebted.”

    Cave also specifically singled out the Pop Group’s 1979 standout single “We Are All Prostitutes,” which he said “influenced me as much as anything I have ever heard and has, I would say, the greatest opening 20 seconds of any song ever recorded.”

    The single appeared on reissues of their influential 1980 sophomore album “For How Much Longer Do We Tolerate Mass Murder,” and it also featured the B-side “Amnesty International Report on British Army Torture of Irish Prisoners.”

    “We Are All Prostitutes” declared that “capitalism is the most barbaric of all religions” and that “we are all prostitutes, everyone has their price.”

    The lyrics remain relevant decades later given politics, where wealthy lobby groups hold considerable influence over policy and greed fuels the climate crisis and other societal ills.

    Listen to “We Are All Prostitutes” by The Pop Group (1979):

    The post Protest Song Of The Week: ‘We Are All Prostitutes’ By The Pop Group appeared first on Shadowproof.

    This post was originally published on Shadowproof.

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    A judge in North Carolina found two journalists with the Asheville Blade guilty of “trespassing” on Christmas in 2021 when they stayed in a public park to cover Asheville police as officers evicted a homeless encampment.

    Veronica Coit and Matilda Bliss were “sentenced to pay $25 fines and court costs.” Coit received an additional sentence of “one year of unsupervised probation with a 10-day suspended [prison] sentence,” according to the Asheville Citizen-Times.

    The Asheville Blade reporters immediately appealed the decision by Judge Calvin Hill, and a jury trial was tentatively scheduled for May 1.

    “In today’s bench trial of Blade journalists Veronica Coit and Matilda Bliss, judge Calvin Hill declared them guilty of trespassing, ignored freedom of press, openly sided with [Asheville Police Department’s] claim [that it] can order reporters off public land,” the Asheville Blade stated.

    Hill, according to the media organization, apparently contended that no evidence had been presented to show that Coit and Bliss were journalists. The prosecutor did not even take this position.

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    The Asheville Blade is a “leftist local news co-op” that focuses on “hard-hitting journalism, in-depth investigation and sharp views” from Asheville. They are reader-supported (primarily through Patreon) and have been around for more than a decade.

    Beginning on December 19, 2021, those in the Asheville community gathered at Aston Park for five evenings to urge the City of Asheville to leave people without any shelter alone in the park after it closed at 10 p.m. They took a stand on Christmas, and police responded by sweeping the encampment and arresting six people, including Coit and Bliss.

    All six arrestees were “released from custody on the condition that they do not return to Aston Park,” the Asheville Free Press reported.

    The American Civil Liberties Union of North Carolina, Freedom of the Press Foundation, Reporters Without Borders, National Press Club, and Committee to Protect Journalists backed Coit and Bliss and urged the City of Asheville to abandon their prosecution.

    Body camera footage was released after the groups requested that the Buncombe Superior Court in Asheville make the video public. The footage showed that police had ordered the arrest of Coit and Bliss because they were “videotaping.”  

    Seth Stern, the advocacy director for Freedom of the Press Foundation, said the footage also showed that the Asheville Blade reporters had “recorded the sweep from a distance and did not obstruct police.”

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    In the released footage, Asheville Police Department Lieutenant Mike McClanahan asks Bliss if they are leaving. “Clearly, I have marked identification as press,” Bliss responds. To which the police lieutenant replies, “Clearly, you are trespassing.”

    Coit is singled out by officers similarly. They tell police they are “covering a story” and identify themselves as press.

    “These two journalists were serving the public interest by documenting this event, and their presence is protected by the First Amendment,” stated Clayton Weimers, the executive director of the United States Bureau for Reporters Without Borders. “The charges against them for trespassing are a poor attempt by local officials to intimidate the press and public from being able to monitor law enforcement.”

    Weimers spoke to Asheville Citizen-Times and highlighted the fact that more and more local governments in the U.S. are passing ordinances to prohibit reporting from homeless encampments.

    “I think this is the first guilty verdict in one of these cases, and I hate to think about what kind of precedent we’re setting here.”

    The trial was the fourth trial since 2018 against journalists for “offenses allegedly committed while gathering and reporting news,” according to the Freedom of the Press Foundation’s U.S. Press Freedom Tracker.

    “Bliss and Coit were never accused of harming or obstructing police or anyone and it’s ridiculous the case even got to this point,” Stern declared after the verdict. “Asheville’s crackdown on free speech doesn’t end with journalists—the same prosecutors are trying mutual aid workers for ‘felony littering.’ Seriously.”

    “Every reporter, everyone who’s ever criticized any official or cop should find the push to punish our journalists chilling,” the Asheville Blade concluded. “We remain determined to keep fighting.”

    The post North Carolina Judge Convicts Journalists Of ‘Trespassing’ While Covering Eviction Of Homeless Encampment appeared first on Shadowproof.

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    British police invoked a terrorism law in the United Kingdom to question and later arrest a French publisher over his alleged involvement in protests in France.

    Ernest Moret is the foreign rights manager for Editions La Fabrique. He arrived in London on April 17 to attend the London Book Fair. Police detained Moret and demanded that he “give up his phone and pass codes to the officers, with no justification or explanation offered,” according to a joint press statement from Editions La Fabrique and Verso Books.

    The following morning on April 18 the police arrested Moret and accused him of obstruction because he had refused to share his pass codes with police who detained him.Around 6:30 p.m. local time, Moret was released by police and not charged.

    But his lawyer Maître Marie Dosé told Libération that he was still facing an investigation. The police seized his computer and phone, and Dosé contended if the police are able to access the contents of his devices they will share the information with French authorities.

    An update posted by Editions La Fabriqueand Verso Books indicated that Moret was ordered by British counter-terrorism police to return to London in four weeks.

    The British counter-terrorism system is unique in Europe as far as emergency legislation is concerned: it is the only one that allows, without any investigative leads, suspicious behaviour, prosecution or even official ‘police custody,’ to arrest, detain and interrogate individuals who automatically expose themselves to legal proceedings if they refuse to cooperate It also provides a very permissive legal framework for police officers to extract all data from any computer device or phone of an interrogated person. Despite his release, our colleague’s fundamental rights have been violated and his life subjected to a totally opaque state arbitrariness.

    National Union of Journalists (NUJ) senior books and magazines organizers Pamela Morton condemned the arrest. “It seems extraordinary that the British police have acted this way in using terrorism legislation to arrest the publisher who was on legitimate business here for the London Book Fair,” Morton declared.

    PEN International indicated that they were “deeply concerned by the detention of French Publisher La Fabrique’s foreign rights manager,” who had planned to take part in the London Book Fair. They called for his immediate release.

    As Editions La Fabrique and Verso Books shared, Moret had plans to meet with over 30 foreign publishers at the book fair. When he arrived at St. Pancras International railway station, officers stopped him for questioning under Schedule 7 of the Terrorism Act of 2000. It evidently means that French and British police are collaborating to track down individuals who have participated in protests against French President Emmanuel Macron’s “pension reform” in France.

    “We consider these actions to be outrageous and unjustifiable infringements of basic principles of the freedom of expression and an example of the abuse of anti-terrorism laws,” Editions La Fabrique and Verso Books further stated. “We consider that this assault on the freedom of expression of a publisher is yet another manifestation of the slide towards repressive and authoritarian measures taken by the current French government in the face of widespread popular discontent and protest.”

    Both publishers announced that there would be a protest at the French Institute in London in the evening on April 18, where Moret had been scheduled to attend a reception. They also indicated that there would be a “simultaneous protest at the British Embassy in Paris.”

    Stella Magliani-Belkacem, who is the editorial director for Editions La Fabrique, told the Guardian, “When we were on the platform, two people, a woman and a guy, told us they were counter-terrorist police. They showed a paper called section 7 of the Terrorism Act of 2000 and said they had the right to ask him about demonstrations in France.”

    “I’m still shaking, we are in shock about what happened,” Magliani-Belkacem added.

    While abuses of authority under Schedule 7 of the UK’s terrorism law have primarily targeted Muslims, journalists have also had to worry about authorities using the law to violate their rights to freedom of the press.

    The NUJ previously noted that in October 2018 “the UK’s independent reviewer of terrorism legislation called for greater clarity over the use of Schedule 7 stops, which allow police to question people and copy data from their mobile phones and computers at ports and airports without reason for suspicion.”

    In 2013, David Miranda, the partner of journalist Glenn Greenwald, was stopped under Schedule 7 for nine hours. Police detained Miranda in the hopes of seizing copies of documents from NSA whistleblower Edward Snowden that detailed United States and U.K. involvement in mass surveillance programs.

    Multiple newspapers in the U.K. asked the Metropolitan Police and the French embassy in London for comment, however, they did not immediately respond to their requests.

    The post UK Police Arrest French Publisher For Refusing To Share Pass Codes For Phone appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    Founded in 1911, the Alabama Industrial School for Negro Children was a juvenile correctional facility in the Mount Meigs community near Montgomery, Alabama. The juvenile facility was notorious for the abuse inflicted on Black youth.

    As late as the 1960s, prisoners were forced to pick cotton from early morning to late evening, with physical and sexual abuse commonplace.

    “This was functionally a slave plantation,” concluded journalist Josie Duffy Rice, who researched the school’s history for a podcast series. 

    Among those who endured those horrors was 73-year-old acclaimed visual artist and avant-garde musician Lonnie Holley, who was arrested when he was 11.

    “I was like the Jungle Book child,” Holley shared in 2018. “I was cast away from society.”

    Years later those memories continue to haunt Holley to the point of experiencing night terrors. Holley tries to exorcize those past demons on the unsettling “Mount Meigs”, a stand-out track off his recently released fourth album “Oh Me Oh My.”

    Hearing Holley say, “They beat the curiosity out of me. They beat it out of me. They whooped it. They knocked it!” is jarring, but it properly confronts the dark past. Holley’s music does not whitewash history.

    Listen to Lonnie Holley’s “Mount Meigs”:


    The post Protest Song Of The Week: ‘Mount Meigs’ By Lonnie Holley appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Disruption Lab

    Saturday, March 25 – 7pm CET (2pm ET)

    Featuring Stella Assange (Julian Assange’s wife, Lawyer, UK) and Kevin Gosztola (Journalist, Dissenter Newsletter Editor, US).

    Introduced and moderated by Stefania Maurizi (Investigative journalist, IT).

    As an introduction to the film Ithaka, this panel describes the pervasive surveillance, monitoring and personal control that has oppressed Julian Assange and WikiLeaks for more than ten years, and discusses the conditions around Assange’s incarceration at the Belmarsh high-security prison in the United Kingdom, where he has been imprisoned for four years, and faces indefinite detention, while the United States seeks his extradition to face a 175-year prison sentence. He is accused of receiving and publishing documents from Chelsea Manning which documented war crimes, extrajudicial killings and civilian casualties during the US occupations of Iraq and Afghanistan.

    The panel starts with a talk by Stella Assange, a human rights lawyer born in South Africa and one of the protagonists of the film Ithaka. In March 2022, she married Julian Assange with whom she has two children, born in 2017 and 2019. She joined Assange’s legal team in 2011. During the latter stages of Assange’s political asylum in the Ecuadorean embassy, Julian Assange, Stella, their infant child and WikiLeaks lawyers were targeted by illegal surveillance. The embassy has been described as ‘the most surveilled embassy in the world’ and a ‘type of prison’. Since his arrest in April 2019, Julian Assange has been kept under administrative detention in the UK’s harshest, most surveilled prison, Belmarsh prison, also known as Britain’s Guantanamo Bay. All this while not having been convicted of any crime.

    In his talk, Kevin Gosztola, journalist and Dissenter Newsletter editor, accounts for the role of U.S. national security agencies in targeting Julian Assange and WikiLeaks. He describes what is known about the CIA and the FBI’s roles in the prosecution. Through several examples, he shows the extensive lengths that those in the shadow government have gone to instil paranoia and fear among those in Assange’s inner circle, who represent him publicly and legally, and those who campaign for his freedom.

    The panel is opened and moderated by investigative journalist Stefania Maurizi. In light of her work on the WikiLeaks secret files since 2009, she reconstructs how Julian Assange and the WikiLeaks journalists unleashed a revolution not only in journalism, but also in the people’s right to know. Based on her 8-year-long trench warfare to unearth the truth on the Julian Assange and WikiLeaks case through FOIA litigation in UK, US, Australia and Sweden, she provides and dissects forensic evidence of the persecution of Assange and the WikiLeaks journalists.

    The post [LIVE PANEL] Targeted by Surveillance: Julian Assange, WikiLeaks & Networked Repression appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    Born Evan Pang, Aysanabee is a Canadian Indigenous multi-instrumentalist, producer, and singer-songwriter. He is Oji-Cree and began creating music under his mother’s maiden name in order to reclaim his family name.

    Aysanabee’s mother gave him the last name Pang because she felt that a non-Indigenous name would make it easier to find employment.

    His 2022 debut album Watin” was named after his grandfather. His grandfather was renamed from Watin to “Walter” by the McIntosh Residential School in northwestern Ontario that he was forced to attend.

    “Watin actually started out as a series of conversations between myself and my grandfather,” said Aysanabee. “We spent the first year of the pandemic talking about things we’ve never spoke about, his life on the trapline on Sandy Lake First Nation, falling in love, his life in residential school and then leaving everything behind..we never spoke of it until now. Even though we were over 1,000 kilometres apart, it was probably the closest we’ve ever been.”

    The album includes nine spoken word interludes featuring his grandfather, which add poignancy to the music.

    The opening interlude relates to Watin’s harrowing experiences in residential school: “Ya I was eight years when I went to Residential School. Somebody from outside, the government person, said ‘if you don’t send your kids out, you guys, we’re not going to help you.’ And so I went to school. We had no choice. It was 300 kids that went to school, and I used to cry. I was lonesome. I was wondering why I was sent here. And I didn’t know why. What did I do wrong?”

    One of the album’s highlights is the anthemic “We Were Here”. It opens with the potent lyrics, “They say that we can reconcile this. Put it in the past. They say that we can reconcile this. What if I can’t?”

    The song and album are all about reclamation in the face of “fading memories,” “fleeting stories,” and “disappearing words.” Even though there may be efforts to whitewash history, Aysanabee defiantly declares that “it’s in my blood.”

    The post Protest Song Of The Week: ‘We Were Here’ By Aysanabee appeared first on Shadowproof.

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  • This article was funded by paid subscribers of The Dissenter Newsletter, a project of Shadowproof. Become a monthly paid subscriber to help us publish more independent journalism on whistleblowing.

    To further their nationwide efforts to restrict access to transgender health care, Republicans in the state of Missouri have deployed a former case worker at Washington University’s Transgender Center at St. Louis Children’s Hospital, who they claim is a whistleblower.

    There is no shortage of activists, journalists, academics, and people of conscience who have some story to share about the impact of the “Collateral Murder” video.

    The U.S. military footage of an Apache helicopter crew shooting indiscriminately at a dozen Iraqi civilians — including Reuters journalists Namir Noor Eldeen and Saeed Chmagh, and two young children — is widely recognized for exposing the true nature of the United States war in Iraq and for making WikiLeaks and Julian Assange household names.

    Three years before WikiLeaks made it possible for the public to watch this video, Dean Yates, Reuters bureau chief in Iraq, learned of its existence. Yates testified about the impact of the video at the Belmarsh Tribunal in Sydney, Australia on March 4, 2023.

    Later in the Tribunal, another delegate, Australian lawyer Bernard Collaery, called Yates’ testimony “admissible evidence,” which could serve as witness testimony in defense of Assange. (In fact, a statement from Yates was submitted to a British court during Assange’s extradition trial.)

    It has now been nearly 13 years since WikiLeaks published the video, and nearly 16 years since the attack took place. No one responsible for the attack or the invasion of Iraq has faced even a modicum of accountability.

    In contrast, Assange is languishing in Belmarsh Prison under torturous conditions. He sits in legal limbo while the United States continues to pursue his extradition under Espionage Act charges, in a case which poses an unprecedented threat to press freedom.

    While WikiLeaks’ publication of military documents from Iraq and Afghanistan are at the heart of the case, the “Collateral Murder” video is absent from the 18-count indictment that spans 37 pages.

    “The U.S. military usually didn’t investigate civilian casualties in Iraq. It did in this case because Namir and Saeed worked for a major international news organization,” Yates said as he started his speech.

    “I was shown—without advance warning—less than three minutes of footage from the gun-camera of Crazy Horse 1-8, up to where it opened fire for the first time. I was told the gunship then attacked a minivan because it was believed to be helping wounded insurgents and picking up weapons. U.S. forces had acted in accordance with the rules of engagement for Iraq, I was told.”

    Yates spent the next three years trying to convince the Pentagon to provide the full footage through the Freedom of Information Act, yet his effort was met with repeated refusals.

    Then, in 2010, WikiLeaks published the video. It immediately was clear that what the Pentagon had claimed was deceptive and dishonest.

    Screen shot from the “Collateral Murder” video

    “It was obvious why the U.S. government didn’t want to share the tape with Reuters,” Yates said. “It showed grainy figures on a Baghdad street. The hellish clack of Crazy Horse 1-8’s chain gun firing rounds the size of a small soft-drink bottle, the length of a man’s hand. Clouds of dust as those cannon shells crashed into men.”

    Yates further explained in his testimony that he highlighted sections of the indictment against Assange when the charges were announced. He concluded they were “an attempt to criminalize what journalists do,” and then Yates recalled something U.S. Army whistleblower Chelsea Manning explained at her court-martial.

    “After saving a copy of the tape, Ms. Manning told her court-martial that she searched for and found the ROEs, a 2007 flow chart outlining the chain of command for the use of force in Iraq and a laminated ‘ROE Card’ soldiers carried with them that summarized the rules,” Yates explained. “Then I got it. The U.S. government didn’t want the video in a courtroom. Too embarrassing.”

    “Potential war crimes. Cruel pilot banter. The U.S. military repeatedly lied about the events of July 12, 2007, in which my Iraq staff were killed.”

    Yates debunked, point-by-point, the lies in the original statement that the U.S. military put out justifying the attack, as well as the excuses U.S. Defense Secretary Robert Gates made following WikiLeaks’ publication of the footage. Yates emphasized that U.S. troops were well aware of the rules of engagement that they were violating, and despite this clear breach of rules, a U.S. military investigation cleared the pilots.

    The Pentagon engaged in a cover-up to try to keep the footage from ever seeing the light of day.

    Zoomed in screen shot from the “Collateral Murder” video

    “All this shows why the U.S. government didn’t put the tape in Assange’s indictment – that snapshot of the war would have exposed the hypocrisy of its case against him,” Yates said. “The breach of the ROEs, the blatant way the military ignored the wrongdoing and the extent senior military and civilian officials lied about it. Collateral Murder is so powerful because it is pure truth-telling. No military officials could deflect, sanitize, or provide ‘context.’”

    Yates finished his testimony by comparing the video to the Pulitzer Prize-winning photo taken by photojournalist Eddie Adams at the start of the Tet Offensive in the Vietnam War. The photo powerfully documented the casual execution of Nguyen Van Lem, and is credited for changing public perception of the war in Vietnam.

    The “Collateral Murder” video certainly impacted the public perception of the Iraq War. However, 20 years after the invasion of Iraq, many of the war’s architects have succeeded in memory-holing their crimes, lies, and abuses of power.

    Thanks to Assange and WikiLeaks, even if the criminals behind the war and occupation in Iraq never face any justice for their actions, this video will always be available to anyone who wants to know the truth about the conflict.

    The post US Still Trying To Bury ‘Collateral Murder’ Video That WikiLeaks Released appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • This article was funded by paid subscribers of The Dissenter Newsletter, a project of Shadowproof. Become a monthly paid subscriber to help us publish more independent journalism on whistleblowing.

    To further their nationwide efforts to restrict access to transgender health care, Republicans in the state of Missouri have deployed a former case worker at Washington University’s Transgender Center at St. Louis Children’s Hospital, who they claim is a whistleblower.

    Shadowproof and Project Censored present a conversation between Kevin Gosztola and Pentagon Papers whistleblower Daniel Ellsberg to mark the release of Kevin’s book, “Guilty of Journalism: The Political Case Against Julian Assange.”

    The book is available today, March 7, from Censored Press and Seven Stories Press. It is a crucial and compelling guide to the United States government’s case against the WikiLeaks founder and the implications for press freedom.

    “Kevin Gosztola is a rare journalist who understands the abominable threat that the case against Assange poses to press freedom,” says Daniel. “I rely on his indispensable reporting not only to stay informed about Assange, but also to follow developments in the wider war on whistleblowers.”

    Daniel has spent many decades sharing not only his experiences as a Nixon-era whistleblower but also showing support for fellow whistleblowers, who have faced similar attacks. He testified at the extradition trial against Assange in the United Kingdom in September 2020. He is also a board member for the Freedom of the Press Foundation.

    We thank Daniel for his generosity, and all the kindness he has shown to whistleblowers and independent journalists while standing up for peace and truth-telling.

    Below is the conversation between Kevin and Daniel on Guilty of Journalism.



    ***

    The following is a transcript of the conversation with minor edits for clarity.

    GOSZTOLA: We’re fast approaching the fourth anniversary of Julian Assange being thrown out of the Ecuador embassy and put into jail. Though we don’t have to get into all the details, especially given the life announcement you made recently, I just want to ask you about the passage of time as it applies to Julian Assange because it’s something that I think about as I follow this case.

    What I wrote about in my book, we’re talking about events that unfolded 13-14 years ago. The passage of time has usually factored into criminal cases. Sometimes it is weighed against hem when you’re considering bringing a case against a person. But Julian Assange has considered figures like Michael Ratner, who is no longer with us who was a really good human rights attorney who represented him, [as a mentor]. He’s lost Gavin MacFadyen, who was a figure in some way that he looked up to. So I’d like to get your view about what you consider most alarming about the fact that this keeps marching onward and doesn’t have a resolution yet.

    ELLSBERG: On the one hand, [the U.S. government] would be very happy to bring him to trial in Alexandria in particular, to extradite him and get him on trial, and with the expectation that in the post-9/11 world of law and attitude that he would be convicted. The Supreme Court has never yet ruled on the constitutionality of applying the Espionage Act to anyone other than a spy, who gives secret information to a foreign power generally with intent to harm the United States especially in wartime. That’s where it’s been used exclusively before my case in 1971.

    I was the first one tried as they said for a non-espionage case under the so-called Espionage Act. That’s not it’s official name, as you know. It’s 18 U.S.C. 793, especially paragraphs (d) and (e). As a non-lawyer—I’m not a lawyer I’m a defendant—that’s the one law I can trip off my tongue easily because I was the first non-spy, and they didn’t accuse me of being a spy. People misreported that often. But the [first] person who was not being charged with espionage to be charged under the act, and both paragraphs (d) and (e).

    [793(e)] is particularly for people who did not have authorized access to the material for which they were a source. I was an authorized person with the Pentagon Papers to have it, as was Chelsea Manning when she had access to the material that she gave over. That’s true in most of the cases that have been brought.

    It’s never been brought before against a journalist, as you know—and despite [former New York Times executive editor] Bill Keller’s despicable, I would say, allegation that he doesn’t recognize Julian Assange as a journalist. That’s partly due to the fact that most journalists do not really regard sources as part of the process.

    Journalism begins with the person I give it to, and the source is sort of, I’ve come to realize, is sort of like a policeman’s criminal informant, a snitch who disobeys the rules of his organization. If he’s in the mafia, he’s subject to death. Even if he’s not in the mafia, he’s a criminal. And he’s very, very useful to the policeman. [The police don’t] want to share him with any other police person because it’s useful information. He wants to build his career on that information, but he doesn’t really have much respect or concern.

    I will say that journalists do show a great deal of concern for concealing the identity of a source, and I’m sorry if I sound cynical here. I’m talking out of a good deal of experience of talking to whistleblowers other than myself. They don’t feel that journalists in the end have shown as much concern as they expected, often in the beginning.

    I actually don’t know a whistleblower who regrets what she or he has done. Even when they’ve almost all—you know them only when the law has entrapped them, not the anonymous ones. But I’ve talked to a lot of them. I’ve made it my effort to meet a lot of them because I identify with them, and I’ve been through the mill and I can give them some advice and reassurance and generally my admiration for what they’ve done. I’ve found that it’s very hard to find one who ends the process without great complaint against the journalist they’ve dealt with.

    This article was funded by paid subscribers of The Dissenter Newsletter, a project of Shadowproof. Become a monthly paid subscriber to help us publish more independent journalism on whistleblowing.

    To further their nationwide efforts to restrict access to transgender health care, Republicans in the state of Missouri have deployed a former case worker at Washington University’s Transgender Center at St. Louis Children’s Hospital, who they claim is a whistleblower.

    I don’t think that I’ve ever seen that before as a generalization, or even as a selective case. Because they don’t fight them. They’re happy that the material got out, as certainly I am for example. But they all are, they’re happy the material got out in nearly all cases. There’s a few where they didn’t really intend it. And they generally start out with a really friendly relationship with the journalist, and in some cases, certainly mine and others, you feel you’re part of a movement, say against war or nuclear weapons or invention or [for] the Constitution.

    You sort of assume that the journalist is on your side as a liberal. That’s who you’re dealing with. Or a progressive, even if their editors are not that liberal or progressive. But you sort of start out with the assumption—and they encourage this assumption—that we’re together on this somehow. We’re getting this out. It seems a very natural presumption. If people are against the war, they welcome the opportunity to put out some truth that might shorten it.

    But it turns out, as these people nearly all find out, that the concern either for keeping their identity, or how they present the materials, does not really extend to the source very much. They don’t really regard them as being on the same team as the source may originally mistakenly imagine.

    The Times Treated Assange In A Manner That Was Familiar

    Coming back to Assange, I perceived immediately that he was treated in a way very familiar to me by the Times, even terribly [and] contemptuously. Bill Keller may be in some ways that I don’t know a very fine person and a good journalist. From what I do know of him and his treatment of Chelsea Manning and Assange and others, he’s a horse’s ass, one of the jerks of the world. [chuckles] Elon Musk is revealing himself in those terms.  

    When Bill Keller says I don’t recognize him as a journalist and then he prints a [New York Magazine] story introducing the world to Julian Assange, which describes him as this unkempt character looking like a bag lady—Look, we’re talking about a computer guy who lives at night on his computer, pretty much. Or around the clock. He was originally a hacker, as some of the others. This is his life. So he didn’t look like a Times reporter, which I guess has some of the standards of J. Edgar Hoover’s FBI agents. And he smelled bad.

    Now, when was the last time you saw that described of anyone? Have you ever heard anyone described as smelling bad? This is a source. So Julian didn’t expect that kind of treatment. He was rather dismayed by it, and I had to say Julian. I could have told you what would come here.

    I haven’t ever publicized it at all. I can tell you why. But I was treated even worse than that by the New York Times Magazine section in a disastrous profile that was done of me, which was misleading in almost every paragraph. And I’ve never talked about that publicly.

    Why don’t any of the leakers or sources come out like me and criticize the dealing with the papers, or the papers as they see them? Because we want to get the word out. It’s got to be through a newspaper. No one wants to antagonize media. And like any profession, they don’t like criticism, even of their colleagues. Even if they don’t like those particular colleagues. It’s like lawyers and doctors. They don’t testify against each other, and they don’t like to hear it. You may want to get something else out, as certainly I did.

    I never wanted to antagonize the New York Times. As you know, I’m coming to a point here, where I don’t have to worry whether I antagonize the New York Times. So I will say, and I’m not going to go into details, my dealings with the New York Times were not less frustrating than those of Julian Assange and some of the others. I do think of that as a defect because of their craft. Because they could get an awful lot more information if they had more respect for sources, and if they probed for what’s there, which they generally don’t.

    Sometimes they do. Good investigative reporters, certainly, [like] Sy Hersh, who doesn’t try to maintain to government officials by dining with them, and playing tennis with them, and being part of their club, the officials club.

    “They Don’t Like Civil Disobedience”

    Let me get away from the relations with the sources to a more general point. It’s the kind of thing you cover, Kevin. I’ve often been asked, how do you weigh the way the press is doing compared to 1971 when they printed the Pentagon Papers? And I got more coverage than I could have dreamed of, that is the papers did. Because of the effort by Nixon and Attorney General Mitchell, disastrous to them, of trying to enjoin the New York Times. And then, when I gave it to the Post, they enjoined the Post. So I gave it to one paper after another.

    A friend of mine, Gar Alperovitz, who didn’t want to be known as a source until recently, a wonderful historian and scholar—He was very involved in this process for other reasons. I was inclined to put it all out. We didn’t have the web then, but to get it out before the FBI could make me stop it. He said no. I’ll give him credit for this. He said do it one at a time. He had worked for Congress. He says stretch it out. That will give more attention to it.

    The effect was there were four injunctions, and then they stopped because they simply realized they could not stop this. It eventually got to 17 newspapers I recall. The prosecution had to say we can’t stop this with injunctions. I remember the prosecutor saying it’s like trying to herd bees. They’re just out there.

    That was a glorious moment for the press, which they take almost no credit for. It was a wave of civil disobedience, which is what they were doing. Not one of them wanted to acknowledge that because they don’t like civil disobedience. They don’t get treated well; in particular, the New York Times.

    For instance, Abe Rosenthal, the managing editor of the New York Times, did a wonderful job getting this through and getting the documents in despite the fact that he supported the [Vietnam War]. I don’t give him credit for that, but I give him a lot of credit as a newsman for getting this stuff out despite the fact that it contradicted policies that he had supported.

    [chuckles] Okay, I’ll tell you something I’ve never said publicly. A friend of mine on the Times informed me that Abe Rosenthal hated me. What? How could that be? First, I’m an antiwar activist, and he didn’t respect any of them. He was for the war. So as an establishment person, he didn’t like the Berrigans. He didn’t like David Harris, and he didn’t like me.

    But more important than that, he was furious at me—I was told very authoritatively—because by revealing my identity to Walter Cronkite and otherwise while the FBI was searching for me, I had taken the attention away from the New York Times. It had become a Daniel Ellsberg story, to a considerable extent, instead of we have a anonymous source; a reason why I think they love their sources to be anonymous. Obviously, it’s for the benefit of the source to a large extent, but it turns out also for the press. They don’t have to share attention for their revelations [with] the source.

    I said to the person I was talking to that I had always made it clear to Neil Sheehan on the Times that if I was indicted, which was almost certain but not quite certain. I was not aware of any indictments, but I assumed there had been and that I just didn’t happen to be aware of them. But I assumed if there’s been so few that even I don’t know about them from being in the government for a decade, seeing a lot of leaks. They must have known the source in a number of those cases. Others they didn’t. But often they must have known who the source was, and [the Justice Department] didn’t seem to indict them, as far as I could see.

    I didn’t know that that was for constitutional reason. They felt they didn’t have a British-type Official Secrets Act. And they don’t. The British who didn’t have a war of independence, a revolution. And they do have a monarch who cannot impeached. He’s above the law. So we made some advances in terms of freedom and democracy in our war of independence. And because we don’t have, as you point out in your book right at the beginning—We do not have a British-type Official Secrets Act, which criminalizes any and all release of protected information that they don’t want out. Just [basically], did you do it?

    Now, that’s the way they’re using the Espionage Act since my case, and above all, by Obama, then Trump, and now Biden.

    ‘The Guardian As A Whole Doesn’t Look Good’

    GOSZTOLA: The media is something that I deal with in the book, and we wanted to make sure that we raised that Andrew Cockburn did this fantastic feature story for Harper’s Magazine called “Alternative Facts: How the media failed Julian Assange.” And he also incorporated some details from my book into the feature. He used it as a kind of guide to help him question and account for all the misrepresentations that the media, these news organizations particularly in the US but also at the Guardian, have engaged in collectively.

    A good example is David Leigh and even Nick Davies saying Julian Assange said that Afghan informants “deserve to die.” That was something that was quoted in a PBS FRONTLINE documentary. Der Spiegel journalists say he never expressed anything of that nature. It’s been used to defame Julian Assange.

    ELLSBERG: Let me say since you’ve just given that anecdote. I want to take advantage of this since this is one of my last late interviews in life. You may have noticed I’m using language that I really have never used before, and I’m criticizing the media in a way I was afraid to do like other sources. I don’t want to antagonize people that I might want to share stories eventually with, but that’s not going to go on.

    Okay, David Leigh and Nick Davies and the other people who said that, who with Luke Harding revealed the password that enabled these State Department cables to be released. They had done it in their book. But in their general attacks from the Guardian on this major source, I can identify David Leigh as another jerk, a real, real jerk.

    The Guardian as a whole doesn’t look good. Alan Rusbridger, the editor, pretty good at printing this stuff. But the people under him have an almost campaign against Julian. It’s bizarre. I don’t know, have to go into that. Very bad performance. I started to generalize, and I didn’t say it in my monologue here. People would ask me how the press is doing.

    I said there’s two ways to answer that. One is terribly but better than any other institution in our government structure. Look at the Supreme Court in recent years, Congress, the Democratic Party, the Republican Party. [chuckles] No use even talking about that now. So the press looks better than any of those. Another way of saying it is they’re better than any other institution but terribly. They’re doing terribly.

    What was it? Twenty years after the Pentagon Papers for the Gulf War, and then for the Iraq War. Each case they were as misled by the executive as willingly, as easily as Vietnam. There was no improvement there. Rightly so, the government has even found new ways to suppress truth in the press. But they go along with it pretty easily.

    How Do We Know They’ll Print It?

    GOSZTOLA: One of my favorite movies of all time, which is from the era of film-watching that you were doing. I remember in your Secrets book that you mention seeing “Butch Cassidy and the Sundance Kid with Howard Zinn. But another Robert Redford film that is quintessential to a conversation —

    ELLSBERG: Day of the Condor!

    GOSZTOLA: “Three Days of the Condor,” yes. And I want to say that question at the end, where we see the New York Times and the CIA company man asks, how do you know they’ll print it? I think that’s something that should enter our conversation here.

    ELLSBERG: How did he say it?

    GOSZTOLA: How do you know they’ll print it? That’s what the CIA man says to Robert Redford at the end. Because Robert Redford’s character Joe Turner says that he’s just blown the whistle on the underground assassination network inside the CIA, and he’s gone inside the New York Times building and he’s given [them] the allegations. And as he’s walking away, the CIA man—this is the Cliff Robertson character—looks at Robert Redford’s character and says—

    This is kind of him saying that you didn’t necessarily beat us because how do you know that the news media is going to publish your claims about our underground assassination network. We’ve talked about how the media demeans sources. They don’t want to share ownership. But we have countless examples in the last 20 years of journalists flat out not publishing material that was brought to their attention. And I think that’s something that we have to contemplate too in this case with Julian Assange and the way that the government has been able to go to war with WikiLeaks.

    Because what WikiLeaks did was publish material that probably the New York Times and the Washington Post would not have published, and it put them in the position where they had to deal with the fact that material they wouldn’t publish was now being shared by all of us and they didn’t want to have to deal with it in their newspapers.

    ELLSBERG: Good question. It brings me back to someone I was discussing a little earlier.  

    I remember “Three Days of the Condor.” My memory of the ending is that he looks up at the triangular building, the New York Times building, with the crawl that goes underneath. Isn’t that right? But I didn’t remember the question that you just mentioned, which is, how do you know they’re going to publish it?

    Well, they had just shown definite courage [it was 1975], as did the Washington Post and 17 other newspapers, who each of them defied the attorney general. He didn’t use the word treason, but he implied it. This is against the national security right at this moment. And the president was saying it. They said we’ve looked at it, not very long in some cases. They went with the New York Times example, which is why the New York Times is such an important place to put this. And they decided the attorney general was wrong. They didn’t agree that it endangered national security.

    Of course, I’m the good whistleblower now because 50 years later no one has ever found any way in which it endangered national security. By the way, Irwin Griswold, who represented the government in the civil case to enjoin the New York Times and the others, had said at the time it endangers national security. Years later, at a conference and in an op-ed in the Washington Post said I never saw any reason to believe that this endangered national security. It contradicted what he said before the Supreme Court, but then again he’s a lawyer and not a defense lawyer.

    ‘Let Me Tell You A Secret That I’ve Never Told’

    Can you be sure that they’ll print this stuff? Let me tell you a secret that I’ve never told. Why not? I’m not holding anything back now, and you’ll see why I was reluctant before.

    A year ago, just about exactly a year ago, I gave the New York Times and Charlie Savage a 350-page study by my old colleague Morton Halperin, who had done a top secret study for the Rand Corporation. Two-thirds of it had been declassified, but a third of it was still classified. And it had to do with the nuclear threats we had made and were ready to carry out to protect Taiwan from Chinese assault and even the offshore islands, a mile and a half from the mainland, which they regarded as part of the defense of Taiwan.

    The Economist had just had a piece on the cover showing Taiwan with cross-hairs on it. It said it’s the most dangerous place in the world. So I wanted to reveal to the American public—I think it the study was done in 1964, 1966, more than half a century ago. It’s time for people to know that we thought it then. Taiwan was worth blowing up the world, starting a nuclear event.

    Eisenhower expected, he said, in secret communications, the part that he had not declassified—He expected the Russians to respond with nuclear attacks. Which would mean, as I knew having worked on the war plans in 1961, in the Eisenhower period, even a non-nuclear attack on American forces, and we had American forces in Taiwan. Any attack would call for an all-out attack on Russia or the Soviet Union and China.

    What he was saying was if this blockade on the offshore islands and we can’t break it just by going through it if they’re shelling our ships, we’re going to do something that begins the process of destroying the northern hemisphere. They didn’t know about nuclear winter then, which would also take out the southern hemisphere. Okay, so I release that to the New York Times, and of course, revealed myself as the source. Charlie Savage did a good story on this.

    I said I would welcome, and I was younger then but not a lot younger, a year younger. I was 91. So I said I would be glad to prosecuted on this because I’m not going to bargain plea. The others have pled bargains in almost every case to get only 30 or 40 months in prisons or 55 or something like that. Rather than a life sentence, and I’d been charged with what amounted to a life sentence, 115 years. Julian is facing 175 years, but in both cases, that’s basically a life sentence.

    But I said a life sentence to me doesn’t mean what it used to mean 50 years ago. I wasn’t ready to face that then, but a life sentence isn’t going to weigh on me too heavily. I’m 91. No prosecution for this.

    Alright, so what I hadn’t told Charlie. I’ll now reveal it. I hope he doesn’t mind too much. I hadn’t told him because I thought it might deter him from this scoop—That I had given this study when it was all top secret to Tom Wicker of the New York Times, a friend of mine, wonderful journalist. I think he’s probably a Pulitzer Prize winner. I think he was head then of the Washington office. I’m not sure. But I gave it to him on my way to give to Japanese political parties.

    I put it out in Japan. I had a press conference. Never talked about this publicly. Every party was represented except the main party. The liberals control them. It’s essentially a one-party state but has a lot of other parties under it. So they were all there, and I put this on the table. I said you should know that Japan was very explicitly in this study a hostage, would be treated as a nuclear target if we started a nuclear war—for one thing because all of our warships had nuclear weapons in Japanese harbor, which the public didn’t know and their government denied.

    We had American bases there. Planes would be coming off from Japan. So I thought the Japanese public deserved to know that the president was secretly endangering them at this time.

    Then, on my way to Japan I thought, better if I make sure that the Americans have this before I give it to foreigners. So, on my way to Japan, I duck in to Washington, and I give this Tom Wicker. None of it ever appeared. So what Charlie Savage revealed last year had been in the hands of the New York Times—this would have been something like ’82. That’s 40 years ago.

    I thought if I mentioned that they had it and chose not to run it then that might discourage him. He might look a little deeper into whether he should run it now. I can understand that. So I didn’t mention it to him. I didn’t lie, but I didn’t reveal that particular part of the past.

    I also thought it’s going to be hard for them. Frankly, they can prosecute me. But I’ve got a pretty good case here because they know perfectly well that I gave this to these parties in Japan, and the Japanese have an ability—It was in a parliament building, the Diet Building. They use their regular Diet stenographers, or translators. They translate it into Japanese almost overnight. It’s like the congressional record. So it was available in Japan. This top secret study.

    An International Herald Tribune reporter was at this press conference, and I’ve forgotten his name. He writes a long story about what I said to the press, which had a lot to do with Taiwan, other things about our relations to Japan. I told them a lot of things. And he didn’t mention that I put an explicitly top secret study on the table in front of these people, who immediately copied it. It’s not in the story, and it’s a long story.

    There could only have been a phone call from somebody who said that’s top secret. Don’t run it. Must have checked it with somebody. It’s not mentioned. It was never mentioned in the press in the U.S. that I had done this. So I didn’t get prosecuted that time. This was after the Pentagon Papers.

    Criminalizing Journalists For Protecting Their Sources


    GOSZTOLA: One last question and then we will end this interview. I want to first bring up the fact that since you mentioned Edward Snowden we should raise the matter of how the third indictment against Julian Assange incorporated the support that WikiLeaks provided to Edward Snowden as a source—

    ELLSBERG: Oh, I’m not sure I knew that. Hmm.

    GOSZTOLA: Yes, it’s in there. In June 2020, they criminalized WikiLeaks for sending Sarah Harrison to Hong Kong to help Edward Snowden. And of course, we know the story. He gets stuck in the Moscow airport because his passport revoked. I wonder if you could draw a parallel to Pentagon Papers. You disclose them to journalists, and if any journalists had been accused of helping you evade the FBI, would they have been legally liable if we’re going to apply the way the Justice Department is pursuing Assange now?

    ELLSBERG: As I discussed with Charlie Savage at the time, just to make sure this is all clear, there is no question that he and the Times editors, who approve this, and the secretaries who dealt with it on the Times, were as indictable as I was under the plain language of the act, which needs to be amended in various ways. Which has been proposed by the way by Rashida Tlaib, a different version from Tulsi Gabbard’s earlier.

    Savage is as indictable. That’s the way it is, and the publisher, yes. [DOJ] have until now refrained naturally from taking on the New York Times, and for a lot of reasons. I’ll just mention one. Carl Bernstein wrote a long piece in Rolling Stone. Why in Rolling Stone? He couldn’t get it published anywhere else, and it was a long piece about CIA dealings with journalists in which he said 500 journalists had aided the CIA knowingly. I think 500 had security clearances or non-disclosure agreements, which would seem to compromise them as journalists significantly.

    [Note: According to Bernstein’s report, the CIA had dealt with 400 journalists. At least 200 had signed agreements or some form of a contract.]

    View Post

    Bernstein said their number one asset was the New York Times for getting out information. Conceal this, and we’ll give you that. I could give you many examples, but we’ve been going on for a long time. And that’s true for the Times of course.

    The CIA did not want to take on the Times, even though it does expose things infrequently that they don’t want out. But that just enhances the credibility of the Times from the government’s point of view, when the New York Times is doing their job. [chuckles] They’re doing it about one-tenth of the time to the extent that they should be doing it, and from the government’s point of view, we’ll accept and we won’t prosecute these people for embarrassing us occasionally.

    As long as they’ll align ourselves with us, as long as they won’t put out the surveillance story for a year with [Thomas] Tamm [on NSA warrantless wiretapping]. We need that. So they don’t prosecute them—yet. And yet it has been true for a half a century. Some day, and the ACLU predicted that it would be trump who would indict a journalist, which Obama who had indicted more sources than anyone else—you go into why.

    You tell a little bit more why [in your book]. It’s always puzzled me. How did he get in that position? Well, he hated leaks. Well, all presidents hate leaks. Why was it under him that there were so many prosecutions? I was learning from that at midnight last night from your book, reading it.

    Trump didn’t care about that, of course. He didn’t even like the New York Times. Didn’t he call it the failing New York Times? He hated the Washington Post even more. As you mention in the book, there was an earlier effort by Nixon to prosecute the New York Times. That grand jury was dismissed before bringing indictments apparently because those people had been overheard illegally without a warrant, as I had, Noam Chomsky, Howard Zinn, Richard Falk, my friends. They didn’t get indicted then because almost surely they asked, have I been overheard?

    Now it’s against Assange, and if Assange is convicted, if he is extradited and convicted, every journalist in the world has an x on their back, a laser target for if they print anything that is classified of the one hundred percent that is classified. Of which, five percent should be classified. Five percent is a lot, but 95 percent is even more. Say it’s a few years old.

    The Charlie Savage case is 50 years old. I was looking forward to arguing in court. This is before I knew that my life would be shorter than I had expected. But I was looking forward to going to court and saying, do you really think it’s going to endanger national security? To put out information that is 50 years old? Now granted, it is very current. There is a crisis going on about Taiwan. I’m not sure I could have prevailed.

    It does affect U.S. policy with respect to Taiwan, right now. That’s why I put it out. Still I would like to see them argue explicitly in court that they must protect a policy of readiness and threat to blow up the world to hold on to Taiwan, which I think would not look a lot better than Putin’s monstrous threats to blow up the world to protect Crimea, his hold in Crimea and the Donbas, which he has defined as Russia.

    Now why isn’t he being denounced? That’s an unconscionable threat, immoral and insane, which it is. Well, because NATO has been making that threat for 70 years and is still doing that. Not very actively because we now have a conventional non-nuclear superiority to the Russians.

    [cell phone ring interrupts]

    The Warsaw Pact has changed sides, and is now in NATO. We have a huge superiority. Though we don’t need nuclear threats, they can’t denounce Putin for making these insane threats to take an insane action to initiate a nuclear war because it’s their policy. Biden needs that threat for Taiwan, where we don’t have conventional superiority in that region.

    Now, do you have to threaten nuclear war to keep the Chinese from invading? No, I don’t think so. Even Putin—well, Putin may feel he has to threaten that to hold on to the Donbas against American intervention, if we intervene directly. If we do intervene directly, he will say to hold on to this part of Russia, whose existence is threatened—the Crimea, the Donbas, or Zaporizhzhia—we can do that against Ukrainians. Against American pilots directly, not so clearly. That’s where I fear he would carry out his threats to carry out a small nuclear war, which has of course every risk. You would hope not, but every risk of causing nuclear winter.

    ‘We Have Only A Small Chance’

    I’ll say right now. Anyone in the government, in the Russian government—A citizen can’t even object to this without getting imprisoned and in many cases tortured, like Navalny, in Russia. That’s not true here. So people who object to his policy can say you should not be threatening or preparing to blow the world up. That’s a shorthand for it doesn’t kill everybody, but 90-98 percent yes—from the smoke in the stratosphere that shuts out all the sunlight and destroys all the harvests.

    No nation in the world should accept without the utmost condemnation and resistance. If anyone, as I have said before in other occasions, any American I’ll speak to, but this is just as true in any other country—some of which the dangers of doing what I’m saying are much greater.

    Anybody who knows that the public and the world is being lied to by their officials or that preparations are being made that may well be carried out to cause nuclear winter or to initiate nuclear war. Of course, a Russian who knows that now or someone in the U.S. who knows that about Taiwan should consider at any cost personally to tell the truth that may avert a nuclear war, or any kind of war, actually.

    I can’t say they should individually do it, but if they think, they should consider doing it, what I wish I had done earlier in 1964 or ’61, when I had top secret information or access to it that could have averted the Vietnam War. Of course, I should have put that out earlier. So I say don’t do what I did. Don’t wait til the bombs are actually falling. And get it out. Get it to the New York Times, if they’ll print the documents. Get it to El Pais, Der Spiegel, even the Guardian. [chuckles] They behaved so badly with respect to Assange. Don’t expect respect or concern from the Guardian or these others, or the Times. That’s not an issue.

    It’s not a question of whether you should be called names, which have kept Democrats from opposing wars for generations here; not only Vietnam but all the others. That’s not a sufficient reason for not telling the truth. So people should have the moral courage that our soldiers routinely exhibit in combat with respect to their lives. But it’s very rare to find an official who will risk her or his career, or clearance or access. Or re-election or any of this. Unless there is more moral courage in the press, in Congress, and in the military than we’ve seen in the past, I don’t think we’ll survive the consequences of climate change or avoiding nuclear war. Everything depends on it.

    Even a small chance of affecting the ripping apart of the Constitution, as in Snowden’s case, or of ending a war and avoiding a war’s worth of lives at stake, of course it’s worth any personal cost to consider, and to do it. We have only a small chance, but everything is at stake. It’s worth pursuing it.

    You’re in a potentially noble confession, Kevin. And you didn’t mention in this excellent article in Harper’s by Andrew Cockburn, who is terrific on the question of the military industrial-complex and on how the media failed Julian Assange, terrific article—You naturally didn’t mention that you were the single investigative journalist who is singled out by name in your book and in your reporting for having covered this properly, courageously, and meticulously and so, I give you that tribute too just as Andrew does. And I think others will avail themselves of your information in your book.

    GOSZTOLA: Let’s end there, Dan. I really appreciate your time, and I thank you again for the endorsement that you gave to the book. I wish you the best. You seem like you’re at peace, and I’m very happy for you.

    ELLSBERG: Well, the world is not at peace. But we’re doing what we can.

    GOSZTOLA: John Shipton, Julian Assange’s father, calls it the difficulty of destiny. This is what is chronicled in the film that’s touring the country right now in the United States. That Julian Assange’s brother [Gabriel Shipton] produced. I’m just mentioning it and plugging it in addition to my book because there are screenings that people who watch this stream or broadcast will be able to go see in different locations.

    But the difficulty of destiny. Not the idea that an individual can be a hero and change the world but the idea that people who are trapped in these predicaments, in these circumstances, have to struggle and try to transform it. These Belmarsh tribunals that we participated in, rallies, the pressuring of Congress people. We’re all trapped in these predicaments, and it’s all up to us to try and transform it.

    Thank you very much, Dan.

    ELLSBERG: Thank you for the chance.

    The post A Conversation With Dan Ellsberg On Assange And The State Of Journalism appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • In a word, the ongoing union organizing drive that has swept the coffee giant Starbucks can be described as ‘unprecedented.’ Never before has a mass unionization effort of this magnitude gripped a fast food company in the United States. The humble origins of the barista-led Starbucks Workers United can be found in the Rust Belt city of Buffalo. It is there where the nation-wide unionization effort was publicly launched in August 2021. 

    As Starbucks Workers United (SBWU) expands from shop to shop, workers face an onslaught of union busting tactics from the company. Union fever continues to rapidly spread across the country as Starbucks workers at over 400 locations have filed petitions for union elections, with more planning to do so. 

    Starbucks’ response to these efforts came as no surprise to veteran union organizers and former baristas involved with a lesser-known and very different unionization effort at the company that took place years ago by the Industrial Workers of the World.

    Workers have won union elections at 291 stores and at two of the company’s three roastaries at the time of this writing. Those numbers are only expected to grow. There are 7,335 workers represented by SBWU at union stores.

    Starbucks barista Colter Chatriand got involved early in the organizing at his shop in Philadelphia. It kicked off “once Buffalo started to make the news,” he said. “And what that did for us was, when I would be talking to people or trying to start conversations with people, it was extremely easy to just be able to reference Buffalo.” 

    All eyes were on the three locations in Buffalo when the unthinkable happened: workers at two of the stores won their union elections, with tightly contested results at the third. Chatriand and other baristas were ecstatic. 

    Arjae Red was a barista and union organizer at SBWU’s flagship store in Buffalo. They were aware of the organizing going on before they were hired, and joined a union organizing committee shortly thereafter. It did not take too long for Red to see the writing on the wall for how the company treats its workers. 

    “They just basically lie. They’re like military recruiters. They say you’re going to get all these benefits when you come out and then you don’t have anything,” said Red. 

    Both Chatriand and Red have a similar background that propelled them to organize at Starbucks.

    In 2017, Chatriand was living in Butte, Montana, an old mining town with a deep history of labor militancy with the radical, anti-capitalist Industrial Workers of the World (IWW), popularly known as the Wobblies. Chatriand became enamored with the history of the union, and in particular with Wobbly organizer Frank Little. 

    “He was lynched by the bosses for his efforts to organize. He’s a local labor martyr in Butte,” Chatirand said. “It was the 100 year anniversary of his death when I moved up there. So that’s that part of what piqued my interest.”

    As he researched more about the history of the Wobblies, Chatriand learned that the union was still active in Butte. He joined the IWW and attended a workplace organizer training to learn how to form a union at his workplace.

    Chatriand moved to Philadelphia in 2019 and got a job working at Starbucks, but he had not yet fully put the knowledge he gained from the IWW union training to use. “I was kind of just keeping it in my back pocket,” he said.

    Arjae Red also joined the IWW around the same time that Chatriand did. They attended the same IWW training in Buffalo and made an attempt to organize at a factory where they worked.

    Their work intersected with a range of other left wing organizing around Black Lives Matter, LGBTQ justice, and socialist base-building. As a low-wage worker who saw the bigger picture of organizing, it made perfect sense for Red to get involved with the Starbucks campaign in its earlier, still underground, stages.

    Red noted that a number of organizers with SBWU, which is a part of an affiliate of Service Employees International Union (SEIU) known as Workers United, are also Wobblies. However, they were quick to point out that this cross-union activism represented only a small minority of SBWU activists. 

    “A lot of the people who are organizing at Starbucks right now are doing it for the first time,” said Red. “And a lot of them are not activists, they’re not people who were super political before. Many of them are people who are, for the first time, becoming politicized by the struggle.”

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    When Wobblies Organized Starbucks 

    Both union activity and union busting are as old as the company itself.

    Although the Starbucks campaign is the most widespread unionization effort at the company in the U.S., it is not the first. The United Food and Commercial Workers (UFCW) represented about 120 workers at Starbucks before the union was decertified in 1992, the same year Schultz bought the company. 

    Major Starbucks unionization efforts—some more successful than others—have unfolded in Canada, Chile, and New Zealand

    It was not until 2004 that the first nation-wide, sustained IWW organizing campaign at Starbucks surfaced at a Starbucks storefront in New York City. Organizers named their newly formed union Starbucks Workers Union (SWU).

    When Wobblies filed for a union election with the National Labor Relations Board (NLRB), they received a rude awakening about the limitations of labor law in the U.S. The board determined that the bargaining unit would have to include every Starbucks location on the entire island of Manhattan. 

    At that time, powerful unions like SEIU and UFCW were not interested in organizing on such a scale in the fast food industry. It would be near impossible for a small, anti-capitalist union with a shoe-string budget to do it alone. Wobblies pulled their union election petition and adopted a strategy called “solidarity unionism,” which marked a return to their union’s roots.

    In practice, solidarity unionism took on many different approaches as the SWU spread across New York City and ultimately across the U.S. Rather than waiting to bargain for a union contract, and relying on union officers to represent workers off the shop floor in lengthy grievance procedures, Wobblies and their coworkers took direct action at work to address issues as they arose.

    “Solidarity unionism, to me, means staying up all hours of the night writing press releases, and having long meetings where you definitely bring snacks, and tease out strategy—strategy beyond, how do we get somebody to sign a card,” recounted Anja Witek, another former Starbucks Workers Union organizer who worked at a shop in Minneapolis. 

    In an echo of the sentiments outlined by long time labor and civil rights activist Staughton Lynd in his book, Labor Law for the Rank and Filer, Witek said that Wobblies did use labor law as a defensive tactic, but never as a guiding element of their strategy. 

    In 2009, Starbucks fired Witek’s coworker Azmera Mebrahtu, falsely accusing her of stealing $1,200 from the company. She said that the company’s firing of Mebrahtu, an Ethiopian immigrant, was racist, and she and other Wobblies picketed the store and organized other actions to pressure the company to rehire her. 

    “In the IWW, we say ‘direct action gets the goods,’” Witek said. “We filed an Unfair Labor Practice but it was the direct actions that got her job back. She didn’t have to wait for the law.”

    The most successful IWW Starbucks campaigns centered around wages. Union activists won three wage increases, or a 25 percent total increase, for baristas across New York City. This bump in pay spread in varied forms to other cities and states. 

    In a separate three-year-long battle, organizers won company recognition of Martin Luther King Jr. Day and time-and-a-half holiday pay for workers.

    “We’re not going to win this,” Locke recalled thinking while organizing around the holiday. “I was just depressed and bogged down. But everybody else on the organizing committee said ‘we still want to’ and we went with what the committee wanted.” 

    The IWW announced a march and Locke, who worked at Starbucks for nearly a decade and was one of the core organizers for seven years in New York City, was in disbelief when fellow union organizer Anja Witek texted him on MLK Day about the major win

    “I immediately looked up the employee manual, because they did digital updates all the time, and it had Martin Luther King Day listed as one of the holidays,” Locke said. Tears over that bitter victory streamed down his face.

    “Since 2013, we have gotten $1.3 million of additional money into the pockets of baristas across the country on Martin Luther King Day for paid holiday pay, as well as a paid day off for managers, which was a side effect,” said Locke. With pay increases and company growth, that initial dollar amount has increased over the years.

    “I have never been more proud of anything in my whole life,” Locke said of the union victory. “It’s really profound the way that that specific campaign touched a lot of baristas, the way that it mattered to them when they learned about the labor fights that Dr. King supported and fought for, and the fact that he was in support of unions.”

    King was a vocal backer of unions. His final act before his assassination in Memphis was supporting a mass strike of union sanitation workers. 

    According to Locke, at the union’s peak there were only “300 baristas nationwide organizing.” In New York City, he said there were about 200 SWU members and an additional 900 workers who took collective action but never officially joined the union. Wobblies organized at Starbucks in over a dozen states.

    A small-yet-committed group of union members were able to achieve victories.

    However, many union leaders were targeted and fired in the course of the campaign. There was constant turnover of workers, and organizers endured an incredible amount of mental and physical pain from the daily grind of working at Starbucks. Union leaders were burnt out.

    In the end, the company’s brutal union busting pushed the IWW campaign into oblivion. 

    The Workers United Campaign

    The IWW and Workers United – SEIU could not be more different unions. There is certainly some overlap between the two on the basics of organizing and talking to coworkers, but the differences in overall strategies and structures of both unions are night and day. 

    The IWW has always marched to the beat of a very different drum since its founding in 1905. While the dominant American Federation of Labor practiced a “pure and simple unionism” that focused exclusively on improvements to wages and working conditions under capitalism, but also actively excluded Black and Asian workers from union ranks, the IWW preached revolutionary socialist and anarchist ideas, militant industrial unionism, and practiced racial equality. 

    Because of their power to disrupt industry and their criticism of World War I, the IWW was brutally repressed by the U.S. government and nearly destroyed

    Today, the IWW in the U.S. and Canada has only about 9,000 members, but Wobblies contest that what the union lacks in numbers it makes up for in its unique approach to organizing: solidarity unionism that transcends industries and national borders, a refusal to get involved with electoral politics, and a grassroots directly-democratic structure. Wobblies still cling to their radical, anticapitalist ethos and were the first union to endorse Occupy Wall Street when it erupted in the streets of New York City in 2011.

    SEIU by contrast is the largest union in the U.S. and Canada, and boasts a membership of 2 million. While many unions in the U.S. have decreased in membership over the years from an anti-union onslaught, SEIU has been steadily growing and taking the lead in organizing nurses, service workers, janitors, and adjunct faculty. They were behind the Fight for 15 campaign to demand “15 dollars and a union” across the fast food industry, which resulted in widespread wage increases for fast food workers. 

    Their promise of a fast food workers union, at least at Starbucks, is finally coming to fruition. SEIU towers over the IWW in numbers and material gains, but it is a hierarchical, staff-driven organization that has deep ties to the Democratic Party. 

    There are plenty of reasons why the SBWU campaign under SEIU is taking off in ways that the IWW’s Starbucks Workers Union campaign never did. A significantly more favorable political atmosphere is one of them, which created fertile soil for SBWU to plant firm roots.

    Mass movements and protests like Occupy Wall Street, the Wisconsin Uprising, the Dakota Access Pipeline protests at Standing Rock, and Black Lives Matter, have all made a deep imprint on the landscape of organizing in the U.S.

    Rising income inequality, inflation, and the stresses specifically faced by service industry workers from the COVID-19 pandemic have also ripened conditions for organizing.

    There are legal forces behind SBWU’s boost, too. “I think the reason why this movement is so widespread is because the judge in Buffalo allowed [bargaining units and elections] to be on a store by store basis,” Chatriand said. “That was the ruling that took us by surprise.”

    “We were anticipating that the law was not going to be on our side, and that they would rule against us and in the favor of Starbucks,” he said. The favorable ruling has made the process of filing for union elections much easier. 

    Unlike other SEIU campaigns, SBWU only has a small handful of staffers who are assisting Starbucks baristas in their organizing. New baristas are constantly reaching out to Workers United expressing an interest in organizing but the organization lacks the staff necessary to provide deep support. By necessity, union leadership and staff have turned to empowering workers to learn the skills to become organizers, run their own campaigns, and bargain their own contracts. 

    The structure of SBWU, according to Arjae Red, is very democratic and run essentially by Starbucks baristas.

    “We don’t have the union staff speak for us, we just do it ourselves. And then we refer to them if we need advice,” said Red of Workers United staff.

    Organic worker-to-worker networking has developed across “a web of stores that are connected to each other,” Red shared. This includes baristas in Buffalo, Memphis, Phoenix, and other cities.

    Baristas also set up city-wide committees and regional networking structures to share resources and offer support.

    Chatriand sees this campaign as “very worker driven.” He believes that the past organizing at Starbucks “was too top heavy with the UFCW, and it was too bottom heavy with the IWW. But I think now with Workers United it’s finding some sort of middle ground where it’s kind of the best of both worlds.” 

    Tactically, Starbucks Workers United activists are not solely organizing around union elections.

    “There’s a lot of random little strikes that are being called, one day strikes, one day boycotts, weekend boycotts,” Red said. “As people get fired from stores, the stores are walking out. And this is not really something that we’re coordinating on a country wide scale, but our union still fully supports these autonomous strike actions.”  

    Workers are getting more bold with their actions as well.. At the Starbucks roastery in New York City, they walked off the job on October 25, 2022 over the health and safety concerns surrounding a bedbug infestation. The historic strike lasted 46 days, and workers won on several of their demands as a result. 

    In mid-December, baristas staged a three-day strike against unfair labor practices that involved over 1,000 workers and over 100 stores. Much of the work to pull off these actions came from baristas on the shop floor. 

    The strikes are building a foundation of confidence for the workers. The roastery workers released a statement when they ended their strike, stating, “We are excited to return to work, but we recognize that our fight as a unionized store has just begun… Our next step is to bargain a contract!”

    All eyes are on Buffalo to see what the first union contract will look like. 

    “We want to get a strong first contract so we put out a bargaining survey around the whole country and got a poll of what everybody wants,” Red explained as a member of the barista-led bargaining committee.

    The belief is that the first union contract that comes out of Buffalo will set a precedent, good or bad, for stores across the country. 

    ‘Starbucks Has Been Crushing Unions Since Day One’ 

    Starbucks Workers United has thus far weathered the storm of union busting, but given the severe anti-union history of Starbucks, there is no telling what lies in wait for the union. 

    “Starbucks has been crushing unions since day one,” said Arjae Red. Shortly after buying the six-store company in 1987, CEO Howard Schultz set his sights on the UFCW union membership at the company. 

    “He quickly stomped out the union,” Red explained. “Howard Schultz lied and told these unionized workers, if you decertify at your next vote, then you’ll maintain all your benefits, and we don’t need a union once we do the merger. And unfortunately, I guess they fell for it because they decertified.” 

    Starbucks has fostered a public image as a progressive company that champions racial justice, LGBTQ+ rights, and a variety of progressive causes. That image stands in stark contrast to the reality experienced by workers. 

    In 2020, a movement of Starbucks baristas emerged in Solidarity with the Black Lives Matter (BLM) movement. Baristas wore BLM buttons and face masks in support of the movement, but managers and the company pushed back against them. In a company-wide memo sent to baristas, management explicitly forbade workers from wearing anything in support of Black Lives Matter. Their justification for this was that this public display of support for the movement might incite  “agitators” to violence

    Public pressure in support of the workers mounted and the company conceded. They allowed workers to wear BLM buttons and masks, and created a company sponsored BLM tee shirt—a move that Red and other baristas called “tokenistic.”

    “What they’re doing is just using the struggles of marginalized people just to advertise,” Red said. “It’s just a way to make money.” 

    “They present themselves like their cafes are a safe space for LGBTQ+ people, people of color and all kinds of different people who need a place to go. The workers do a good job of trying to make that a reality, but the company, really, it’s not compatible. Many of their values and principles that they’ve claimed to have are totally contradictory to just the way that they run as a corporation.” 

    Red, who is queer and non-binary, said they were misgendered by managers “on a constant basis.” They want the company to “hold their managers to a higher standard” and “train them better.” 

    Liberte Locke faced an even deeper level of homophobia at the coffee chain. “Starbucks used my queerness heavily in the anti-organizing campaign,” said Locke, who identified as a queer woman when in the IWW, but has since transitioned.

    “It’s not untrue that Starbucks offers assistance with IVF, supports gay marriage, and has pretty extensive language that’s supportive of trans employees. But I feel like Starbucks knows too much, so they are able to use it against us,” he said.

    While Locke was organizing in New York, Starbucks replaced the store manager—a straight Puerto Rican woman—with a new manager, who, like Locke at that time, identified as a lesbian woman.

    “Starbucks took the basics of queerness and tried to make sure that I would identify with the person,” he said. “And then she did her job as an anti-union person of doing everything she could to appeal to that in me.”

    But the approach failed, and the manager was eventually fired.

    Several months later, Locke’s former manager asked to talk to him privately. “We met in the park for my lunch break. And she tells me, she says, ‘listen, everything you think is happening is happening. Everything you’re worried about, they’re actually doing.’”

    Locke was a primary target for Starbucks’ effort to bust the IWW, and the company attempted on multiple occasions to write him up over minor issues and fire him.

    Daniel Gross was one of the original IWW organizers at Starbucks, and one of the Wobblies who asked Locke to join the union in 2007.

    When the IWW initially filed for a union election, Gross “had a meeting with all these Starbucks lawyers and district managers and his lawyer, and they had offered him a certain amount of money in the 10s of 1000s to just quit Starbucks and never come back,” recalled Locke. Gross refused the bribe and kept organizing. 

    At a union picket in 2004, Gross and another union activist were singled out by the police and arrested. Starbucks fired Gross in 2006 in what he and other union members say was an attempt to destroy the organizing effort.

    In the years-long court battles that waged over Gross’s termination, and the thousands of documents that surfaced in discovery, it was revealed that Starbucks went so far as to send managers to follow Gross and other union members back to his home to spy on them.

    Meanwhile, Starbucks reserved its harsher actions for Black union organizers, many of whom were fired. 

    One Black union leader targeted by the company still leaves Locke with a feeling of deep unease. She was on the organizing committee with Locke at the 17th and Broadway Starbucks store. 

    “She was galvanizing everybody,” he said. “She got people to join the union and to take action.” Locke declined to give her full name out of concern over retaliation from Starbucks. 

    Locke said that, in early 2009, an irate customer threw a cup of coffee at the union leader, who responded by deflecting it. The customer was not hurt, but filed a complaint with Starbucks which then used the incident as justification to fire her. 

    According to Liberte Locke, the union leader, who was a single mother of three facing foreclosure, begged management not to fire her.

    “And then Starbucks said, ‘we won’t fire you, but only if you give us the names of everyone that’s in the union in the city that you’re aware of,’” Locke said. He claimed she was also asked to steal his notebook. “And she adamantly refused. And they fired her on the spot when she had no previous write-ups.”  

    The union was primed to take both legal and collective action, but the fired union leader never showed up. “We couldn’t get a hold of her. We couldn’t find her,” he said, and figured she was burnt out and afraid. 

    Liberte Locke did not hear from the fired union leader for two more years when he happened to run into her at another barista’s apartment. He was incredibly relieved to see her. What she told Locke made him speechless. 

    “She just told me: ‘I had to sign this stuff where I wasn’t allowed to talk to you, where I wasn’t allowed to talk to the IWW anymore. And I wasn’t allowed to go to the organizing trainings, or talk to the media, or talk to anything or they wouldn’t give me my house.’” 

    “Starbucks literally gave her a house in Queens,” Locke claimed. He repeated the words so as to let that reality sink in again years later. “They literally gave her a house.” 

    Ultimately, the company was successful in crushing the IWW Starbucks Workers Union through the use of threats, intimidation, targeted firings, spreading lies, bribing union activists, and spending millions of dollars in the process. The company has utilized some of these same tactics against the current SBWU campaign. Starbucks continues to target Black and other union activists of color, too. 

    On Martin Luther King Jr. Day, a group of Starbucks baristas in Memphis went public with their union. In a public statement, workers noted that they were doing so “in the city where [King] was killed while fighting for the right of sanitation workers to organize.” The workers urged Starbucks to “embrace Dr. King’s vision” and asked the company to not employ union-busting tactics. 

    Starbucks responded by firing the entire organizing committee, which was made up almost entirely of Black and Latino workers. 

    Although it is illegal in the U.S. for employers to fire workers for union activity, employers will find other justifications for doing so. Starbucks, for example, claims Memphis workers were fired for violating various company policies, which the union argues were arbitrarily enforced to target activists. Starbucks Workers United launched a national campaign to demand the “Memphis 7” be rehired. The campaign was ultimately successful. Last August, a federal judge ordered Starbucks to reinstate the fired workers.

    “Starbucks obviously doesn’t treat any of the organizers well, whether they’re Black or white, regardless of ethnicity,” said Red. “But they acted particularly viciously against Black organizers compared to the stores that have majority white organizing committees, for example, like in Buffalo.” 

    The NLRB issued a statement against Starbucks on April 22, stating Starbucks broke the law and fired the seven workers because they “joined or assisted the union and engaged in concerted activities, and to discourage employees from engaging in these activities.” 

    Another union leader, Leila Dalton, was fired from her store in Phoenix, AZ after a recording of her manager harassing her went viral. “She’s the only Black worker at her store. She’s 19 years old. And the company targeted her heavily, they were just non stop harassing her, trying to threaten and intimidate her. And they fired her,” said Arjae Red.

    Starbucks has used a variety of other tactics as well. Red said that, in the lead up to the union election at their Starbucks store in Buffalo, the company closed another local store that had a particularly anti-union reputation, sending much of its workforce over to Red’s store. 

    “Many of the votes that we had, in the end, were actually people that didn’t even work at our store. It was really obvious that Starbucks was trying to just stack the vote with people they thought would vote no,” said Red. They alleged some pro-union workers never received election ballots. The vote was 15-9 in favor of forming a union, and an additional 7 ballots were challenged.

    Starbucks also conducted a series of captive-audience meetings across the country, often shutting down stores for hours without public explanation. During the sessions, managers lied to the workers about the unionization effort and attempted to derail organizing. Union activists and supporters across the country also had their hours and benefits cut. 

    In April, Howard Schultz told store managers across the U.S. that he would review a plan to expand benefits for employees but exclude employees from stores that have undergone union elections from those same benefits.

    The union filed charges against Starbucks with the NLRB, saying that Schultz’s comments were illegal and a violation of the National Labor Relations Act.

    Arjae Red was not immune from retaliation. Over 100 barista union activists were fired across the country. Many more found themselves in a situation similar to Red’s. “The company slashed my hours and I was forced to look for options elsewhere,” they said. “I actually liked working at Starbucks and would’ve preferred to stay.” 

    On March 1 the NLRB finally made a ruling on multiple unfair labor practices filed by the union in Buffalo.

    In a scathing condemnation of Starbucks’ union-busting tactics in Buffalo, NLRB Administrative Law Judge Michael A. Rosas ruled in favor of the SBWU in a 218 page decision. The company must rehire and compensate union activists who were retaliated against, according to Rosas, and reopen stores that were closed in an effort to stymie the union drive.  

    ‘It’s Bigger Than Just Your Contract’

    If this history of organizing and union busting has anything to teach Starbucks Workers United, it is that the union will continue to face a torrent of attacks from the company. Baristas are bracing for this.

    The struggle ahead will be an arduous one, particularly so since the union’s goal is to bring every one of the 7,000 Starbucks locations across the United States into the union fold. And while the unionization effort has only spread to a few hundred locations so far, for now there appears to be no end in sight for the eagerness and tenacity of union baristas to keep building their union from coast to coast.

    Red said the next big fight for the union is over bargaining for a first union contract. Starbucks is dragging out the bargaining process, according to union activists. Workers are demanding an increase to wages and benefits, including a more robust health insurance plan and guaranteed hours.

    While the company does offer benefits to employees, including health insurance, and college tuition to Arizona State University online courses and programs, the company is notorious for cutting employees’ hours to disqualify them from receiving them.

    “The problem is that many of us, even people that have been at Starbucks for years and have been getting those benefits, they’re getting their hours slashed down to 5, 10, 15 hours a week,” which puts workers below the 20-hour-a-week minimum for eligibility. 

    Citing comments that Howard Schultz made during a Starbucks town hall meeting with employees in March 2022, Red noted that the CEO “has a class-wide perspective. He’s not just thinking about it in terms of his own company and his own money. He’s looking at the entire capitalist class under assault by the workers.”

    “I think if these corporations have a class-wide perspective, then the workers need to have a class-wide and international perspective, too,” said Arjae Red. “That’s something that I’ve been trying to point out to people, that this is bigger than just getting your store a contract or even just unionizing Starbucks as a company. We have to be linking up with Amazon workers, and other workers. We’ve got to be linking up with other left forces. It’s bigger than just your contract.”

    The post On The Long Road To Organizing A Starbucks Union appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally published at Ongoing History of Protest Music

    Back in 1992, Ice-T’s heavy metal project Body Count released their self-titled debut album, which
    included one of the most controversial protest songs of all-time, “Cop Killer”. The lyrics express the
    frustration that many in the Black community were feeling.

    The original album version references then-Los Angeles police chief Daryl Gates, and Rodney King, who was brutalized by the LAPD on March 3, 1991.

    Ice-T defended the song as it faced a boycott. “I’m singing in the first person as a character who is fed up with police brutality. I ain’t never killed no cop. I felt like it a lot of times. But I never did it. If you believe that I’m a cop killer, you believe David Bowie is an astronaut.”

    Due to the uproar, the album was pulled and reissued without “Cop Killer.” The studio version of the
    song still hasn’t been re-released and isn’t available on streaming services, but there is now a cover version by R&B singer Macy Gray that features her backing group California Jet Club. The reworked track appears on her recently released album “The Reset.”

    Gray said, “The album was written right in the thick of the pandemic. It was just a really good
    time to make an album because everybody was emotive and expressing themselves. Everybody was just like releasing and letting go. Most musicians are musicians because they aren’t great communicators, so it all came out in the album.“

    “There is a song called PTSD, which is a song about how my country gave me PTSD, cause after all that I was traumatized,” added Gray.

    Part of that PTSD stemmed from the ongoing issues with police brutality, a theme that is heavily dealt
    with on the timely album, which was composed in the aftermath of the murders of George Floyd
    and Breonna Taylor in 2020. The modern-day lynching of Tyre Nichols renews the relevance.

    Along with her music, Gray was motivated to co-found My Good, an organization created to support
    families who have lost loved ones to police violence.

    “I don’t think people are aware that three people die via the police on average every day. So the 99.9%
    of those you don’t hear about, and most 99.9% of those don’t get any kind of settlement, don’t see a
    penny,” Gray declared. “You know, you have moms 10 years later still going to court fighting for justice.”

    Even though the lyrics of “Cop Killer” will still make a segment of people uncomfortable, the anger
    towards corrupt cops is at an all-time level. More and more people are raising their voices to declare,
    “Fuck police brutality!”

    The post Protest Song Of The Week: ‘Cop Killer’ By Macy Gray and The California Jet Club appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Originally posted at Ongoing History of Protest Music

    Canadian hardcore punk band Fucked Up recently released their sixth full-length album “One Day.” As denoted by the album’s title, each band member committed to a self-imposed time frame of 24 hours to write and record their contributions.

    Compared to their previous ambitious standards, the album is more straightforward but still carries considerable weight. It also features a few poignant social commentaries.

    “Broken Little Boys” explores the generational cycle of toxic masculinity. Another song, “Found,” which is Shadowproof’s protest song of the week, chronicles how Indigenous people have been displaced and
    murdered to build highways and “temples of police and landlords.” All for the worship of money.

    The track was inspired by guitarist Mike Haliechuk’s experiences living on one of the oldest streets in
    North America and his observations of the tragic consequences of colonization and gentrification.

    “I used to live on Davenport Road, which is one of the oldest streets in North America and has been a
    First Nations trail for thousands of years, running along the north shore of Lake Iroquois, which receded
    after the last ice age,” Haliechuk recalled. “Just to the east was Taddle Creek, which was
    buried underground during the 19th century to build the streets I walk on. I thought about gentrification
    a lot, watching little stores get swallowed up by big buildings until I realized I am one of those big
    buildings.”

    Haliechuk continued, “The name of the song comes from the Shadi Bartsch translation of The Aeneid,
    where she points out that the words ‘found’ and ‘stab’ open and close the book, which are two
    meanings for the same Greek verb. That discovery is actually conquest, and that settlement is always
    violence. And that any story I try to tell myself about the place I found to live can only be a story to
    justify the expansion of one people across the world of another.”

    The lyrics, “There I stood on the shore. Of a story we don’t tell anymore. All the names were erased.
    Buried under a land that my people stole,” connect to repeated talks of a reconciliation taking place within Canada.

    An essential part of the process is an acknowledgment that Canada is “a country found on a genocide”. It is time to discontinue the whitewashing of history.

    Listen to Fucked Up’s “Found” off their album “One Day.”


    The post Protest Song Of The Week: ‘Found’ By Fucked Up appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • Subscribe to the Unauthorized Disclosure podcast with this free trial offer.

    Medea Benjamin, CODEPINK co-founder and co-author of War In Ukraine: Making Sense of a Senseless Conflict, and Ann Wright, a CODEPINK member, retired Army colonel, and former State Department diplomat, join “Unauthorized Disclosure” hosts Rania Khalek and Kevin Gosztola to discuss the high stakes of a protracted conflict in Ukraine.

    Initially, President Joe Biden said the United States would not ship tank to Ukraine. That line was crossed, and now Ukraine would like fighter jets. Both Medea and Ann address the issue of escalating with more and more weapons and military equipment and crossing red lines that are drawn by officials.

    Medea draws from her experience in antiwar organizing to share how difficult it has been to advocate for a diplomatic settlement and mobilize Americans to oppose fueling this war.

    Later in the conversation, Ann, who lives in Hawaii, responds to the prevalent idea that the conflict in Ukraine against Russia has been a test run for a war over Taiwan against China. Hawaii is a US military launchpad for Asia-Pacific exercises and actions intended to curtail China’s influence in the region.

    The Chinese “spy balloon” incident shows just how rapidly a scenario could develop that resulted in a devastating conflict.

    The post Unauthorized Disclosure: High Stakes Of Perpetuating War In Ukraine appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • A few days after a massive power outage in North Carolina in early December, Margaret Killjoy shared a thread on preparedness in response to the outages. Alongside the usual emergency supplies like extra water, batteries, medicine, heat sources, and food, Killjoy noted something not usually included in preparedness toolkits: “organize against the far right so that they are less capable of shooting up power stations.”

    Killjoy, an author and musician who lives in the mountains of West Virginia, hosts the anarchist prepping podcast Live Like The World Is Dying. Since its creation just before the pandemic began, it has grown into a valuable and widely-accessed resource for people wondering how to deal with any number of emergencies in their communities. 

    The recent sabotages of power stations across the United States, along with increasing rates of climate-related infrastructure devastation, have prompted people to wonder: what do we do if the lights go out in our community? Killjoy says the answer is simple. We need to embrace preparedness culture.

    Alleged Right-Wing Attacks On Infrastructure

    The reasons behind the North Carolina power outage are still officially unknown, but some locals believe that it was part of a far-right protest against a drag show in nearby Southern Pines. (LGBTQ+ people in the area reported feeling a heightened sense of fear after the blackouts.) The outages are part of an uptick in targeting of energy infrastructure across the United States, responsibility for some of which has been taken by neo-Nazi and far-right groups.

    Killjoy says that intentional attacks on utilities infrastructure from fascist groups can be understood as “an accelerationist technique” and part of a far-right strategy of pushing society to a breaking point to encourage social collapse. In the vacuum and chaos, she says, these groups believe they can seize power.

    This isn’t the first time the idea has emerged in the United States; it’s practically a national playbook. Charles Manson’s Helter Skelter theory promoted social breakdown leading to a race war. In the wake of Hurricane Katrina, author and activist scott crow documented how gangs of white vigilantes were perpetrating racist violence amid the chaos. (Multiracial communities quickly organized to defend against the attacks, and the white supremacists went back underground.) Back in December 2020, a neo-Nazi-led plot to wreck the power grid was foiled in Colorado, and last year, Canadian and American white supremacists planned a mass murder that they hoped would start a race war.

    While Killjoy says it’s unlikely these tactics would succeed given how extreme they are and modern America’s tactical preference for systemic disenfranchisement over racist violence, the tenor and visibility of fascism in America via culture war attacks on marginalized communities suggests a need for heightened vigilance. 

    The Prepper in Pop Culture

    For decades, the pop culture archetype of the prepper has been colorfully right-wing and individualist: a paranoid, libertarian recluse stockpiling weapons, ammunition, and canned beans while waiting for some cataclysmic event. Killjoy says we’ve built up a “mythos of the loner who builds and hides in a bunker and eats camp food until their appendix bursts and they die.” In this scenario, virtually all other people are viewed as a threat because of either malicious intent or desperation for access to resources.

    This association has prevented people on the political left from engaging with preparedness culture, says Killjoy. “I think people are way too quick to give up cultural terrain to the right-wing,” she says. “People are way too quick to be like, ‘Oh, a right-wing person is interested in the following thing so I cannot be,’ instead of saying, ‘How is our take on this different?’”

    Killjoy says the popular portrayal of prepping has also led people to neglect the real and worsening conditions of emergency around us. “We tend as a society to look at preppers as people who are waiting for nuclear winter or zombies, but by and large preparedness is about responding to disaster, and disaster is happening, even just in the United States, always,” says Killjoy. “More people are starting to realize that they are less insulated from disaster than they grew up thinking that they are.”

    Individual and Community Preparedness

    Killjoy says that even more than a bug-out bag packed with survival supplies, the single most important thing someone could consider doing is knowing who their neighbors are. That could mean being friends with them, or just being cordial, but it could also mean marking which ones aren’t safe and who to avoid.

    “During times of disaster, each other are the main things that we have,” she says. “Knowing that ahead of time is at least as important as knowing where your secondary source of potable water is.”

    Similarly, Killjoy notes that halting the advance of the far-right is a communal task, not an individual one. That’s why community defense is as critical as personal defense. Personal defense, says Killjoy, includes those things that an individual does to keep themself safe. For Killjoy, who has been doxxed and threatened by the far-right, that includes a handgun and concealed carry permit. 

    Community defense is a larger and more difficult project, but also a potentially more effective one. Fascist movements often move to shut down cultural and social infrastructure, so when far-right mobs crash Pride rallies, Black churches, or abortion clinics, community organization is the only viable protection. Killjoy points to recent community defenses of drag shows, including large crowds of supporters flanked by allies open-carrying long rifles, as an example of community preparedness.

    Killjoy says that while the rifles demonstrate to armed far-right crowds that “we can’t be fucked with,” they’re just a small piece of community preparedness. There’s also keeping track of each other and what issues we’re dealing with—for example, threats from bigots or police harassment—alongside monitoring and exposing white supremacist groups organizing in your area.

    “Possibly nothing has been more effective at pulling the rug out from underneath far-right organizing in this country than exposing people for not just being a regular right-wing person, but a bonafide Nazi,” says Killjoy. “All of that falls under community defense.”

    Most right-wing prepping culture tends to depict the ideal survival situation as rural and isolated from other people, and while Killjoy lives rurally, she says urban and suburban spaces are at least as good for preparedness due to proximity to community and infrastructure.

    Prepping For The Worst

    Killjoy says that while society encourages a division between these things—the right insisting on the importance of the individual, the left on the importance of the community—they strengthen one another when both are tended to in prepping culture. When the pandemic hit, a friend of Killjoy’s had to caretake for an elderly person but couldn’t find any suitable masks. Killjoy had a supply of P100 masks for her earthquake preparedness kit, and shared them. 

    “Having resources available to you means you’re in a better place to help other people,” she says. “By being able to take care of ourselves, we’re able to require less from the mutual aid networks that we might build. By requiring less from those networks, we’re better able to help them.”

    It’s these qualities of prepping culture that Killjoy says move people toward engaging more deeply with their own lives and their communities. Acknowledging the stakes and what could happen will, ideally, push people to fight to avoid worst-case scenarios.

    “We can all wish things were like they used to be, but they’re not,” says Killjoy. “I think people are used to avoiding taking responsibility for what happens in the world, and assuming that experts will handle whatever the problem is. We’re all waiting for the government to save us, and I don’t believe that’s a rational way to survive any crisis. Any look at history shows that very clearly.”

    Attacks on power infrastructure and anti-LGBTQ+ hate both spiked in 2022, and while it’s possible those facts are coincidental, it might pay off in the long run to treat them as correlated. Killjoy says that after decades of comparable stability, people have grown accustomed to things working as they should. Prepping is a long term investment in making sure that when the lights go out, we’re ready to take care of ourselves and each other.

    The post Should The Left Embrace Preparedness Culture? appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • “Part of our job is just to rock you, and part of our job is to be like troubadours, carrying the news from one town to another, like town criers,” singer-songwriter David Crosby declared in an interview in 2006.

    Crosby took his responsibility as a prominent musician seriously, and when he made this comment, he was on the Freedom of Speech tour with Stephen Stills, Graham Nash, and Neil Young, where they performed songs from Young’s “Living With War” protest album, called for the impeachment of President George W. Bush, and spoke out against the Iraq War.

    He co-authored a book, Stand and Be Counted: Making Music, Making History, that was released in 2000. It recounted antiwar demonstrations, civil rights marches, and music benefits from the perspective of artists.

    “Nobody kids themselves into believing that they can solve the world’s problems,” Crosby wrote. “We’re just trying to make a difference, to change things for the better wherever we can. And if it takes a long push, then we’re in it for the long haul.”

    “A lot of times this isn’t about the genius of the moment. It’s about persistence. It’s about being in there and staying in there.”

    On January 18, 2023, Crosby died after battling what his family described as a “long illness.” Though he was in poor health, he still was working on another album and thinking about touring again.

    In 1971, when Vietnam Veterans Against the War (VVAW) organized the “Winter Soldier” investigation to call attention to war crimes by the United States military in Vietnam, Crosby (and Nash) performed two concerts to help raise funds in support of the event. The investigation emphasized the role of U.S. generals and commanders, who were responsible for the My Lai Massacre.

    Up to the final years of his life, Crosby visited the wall at the Vietnam War memorial to remind himself of the “awful price we pay when we let our politicians drag us into wars for profits going to the giant [corporations].”

    Profiteering in the Iraq War deeply upset Crosby. He cared about young people who joined the US military and risked their lives, and it disgusted him how Halliburton, Bechtel, and ExxonMobil, etc, were benefiting from the carnage.

    He was part of the Musicians United for Safe Energy (MUSE) collective that performed in concerts after the Three Mile Island disaster to demand an end to nuclear energy.

    Crosby joined Nash in 2011 to support Occupy Wall Street in New York. They visited the site of the encampment and performed several songs for the people of Liberty Plaza that had gathered to stand up for the 99 percent.

    As Crosby described the influence of money over politics, “A senator has to spend more than half his time whoring himself out to get money. And of course, there are all those guys in the $2,000 suits just standing around dying to stuff it in his pockets, you know, from the corporations, because they want to buy a senator, they want to buy a congressman, they want that contract, and that takes our representative democracy out of your hands and my hand. It means it disenfranchises us, and I don’t feel that that’s the way it’s supposed to work.”

    Crosby never accepted the official US government narrative around the assassination of President John F. Kennedy. He shouted at multiple concerts, “The Warren Report was a lie.”

    “It was, you know, a hit, and it certainly was no lone gunman. You know, if you watch the Zapruder film, [Kennedy] got hit from two directions. There’s no question about it. Also, I’ve been there and stood in Dealey Plaza behind the fence, and I could’ve hit him with a handgun. It’s not very far,” Crosby contended.

    Until his death, Crosby maintained that Kennedy had pissed off those in the power structure, and that was why he was assassinated.

    Now here are six protest songs that David Crosby wrote or co-wrote.

    “Long Time Gone” (1969)


    The liner notes for the 1991 box set version of Crosby, Stills & Nash, the group’s debut album, features Crosby’s explanation for what inspired this song.”

    “It was written the night Bobby Kennedy was killed,” Crosby shared. “I believed in him because he said he wanted to make some positive changes in America, and he hadn’t been bought and sold like Johnson and Nixon—cats who made their deals years ago with the special interests in this country in order to gain power.”

    Yet in later interviews, Crosby also said that Robert F. Kennedy’s assassination was just the “penultimate trigger.” He was also had the assassinations of JFK and Martin Luther King Jr. in mind while writing the tune.

    The song is both about the importance of dissent, even when it feels like it will not make any difference. “Speak out, you got to speak out against the madness,” Crosby sings. “You got to speak your mind, if you dare.”

    “But don’t, no, don’t now try to get yourself elected. If you do, you had better cut your hair, Crosby adds.

    The lyrics recognize that one could no longer be part of the counterculture and independent of the establishment if they were in political office. They would gradually become more implicated in the madness and forced to give up their identity.

    “It appears to be a long time before the dawn” represents the very impatience any person feels in the never-ending struggle for truth, peace, and justice.

    The song took on a kind of legendary status, when it was included in the introduction for Michael Wadleigh’s “Woodstock” documentary. But it was nearly scrapped after Crosby struggled with it for several weeks while the band was recording their debut album.

    According to CSNY: The Wild & Definitive Saga of Rock’s Greatest Supergroup by David Browne, Stephen Stills stayed up all night perfecting the instrumentation. Writer Ellen Sander, who was present, recalled that Stills gave Crosby a look that appeared to say: “I arranged your song better than you could have in a thousand years. And don’t forget it.”

    “Almost Cut My Hair” (1970)


    Even David Crosby recognized that the song was rather adolescent, but its defiance represented the rebellious spirit of the late 1960s.

    “We were the counterculture so the idea was, ‘Don’t give in, stay with it, don’t cop out from the attitude that we’re different and want it another way,’” Crosby recalled in Browne’s book. “Hair was only a symbol. It was a statement of independence. We’re not going to shave it and put on a button-down shirt and become like you.”

    “Almost cut my hair. It happened just the other day,” Crosby sings. He says he often feels like letting his “freak flag fly.” But now the pressure to conform has added to his paranoia, “like looking at my mirror and seeing a police car.”

    That fear is the fear of being singled out because you are fighting for the world to be organized differently. It stems from a recognition that hose wearing a badge or acting under the banner of the law may try and stifle you to preserve a certain order.

    The song appeared on the first album that included Neil Young, Déjà Vu. It’s considered one of Crosby’s finest songs, and for what it’s worth, Crosby lived his entire life with long hair and let his freak flag fly.

    “What Are Their Names” (1971)

    From Crosby’s debut solo album, the song featured Jerry Garcia on guitar and Graham Nash on guitar and piano. The instrumental opening crescendos to the song’s powerful indictment of the men who really run the US government.

    “I wonder who they are,” Crosby sings. “The men who really run this land, and I wonder why they run it with such a thoughtless hand.”

    “What are their names and on what streets do they live? I’d like to ride right over this afternoon and give them a piece of my mind about peace for mankind.”

    “Peace is not an awful lot to ask,” Crosby concludes.

    It was rarely performed live, according to Browne, but the song was part of the setlist for CSNY’s Freedom of Speech tour in 2006.

    The version performed in the midst of the Iraq War was a shorter a cappella version similar to Stephen Stills’ “Find The Cost of Freedom,” which was also featured in shows.

    When Crosby appeared on “Democracy Now!” with Nash after visiting Occupy Wall Street, they recited the poem.

    “Nighttime For the Generals” (1988)


    The Iran-Contra scandal was fresh in the minds of the nation, and George H.W. Bush, a former CIA director, had become president after Ronald Reagan completed his second term in the White House.

    “Nighttime For the Generals” appeared on the CSNY album, American Dream. David Crosby’s song is another one of his songs about the faceless and unknown men who rule the country. This time he explicitly referred to those who plot covert and lawless operations in the shadows.

    “And it’s nighttime for the generals, and the boys at the CIA,” Crosby sings. “Power gone mad in the darkness. Thinking they’re God on a good day. They giveth, they taketh, but they like to take it away.”

    The boys at the CIA think they know what’s best for the population. At least that’s what they tell themselves. But they “shot blind Lady Liberty in the back of the head,” he adds, a nod to the disregard for how their actions endanger freedom.

    Unfortunately, the song has not aged well. An artist like Peter Gabriel may have been able to make it work, but it has too much of a tacky ‘80s sound that is particularly discordant to our ears because it differs from that transcendent folk-rock sound, which defined CSNY and helped make them a supergroup.

    “They Want It All” (2004)

    David Crosby performed this song with Graham Nash at Occupy Wall Street in 2011, and it’s a searing indictment of the one percent and crooked and greedy capitalist executives, who hold too much power and influence over government.

    “They want it all, they want it now. They want to get it and they don’t care how,” Crosby sings.

    The faceless men, who are the subject of the song, want our life savings, our mother’s ring, and another mansion. Enough is never enough. A piece of the pie will not do. They want the whole pie. And “they always have a president or two” to help them “get away with what they do.”

    As the song progresses, Crosby paints a picture of corruption engaged in to avoid any accountability. Executives make wire transfers in Jamaica. They’ll “sacrifice” their lawyer just to be certain that they’re never prosecuted.

    “If you want us to believe in justice, justice better be real,” Crosby adds.

    The song was actually recorded for Crosby and Nash’s 2004 album, which received lackluster reviews.

    Graham Nash said in one interview that the lyrics were inspired by the Enron scandal. “It’s about all corporate malfeasance, but inspired by the outrage that David felt about the way that Enron treated its employees and ruined countless thousands of lives, destroying their life savings and their IRAs and their 401s. But at the same time, making billions for themselves.”

    Performed at Zuccotti a decade after that major scandal, Occupy protesters must have thought the song was written specifically for the moment in which they mobilized against the class warfare fueled by corporations on Wall Street.

    “Capitol” (2017)


    David Crosby’s son James Raymond co-wrote this song with his father, which was released on Sky Trails. It sounds nothing like any classic Crosby, Stills, Nash & Young song, but the music production is much better than the songs on American Dream.

    By the time Crosby recorded Sky Trails, it was apparent that the acrimony between Crosby and Stephen Stills, Graham Nash, and Neil Young would prevent any further reunion tours from happening. So he focused on projects like this one and Lighthouse (2016).

    “Capitol” is about the scene of the crime, the building where members of the US House of Representatives and Senate meet regularly, and what it is like to realize as one tours the premise that this is where all the most impactful decisions get made.

    Crosby sings, “This is where it happens. They run the whole damned thing from here. Money to burn, filling up their pockets, where no one can see and no one can hear.”

    Once again, it’s about a cabal that is shrouded in secrecy. They ignore the constitution. They hide from the public, where no one can hear what they do. All they care about is staying a part of the machine.

    And the votes are just pieces of paper
    And they sneer at the people who voted
    And they laugh as the votes were not counted
    And the will of the people was noted
    And completely ignored

    Over a lush composition, Crosby articulates what it’s like to observe daily that there is a big elite club in Congress, which has the ear of lobbyists from corporate and special interest groups, while the most important people of them all—the bottom 90 percent of citizens—are shut out of decisions.

    Remarkably, the song was released after President Donald Trump’s election. It distinguishes itself from the many, many songs recorded during that era by staying focused on the real center of power rather than the personality of Trump.

    As Crosby described, “‘Capitol’ is an indictment of our Congress. It’s me saying this is a scam. They’re tricking you with all that white marble and all that pomp and circumstance that they’re showing you. They’re really a grubby bunch of thieves, lowest kind of people.”

    The post The Protest Songs Of David Crosby appeared first on Shadowproof.

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    The Central Intelligence Agency and former CIA director Mike Pompeo notified a federal court in New York that they intend to push for the dismissal of a lawsuit that alleges that they were involved in spying against attorneys and journalists who visited WikiLeaks founder Julian Assange in Ecuador’s London embassy.

    Both the CIA and Pompeo maintain that the “allegations in the complaint do not establish a violation of the Fourth Amendment [right to privacy].”

    In August 2022, four Americans who visited Assange in the embassy sued the CIA and Pompeo in his individual capacity: Margaret Ratner Kunstler, a civil rights activist and human rights attorney; Deborah Hrbek, a media lawyer, represented Assange or WikiLeaks; journalist John Goetz, who worked for Der Spiegel when the German media organization first partnered with WikiLeaks; and journalist Charles Glass, who wrote articles on Assange for The Intercept.

    The filed complaint alleged that as visitors Glass, Goetz, Hrbek, and Kunstler were required to “surrender” their electronic devices to employees of a private company called UC Global that was contracted to provide security for the embassy. What they did not know was that UC Global “copied the information stored on the devices” and allegedly shared the information with the CIA, and Pompeo allegedly authorized and approved the action.

    Security contractors required the attorneys and journalists to leave their devices with them, which contained “confidential and privileged information about their sources or clients.”

    On January 13, 2023, a letter [PDF] was filed in the United States Court for the Southern District of New York that laid out the CIA and Pompeo’s basic arguments for seeking dismissal of the lawsuit.

    The CIA and Pompeo maintain that the alleged acts detailed in the lawsuit involve “intelligence gathering and implicate national security.” They further insist that the alleged acts also “took place outside the United States.” Both of these factors supposedly prevent anyone from suing them for alleged misconduct.

    Since the CIA and Pompeo were sued under what is known as the “Bivens doctrine,” the CIA claims that it cannot be sued because the doctrine is only to be applied to “federal employees in their individual capacities, and any such claims are otherwise barred by sovereign immunity.”

    The allegations of privacy violations were not only submitted against the CIA and Pompeo but also UC Global and its director, David Morales. In Spain, Morales faces criminal charges for his role in targeting Assange, however, the United States Justice Department has hindered the investigation by issuing unreasonable demands to the court.

    A hearing in the case was already scheduled for February 21, and the government proposes that they discuss the motion to dismiss during those proceedings.

    Richard Roth, the lead attorney representing Americans who claims their privacy rights were violated, was frustrated. “[The government] was required to file a motion today and instead filed a letter, which is ineffective and weak.”

    Previously, he stated, “The United States Constitution shields American citizens from US government overreach even when the activities take place in a foreign embassy in a foreign country. Visitors who are lawyers, journalists and doctors frequently carry confidential information in their devices.”

    “They had a reasonable expectation that the security guards at the Ecuadorian embassy in London would not be US government spies charged with delivering copies of their electronics to the CIA,” Roth added.

    In 1971, a Supreme Court case known as Bivens created a process for bringing cases against federal government officials for violating a person’s constitutional rights. However, courts have been extremely reluctant to allow plaintiffs to pursue damages when a case may set a precedent or lead to a court intruding upon national security and foreign policy matters.

    Pompeo was summoned by the Spanish court to provide testimony back in June. It is unknown if he has acknowledged or rebuffed the court’s request.Reporting from the Spanish newspaper El País previously corroborated many of the claims in the complaint. Their journalism was based upon primary source materials shared by whistleblowing UC Global employees.

    In September 2021, Yahoo! News published a bombshell report on “secret war plans” against Assange that involved proposals for kidnapping and assassinating Assange after Pompeo became obsessed with the WikiLeaks founder following the media organization’s publication of CIA hacking materials, which became known as the “Vault 7” materials.

    Pompeo labeled WikiLeaks a “non-state hostile intelligence agency,” and in April 2017, he made it the focus of his first speech as CIA director. “The one thing [current] whistleblowers don’t need is a publisher,” since the internet already enables enough sharing of information, he proclaimed.

    Former CIA officer John Kiriakou, a whistleblower and known supporter of Assange, reacted, “What the CIA did to Julian Assange is in opposition to everything that we should stand for as Americans. On the other hand, and this is what’s wrong with our country, the Supreme Court has ruled that foreign nationals who are located abroad do not have Fourth Amendment protections.”

    Because the attorneys and journalists who brought this case against the CIA were visiting a foreign national, Kiriakou suggested the CIA might claim—if they even confirmed the agency’s involvement—that Americans’ privacy rights ended when they met with an intelligence target.

    The spying lawsuit is unrelated to the criminal charges and extradition case against Assange, which is in limbo as the High Court of Justice in the United Kingdom considers whether to grant Assange an appeal hearing.

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  • Black Belt Eagle Scout is the alias of Katherine Paul, an indigenous multi-instrumentalist and
    singer-songwriter. Her third studio album, “The Land, the Water, the Sky,” will be released on
    February 10.

    In a press statement, she declared “I created The Land, the Water, the Sky to record and reflect upon my journey back to my homelands and the challenges and the happiness it brought.”

    Three singles from the album were released. “Don’t Give Up,” according to Paul, is a song about mental
    health awareness and the importance that her connection to the land plays within her own mental
    health journey. Spending time with the land and on the water strengthened her connection to her ancestors and her culture.

    The lyrics ‘I don’t give up” mean staying alive. I wrote this song for me but also for my community and anyone who deals with challenging mental health issues to remind us just how much of a role our connection to the environment plays within our healing process,” she added.

    The second single, “My Blood Runs Through This Land,” also connects to Paul’s ancestors.

    “When I run my hands through the rocks at Snee Oosh Beach and dip my fingers into our waterways, I am reminded of where I come from,” Paul shared. “Paying attention to all of the sounds and the feelings I get when I am immersed in trails of cedar trees and canoeing out on the water deeply grounds me and strengthens my bond to my lineage of the Swinomish tribe.”

    As Paul described, “I wanted the delicateness of these moments to meet the intense reality of the history of my people. I like to imagine my blood—all of my ancestors—running through our homelands freely and powerfully.”

    The third single is “Nobody,” a poignant tune about the importance of representation.

    “When I was growing up, I didn’t have very many Native role models to look to on TV or the radio,” Paul recalled. “It was within my own community that I found inspiring role models through our elders and our community leaders.”

    “With Native representation in music and television slowly growing, I often ask myself where I stand within representation in music and how I want to be seen. This song is about the relationship I have with my own representation in music.”

    The video for this single was directed by indigenous filmmaker Evan Benally Atwood. The visuals beautifully depict a day in the life of an Indigenous family, displaying the moments of kinship that they share with the land and each other.


    The post Protest Song(s) Of The Week: Black Belt Eagle Scout appeared first on Shadowproof.

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  • *The following is a collection of some of the best albums of protest music released in 2022. They were selected by Kevin Gosztola and C.J. Baker, who publishes writing regularly at Ongoing History Of Protest Songs. They are in alphabetical order by artist.

    **Full playlist with each album on Spotify


    Ashenspire – Hostile Architecture

    Hailing from Glasgow in Scotland, the lads of Ashenspire make progressive metal for the working class that is grandiose and theatrical. The lyrics are largely delivered as spoken word over instruments that amplify the dark storytelling and agitation of the narrator.

    The story told, as the band puts it, is about “hostile architecture” under late capitalism, which refers to the “design elements in social spaces that deter the public from using the object for means unintended by the designer, e.g. anti-homeless spikes.” Each song draws inspiration from the post-industrial landscape of cities, “hauntological in nature,” that are so often unfit for housing due to cost-cutting.

    For example, the “Law of Asbestos” refers to the cancer-causing mineral that was incorporated into electrical insulation for many buildings, especially before the 1980s. Asbestos continues to kill hundreds of thousands of people each year. A metal-sounding saxophone accentuates Ashenspire’s rage: “A corner cut, a penny saved, Grenfell burns again and again and again!”—a reference to the Grenfell Tower fire that resulted in 72 deaths.

    “Tragic Heroin” has a kind of anthemic quality to it. At the end, Ashenspire proclaims: “Fueled with your labour. Built with your bones. There are no great men. Only the great many.”

    Then there’s the sprawling “Cable Street Again.” A tapestry of darkness percolates, sounding almost jazz-like in sections. Ashenspire warns the dispossessed and disposable human beings faced with hostile architecture that is part of the threat of fascism. “You cannot fix that which is working as intended.”

    In a final call to action, Ashenspire belts out, “Get down off the fence before the barbed wire goes up.”

    (Kevin Gosztola)

    Jake Blount – The New Faith

    Sometimes it is necessary to look to the past to learn about the future. That is the case with Jake Blount, a singer, multi-instrumentalist, and scholar whose stunning concept album weaves a compelling Afrofuturist narrative.

    The album’s premise is similar to Octavia Butler’s influential 1993 science fiction novel Parable of the Sower, an apocalyptic tale of Black American refugees struggling to survive ecological collapse.

    Blount reworks ten traditional Black spirituals, along with two original spoken word compositions, and imagines what Black religious music would sound like in a future ravaged by climate disruption. Three of the tracks feature rousing verses from rapper Demeanor.

    “Take Me To the Water,” a traditional hymn and first track on the album, morphs into an ominous prayer for those seeking to “be washed for the sins of humanity.” It is a call “to reject the greed of our forefathers,” who “melted the ice at the ends of the earth, drowned the coast, emptied the seas and forests of life, filled the very ocean with fire.”

    Not only does Blount prove he is a skillful musician, but in developing these themes throughout his album, he proves that he is also an archivist, historian, and prophet capable of sounding an alarm for humanity.

    (CJ Baker)

    Bob Vylan – Bob Vylan Presents The Price Of Life 

    UK grime-punk and hip hop duo Bob Vylan storm their way through a crash course on underclass survival in a capitalist world, where one’s life could be snuffed out at any moment without any remorse.

    “The BBC are talking about the GDP. That means fuck all to me,” Bob Vylan raps. “I gotta eat.”

    How the underclass lacks access and cannot afford healthy food is the subject of “Health is Wealth.” Bob Vylan states, “The killing of kids with £2 chicken and chips is a tactic of war waged on the poor.” But the damage done by junk food can also be self-inflicted, as the duo acknowledges, and the track develops into sound advice for eating right to survive.

    Take note of the album cover. It’s a dark and brilliant nod to the way society dupes people into believing they may escape poverty if they could just win the lottery. 

    Several of the songs incorporate thick guitar riffs to make the rhymes more potent. That’s especially true on “Phone Tap (Alexa),” a fierce assessment of the role that lower class people play in enabling a police state.

    Bob Vylan raps, “If somebody’s getting bodied, watch the ratings hit the roof. I was there, I was there, gather ’round and gather proof.” Then the cops come to the door, and the doorbell rings. “Our babies” are taken.

    Alexa, take me to prison,” the duo roars at the end of their gutting indictment.

    (Kevin Gosztola)

    Fantastic Negrito – White Jesus Black Problems 

    Xavier Amin Dphrepaulezz, who performs under the pseudonym Fantastic Negrito, recently discovered that his great-great-great-great-great-great-great-grandparents were a white Scottish servant named Elizabeth Gallimore and a black slave whose name has been erased in the annals of history. This lineage inspires Fantastic Negrito’s compelling concept album, which he released as a multimedia project with a companion film.

    The album reclaims the story of the courageous forgotten, as emphasized on the “Man with No Name.” It contains a galvanizing message of hope and perseverance, particularly as he sings, “I keep moving on.”


    “There’s a feeling out there right now that we can’t get anything done because we’re so polarized, so entrenched in our ideologies and unmoved by facts or logic, but I wanted to share this story because I think it smashes that narrative to pieces,” Fantastic Negrito shared. “I stand on the shoulders of my ancestors, both Black and white, who showed me that anything is possible.”

    

From the ugliness of injustice to the beauty of what can be gained in the struggle, Fantastic Negrito grapples with it all in his music. 



    (C.J. Baker)

    Ezra Furman – All Of Us Flames

    Ezra Furman breathes new life into a stale and largely heteronormative art form by incorporating themes of queerness into her timeless-sounding rock music. 
The album is the third in a trilogy of albums that includes 2018’s “Transangelic Exodus” and 2019’s “Twelve Nudes.”

    On “Book Of Our Love,” Furman expresses a desire to forever remember those who historically tend to have their identities erased. On “Lilac and Black,” Furman dreams of “my queer girl gang,” whose enemies will eventually “bow down before our wrath.”


    “It’s a queer album for the stage of life when you start to understand that you are not a lone wolf, but depend on finding your family, your people, how you work as part of a larger whole,” Furman declared. “I wanted to make songs for use by threatened communities, and particularly the ones I belong to: trans people and Jews.”

    Furman succeeds in crafting a vision of a world, where everyone may feel that they belong. 



    (C.J. Baker)

    Hurray For The Riff Raff – Life On Earth

    Puerto Rican singer-songwriter and self-described “nature punk” Alynda Segarra’s album is a worthy follow-up to their exceptional 2017 album, “The Navigator.” It explores themes of immigration, the environment, and other social ills.

    One of the album’s many highlights is “Precious Cargo,” where Segarra sings, “We made it to the border. I jumped and I was detained. Split me from my family. Now the light begins to fade. They took me to the cold room, where I sat down on the floor. Just a foil for a blanket. For 17 days or more.”

    “I don’t know why he would lie on me. The man from the I-C-E. And I don’t know why he hate on me. The man from the I-C-E,” Segarra adds, as she grapples with cruelty of immigration agents.

    The album’s title track gorgeously acknowledges the peril from man-made climate change and other societal ills. Yet despite the despair, throughout each song Segarra approaches the subject matter with an embrace of beauty and hopeful yearning.

    Segarra shows that she has the gift of being able to express the humanity of the downtrodden. Thankfully, they shared this precious gift with the world.


    (C.J. Baker) 

    Leyla McCalla – Breaking The Thermometer

    “In 1980, Radio Haiti was shut down and all of its journalists were either executed, jailed or exiled alongside many of Haiti’s most prominent artists, intellectuals and academics,” recalled Haitian American multi-instrumentalist Leyla McCalla.

    McCalla’s “Breaking The Thermometer” project combines audio from the Radio Haiti archives to create Afro-Caribbean music that honors those who rebelled against the United States-backed dictatorship of Jean-Claude Duvalier, as well as Jean-Claude’s father, François Duvalier. The songs are in English and Kreyòl, a native language in Haiti.

    Over banjo and soft percussion, “Fort Dimanche” features a Kreyol radio clip that leads into McCalla singing about the prison, where François Duvalier had entire families executed. A Haitian man describes when their family was killed at the prison and how it inspired him to become a journalist. (Note: At one point, the fort was a military facility for US Marines in the 1920s.)

    The song, “Ekzile,” is a somber melody mixing several string instruments over soft percussion. It features a Haitian woman who recounts fleeing brutal repression and ending up in New York. McCalla movingly grapples with what it is like for someone to have to leave their home because they are no longer safe.

    “Le Bal est Fini” (“The Party is Over”) stands out among all the tracks. It is an invigorating tribute to the journalists who defied dictatorship. All the percussive elements of the project shine, culminating in a solo that ends with dogs barking.

    Jean Dominique, Radio Haiti’s owner, was murdered, and McCalla developed a close relationship with Michèle Montas, Dominique’s widow. The project honors their resistance. “A big part of their connection and their love for each other was their love for journalism and their vision for what this could do to transform their country,” McCalla told the Guardian. “It’s a really hard thing to have faith in, but that faith held them together.”

    (Kevin Gosztola)

    Samora Pinderhughes – GRIEF

    Our annual list, given Shadowproof’s journalism on prison abolition, would not be complete without this collaborative album from singer, songwriter, pianist, and scholar Samora Pinderhughes.

    For “GRIEF,” a part of the Healing Project, Pinderhughes interviewed around 100 people of color who shared their experiences with incarceration or “structural violence.” The online archive of interviews features includes insights on abolishing prison, but the album is more introspective than essayistic and draws from the well of emotions that come from prison life and life in a world of prisons.

    Through the harmony of “Holding Cell,” Pinderhughes sings, “Holding cell, I can’t get well while you hold me.” The slave labor, or slaving for the tiniest of wages, comes through on, “Hope,” as Pinderhughes, Nio Norwood, and Jehbreal Jackson sing, “While we try to build a room for our freedom (for our freedom). We build what they destroy.”

    “Masculinity” is a profound inward examination from the perspective of a man grappling with their incarceration or carceral past. “If I feel these things, is it gonna hurt me?” Pinderhughes wonders. The lyrics eventually give way to an ethereal alto sax outro from Immanuel Wilkins.

    Pinderhughes told the New York Times that he intended to explore how the machinery of incarceration operates and ask, what is the system doing to people? What can be done to fight back? And then, from a more personal perspective, “How am I a part of that? How am I implicated, and how am I doing something against it? What does that make me feel like?”

    You feel every word of the experiences that flow through the music, as well as the spirituality of interrogating a harmful system that has impacted so many lives.

    (Kevin Gosztola)

    Soul Glo – Diaspora Problems

    Since their formation in 2014, Soul Glo has built a reputation for their ferocious musical attack and radical political lyrics. The hardcore punk band is made up of Black musicians who share their experiences as artists in a genre dominated by white groups.

    On the album, the band dispels the myth that lasting change can come from continuing to prop up the two-party system. For example, lead singer Pierce Jordan derisively snarls on “John J,” “It’s been ‘fuck right wing’ off the rip. But still liberals are more dangerous.”

    Elsewhere, with the incisive “Fucked Up If True,” Soul Glo address the fallacy that voting is enough to enact meaningful change.

    “So we just gon always vote in false elections and accept each result and it’s effects as though people were powerless. Do you feel supportive care? How do you wake up everyday? What enforced your belief that you can vote their power away?”

    The album is filled with killer anthems of righteous indignation that continue punk’s tradition of confronting racial and social injustice, and it is the band’s first release on renowned punk label Epitaph.

    (C.J. Baker)

    Tanya Tagaq – Tongues

    Canadian Inuk singer Tanya Tagaq aims “to repair the damage” from trauma inflicted by centuries of colonial repression.

    Over 10 tracks produced by Afrofuturist and poet Saul Williams, the album spits in the face of her oppressors then shifts away from their savagery to what gives Tagaq empowerment, joy, and strength.

    “Teeth Agape” bares a maternal instinct to protect her child from further trauma from colonizers while “Earth Monster” celebrates the creation of life. “Today is for her, and today is for me.
    For choosing to make her, to keep her, and to love her.”

    They took our tongues,” declares Tagaq on the album’s title track. She vows, “You can’t have my tongue,” and later adds, “I don’t want your shame.” Her vocals grow more guttural as she confronts the loss of language that came as a result of white colonial settlers, who committed cultural genocide.

    “The Canadian government took Indigenous children away from our families for many generations in the residential school system,” Tagaq told NPR. “All of us know who didn’t come home.”

    Tagaq’s vocal artistry is a dagger aimed at the hearts of those complicit and responsible for all the pain and terror. But the power in her voice also carries a sense of pride. She does not want anyone’s sympathy or guilt in order to live life on her own terms—free of the legacy and influence of colonizers. 

    (Kevin Gosztola)

    HONORABLE MENTIONS: Jimmy Cliff – “Refugee” | Dropkick Murphys – “This Machine Still Kill Fascists” | Moor Mother – “Jazz Codes” | Mali Obomsawin – “Sweet Tooth” | Special Interest – “Endure” | SAULT – “11”/”Earth”/”Today & Tomorrow”/”Untitled (God)”/”Air” 

    The post Ten Of The Best Protest Albums of 2022 appeared first on Shadowproof.

    This post was originally published on Shadowproof.

  • This article was originally published as part of the Dissenter Newsletter. Become a monthly paid subscriber to help us continue our independent journalism.

    Reality Winner is an NSA whistleblower who was harshly prosecuted under the Espionage Act, but she is also more than that. She is an advocate who has used the visibility gained from her case to promote an end to prisons in the United States.

    I covered Reality’s detention and incarceration as a whistleblower extensively. What she endured further solidified her understanding of how prisons function. Yet according to Winner, she questioned the existence of the US prison system before she was arrested in June 2017.

    This is the first time that I have spoken to Reality since she was transferred to Federal Medical Center Carswell in 2018. We discuss her incarceration during the COVID pandemic, rampant sexual abuse in Bureau of Prisons facilities, and why prison is one of the worst places for a person struggling with drug addiction or substance abuse problems.

    Some of what Reality shares in the interview was reported previously by The Dissenter Newsletter, however, her stories from prison are much more detailed than what was described in earlier reports.

    *Below is a transcript of the interview with NSA whistleblower Reality Winner, with minor edits to improve clarity.

    GOSZTOLA: I’ve been following your commentary and how you follow issues in the US prison system, and I was really drawn to how your outspoken. You say, America’s incapable of a humane system detention. Just as there’s no humane form of slavery. Abolish it all. You think prison reform is a lot like asking for slavery reform. And you’ve been outspoken about abolishing prisons, and I was hoping to talk with you today about how you came to that view and if you could share some of what you experienced while you were incarcerated that maybe led to this awakening.

    WINNER: Ironically enough, this realization actually started a month before my incarceration. I had watched the Netflix documentary “The 13th,” and leading up to the night I found myself in jail, that was actually the only thing that my family had ever heard about from me. I was like, you need to watch this. My sister watched it. We had many conversations about it.

    For me, the first time I was indirectly or in the vicinity of a police killing was when I lived on the outskirts of Baltimore in 2014, when Freddie Gray was basically murdered. Or he died in police custody, but the negligence just made it a homicide. I remember I was working my mission in the Air Force the first night of the curfew. And so, it was kind of surreal.

    Without going into my career as a linguist too much, I was essentially sitting in a combat position watching our war in Afghanistan, and we had the local news and we had CNN on and they were doing a live countdown to when the curfew would be enforced. And there were still people on the street, and there was a line of police officers in their military gear. That’s kind of the first time for me where I realized the same war, the same conflict that I had wanted to dedicate my life to in Afghanistan, was playing out 15 miles away from me on American streets, and that I in no way sympathized with the people in uniform.

    That’s kind of where I had started in 2014, to pay attention to police brutality and the over-militarization of the American police. That’s where I started to understand it’s completely deregulated because it’s compartmentalized into different jurisdictions, and there is no one tracking at the federal level what every police force is doing.

    It was incredibly ironic that I found myself in an extremely negligent county jail and [faced] the sexual exploitation in the jail and the constant negligence of basic needs and watching women go through medical emergencies.

    I, myself, had a medical issue come up when I was in court. I fell while handcuffed and busted my face open and also had a contusion in my knee. And it resulted in a giant bubble that a month later was drained at a local clinic by a doctor that was really questionable. I mean, I’m glad he drained it because that bubble was huge and weird; but the fact that I waited a month for that, and it was a clearly visible thing that was going on. I was limping.

    The transfer process—They told me, oh, it’s diesel therapy. It’s dehumanizing, but the conditions steadily got worse. Never say you’ve hit rock bottom because that floor can always break open and expose new rock underneath it. Every time I said I’ve been through the worst. I’m good.

    Then Derek Chauvin murdered George Floyd, and we got put on lockdown for it. Their excuse was the BOP sent their riot task force to the streets to police civilians. And the BOP is not a police force. In no system should that have ever happened. We did not draw soldiers from Afghanistan to police Dallas, Texas. Why are we sending BOP guards to police civilians?

    The only thing that makes sense is that it was punitive to us. We had little to no contact with our family, and it was a direct retaliation on the communities that were hurting the most from the murder. That’s how the system works. You always have to look at, what is the overall message to the American people when 80,000 inmates go quiet? It’s a direct message to those communities to stop rioting. It’s a direct message that police can murder people, and you are all going to be put in the SHU [solitary confinement].

    It was demoralizing. It was about as bad a month later when we all had COVID, and we were blamed for it, even though none of the safety precautions that were given to us did any good. My unit had a 90 percent infection rate, and all they did was continue to shuffle us around. They locked us down so we could be quarantined from one unit to another.

    But the day we got sick  there were inmates that were too sick to move, told to carry their stuff and go to another unit. There was no consideration for the fact that people were actively ill with a virus that in July 2020 nobody actively knew what this body does to the body. That’s how soon it was. That’s how early it was in the pandemic. Long COVID was not a household word at that time.

    You have inmates who are catching COVID over and over again, their civil rights and civil liberties being violated over and over again in the name of safety and COVID control, when the moment they do get sick nothing is done for them. There’s no medical care.

    The COVID Pandemic And Prison

    GOSZTOLA: COVID is still an issue for prisoners. It wasn’t long ago that you put this out where you let people know, “Meanwhile, US federal and state prisons still have ZERO idea how to handle COVID without cruel and unusual lockdowns, which usually mean inmates deprived of fresh food&air, visitation, programs…All while waiting to be infected, the 4th or 5th time,” while being held in these facilities.

    Connecting this back to your experiences, when you were released in the middle of 2021—just to give people some perspective—what was it like when you were leaving, despite the fact that we had elected Joe Biden and there was some movement when it came to dealing with the pandemic that was much better than Trump? And despite having vaccines available, how behind was the Bureau of Prisons?

    WINNER: There was no change. That was kind of the biggest crush. From January 2021 to the time I left, little to no change. Little to no lifting of the lockdowns. I was still using my job as an excuse and my good standing with certain officers to get outside as much as possible. We had caught COVID in July 2020 and December 2020. So we actually had it twice in a six-month period.

    Going into April 2021, one day nurses came into the unit and started setting up stations. They said we’re giving out the first dose. Get in line or pack your shit. People said, well, where are we going? There’s different units. We were in 2 North. People were asking if we were going downstairs to 1 North if we didn’t get vaccinated. And they said you’re not going to like where you’re going. Get the vaccine or pack your shit.

    There was no conversation with your doctor about which version of the COVID vaccine is right for you. There was no discussion of the certain ingredients that certain individuals are allergic to. It was very authoritarian.

    A counselor had come out at that time to saying if any of y’all are trying to go to halfway houses just know they’re not accepting you If you’re not vaccinated, which was not true. But basically that was when I was like, okay, I’m getting released in a month to a halfway house. I need this vaccine. I need record of this vaccine. So I got in line.

    Obviously, it was the Pfizer vaccine because we got vaccinated twice. In 21 days, we got the second dose. That’s how we knew which version of the shot we got. So I got my two doses, and even though I had caught COVID twice and being vaccinated, 23 days before my release I had to go into a hospital room.

    Carswell was built in a old military hospital. So when I say hospital room, I mean the main building of the prison is the old hospital. We eat in the old prison cafeteria. So the quarantine rooms—you can actually picture it. The old school hospital room built for two beds, and it had two little bathrooms on each side up by the front door. There were nine of us in that room for 23 days straight. And you [didn’t] leave that room for anything ever.

    It was like you’re about to go home, and time stands still. There’s like ten different rooms like that—either people on one side of the hall are coming to the prison or people on our side of the hall are leaving. You have ten rooms of women demanding to use the phone. You have ten rooms of women demanding ice for drinking water. And you have one officer doing that for ten rooms for 12 hours at a time.

    I have compassion so I understand it was a lot, but it was also a lot of disrespect. I know that there were times when I demanded a lieutenant. I knew the lieutenant that was working that day, and that’s why I demanded a lieutenant that day.

    The smartass officer waited till the next day for the meanest the lieutenant, opens the door, says, “I got your lieutenant,” and in walks the fiercest lieutenant ever. I was like, I’m going home. I’m not going to lose face. I jump down, and go have a conversation with that lieutenant. That officer was just mad that I was even willing to be direct with that lieutenant. They thought I was going to be scared.

    We didn’t even get really anything out of that. They had skipped us for three days on the phone. So imagine you’re trying to make plans with your family. Pick me up at this time on this day, and then you go quiet for three days straight. That’s not good. You can’t do that to us.

    It was just a horrible situation. The first three days I only got a breakfast tray because even though I had a legal right to a non-flesh or a vegetarian tray the way it is they shipped up the styrofoam trays from the kitchen. If they didn’t put a vegetarian tray on the cart, I didn’t eat that meal.

    What you could carry was in that room with you. So it wasn’t like I packed a bunch of commissary because I thought they were going to feed me. Every now and then an officer who knew me would call the kitchen and get a tray sent up. But it was three days at least until they actually regularly sent up meals for me to eat.

    That’s what we were doing after we were vaccinated. That’s the kind of authoritarianism, the kind of blatant abuse, the kind of neglect. And once I got to the halfway house, they said you need to be quarantined again because we don’t know if you’re vaccinated.

    I said okay, well, can I call the prison tomorrow and have them fax my vaccine [record]? Because once you’re vaccinated in the halfway house, you don’t go outside. You don’t eat with everybody else. You’re quarantined. You don’t get to go use the phone in the hallway because you’re quarantined.

    I actually to this day have not seen that original vaccine record. I couldn’t get it from the prison. The halfway house, which is part of the Bureau of Prisons, could not get Federal Medical Center Carswell to send my vaccine record to them.

    My attorney could not get it. My family physician could not get it. We’ve even called the regional office on this. Federal Medical Center Carswell is not giving out those records of vaccines given to me. So I don’t know what I got, but I had to be quarantined twice for it.  

    Once I was released from the halfway house and had my ankle monitor cut off—you know, I didn’t know how Texas was going to be about it. Obviously, Texas we’re super chill, pretending like COVID doesn’t exist. But in most states, you would need a vaccine card to apply for a job.

    So I went out and immediately got the Johnson & Johnson one-and-done, however, because that was within six months of my last dose, I was laid out for three days with some of the worst pain ever. But I was willing to do that because Carswell refused to give me a vaccine card for a vaccine they forced me to get in the first place.

    I’ve had one of the worst COVID experiences—not so much COVID itself, the virus, but with authority and how they handled keeping people safe from a virus and keeping people vaccinated. Or giving people the option to vaccinate.

    GOSZTOLA: While you were in the facility, they’re choosing to lock down people, but you all can see the guards and people who work at the facility coming out during this pandemic. Are you and your fellow prisoners aware that COVID could be coming in and out of the prison? Are you seeing sick people? Are you seeing that, oh, that guard is not here today, and oh, this other person they’re sick now?

    WINNER: Right, so when the state of Texas first shut down, officers were talking about certain officers who turned their backyards into bars for their street, for their neighborhood. As federal employees, they never quarantined themselves before coming into work or not. When we had COVID, they actually setup tents outside for the kitchen workers so that the kitchens wouldn’t shut down.

    I watched an officer do 12 hours on our unit while we were COVID positive walk straight to that tent after work. We watched our officers get sick, and they had COVID with us. Even though they were supposed to sign, every morning they came into work. They would get their temperature checked. I’m not symptomatic today. They were lying to come in because they thought they were going to get hazard pay. Everybody was going after that hazard pay, the bonus money, the overtime because of the lockdown and having less staff.

    The same way we were lying on our temperature checks to make sure we stayed in our unit, where we felt safe, they were lying to come in to make extra money to keep their paycheck. So they all got sick with us.

    I was already symptomatic, already coming back down, already feeling better. That was when they told me I’m not negative. So, originally, after they tested all of us on a Wednesday, that Sunday they pulled out—out of a unit of 170 women—they pulled out 15 of us that were supposedly negative for COVID. They said we’re going to put you guys in a COVID negative unit. We’re going to test you again however.

    And then, six of us, including me, were called aside again from that group. So we sat in a room of people that were allegedly COVID negative. For fifteen minutes, we hadn’t seen these people in months.

    Everyone’s looking at the officers and running over and hugging people. Then they called us aside after we’ve been in this room, and said, I don’t know why y’all are here. Y’all aren’t negative. So no one was giving us a piece of paper with our test results with positive or negative. They just told us six y’all aren’t negative for COVID. Go back to your unit.

    We carried all of our stuff back up to the unit. Nobody knows what’s going on, and there was the officer that didn’t like me that day so I was being extra. And everybody is like, Winner, what happened? I’m like, we’re the COVID unit. We got COVID, like just making a joke of it. Because at that point everybody was sick. We knew it. Everybody started clapping. Yeah, Winner’s back.

    I went back up into my room because I had to pack up everything again, and this officer comes. We had plastic curtains. It’s an airborne virus, and so we have one central AC unit pumping the same air into the rooms. But they gave us plastic curtains in the middle of summer that made the room hot as hell, and it was a disciplinary shot if we pulled those curtains aside to get air.

    That officer came into the curtain after it was revealed that I had COVID, pulled down her mask, and said, oh, Winner, I just want to congratulate you for your positive test results. So you can tell how hard they were trying to not get COVID.

    It was never about the virus. It was never about spreading a contagious disease. It was always about discipline. They had different masks than us. We couldn’t talk to our family as much. We couldn’t leave our room. We showered when they told us to shower. They handed us our food. It was all about breaking down and removing what freedoms we did have. And once they started lifting the lockdowns—they actually lifted the lockdowns and the quarantine for the prisons.

    We didn’t get our programs back because so much of the staff had left or quit during COVID. So they actually didn’t have the staff or resources to go right back to the same programs they offered pre-COVID. So Federal Medical Center Carswell is still operating at 70 percent of the programs, of the resources for inmates that they were just before 2019—for no reason, other than sheer incompetency.

    They got used to having everybody locked down, and I fear that that’s going to be the new BOP standard of operations.

    Federal Medical Center Carswell (Photo from the US Bureau of Prisons and in the public domain.)

    Rampant Sexual Abuse From BOP Employees

    GOSZTOLA: Something that’s in the news because of a US Senate subcommittee report that I imagine was daily life for you and other prisoners at Carswell is the rampant sexual abuse that goes on in Bureau of Prisons facilities. We now have Senate staff spending many months to document the way in which this is basically just a feature of being incarcerated. Nineteen out of 29 facilities they found in the last ten years have had some employee accused or found guilty of crimes when it comes to sexual abuse.

    I was hoping you could share what you observed or witness while you were at Carswell, as far as how you and all your fellow prisoners knew this was something you had to contend with as incarcerated individuals.

    WINNER: It’s definitely known, and at Carswell, it wasn’t hidden very well. There was a certain lieutenant who was charged. He hasn’t been sentenced yet, but Lt. Luis Curiel actually got a woman pregnant. When I heard the initials of the victim, I said, oh, that wasn’t even his girlfriend because he had another little favorite. And they would just go on walks together, and she had a special prison assignment of cleaning his office when he was at work. Everybody knew it.

    [Note: Curiel was sentenced September 21. Remarkably, as Fort Worth Star-Telegram reported, he “pleaded guilty to raping two women” at Carswell and was sentenced to 18 months—“half the amount of time one of his victims is serving for drug possession.”]

    So often it’s these lieutenants. They have the right to call inmates to the lieutenant’s office. Make it look like a disciplinary matter. They’re really the only people who have the right to have complete one-on-one privacy with inmates but also not have staff who are in a place to complain about it.

    As far as actual staff members committing assaults on the units with witnesses, there was one, and she touched me when I was in my bed for no reason. I reported it. So there’s the Prison Rape Elimination Act (PREA). There’s posters everywhere you go in federal prisons. They’re by the phones. They’re by the phones. They’re by the water fountains. They’re on the walls randomly. They’re by the computers.

    You’ve got five different ways of reporting it. You can do it by secure mail or you can do it on a phone call. Or you can do it on the computer system, and it goes straight to the DOJ IG. Okay, I did that, and I don’t know what happened

    I did that in March 2020, and by December 2020, that same officer was working our unit. She was extremely abusive, like threatening violence on a regular night. For me, it wasn’t a threat. It was real because she put hands on me. She had been removed from a unit just before that for actually taking off her belt and trying to wrestle an inmate.

    She came from Texas state prisons, where they regularly physically abuse prisons, and was trying to bring that culture and make it normal in a federal prison. Telling us that we didn’t deserve this treatment simply because we were charged under the federal system, that we deserved to be degraded the way that Texas state inmates are degraded. And that was what she tried to normalize in every unit that she was working in.

    A woman came up to me after it was known that I had made a report against [the officer] and said she watches me when I shower, and then she later calls me to the office to tell me about my body. She was making very predatory remarks to us. It got to the point where I couldn’t take it anymore.

    Unfortunately, it was that same lieutenant who knocked up a girl, who came to the unit to save us. Because we were actually waving at the cameras to get somebody from control to send somebody. She was going on a rant. We were locked down.

    She had us in our cells, and she was in the center of the unit. And it was Stockholm syndrome. She was telling us, when y’all had COVID, who was the only officer that let y’all shower? Who was the only officer that let y’all use the phone to talk to your families? And most of us weren’t even in her unit.

    She never came into our unit when we had COVID. You weren’t that officer. Every single officer who worked here gave us our basic rights. Stop acting like that. And she’s like, I’m the only person that cares about y’all getting out. It’s psychological abuse. It’s priming your victims to depend on you. They should not be allowed to talk to us like that, and the lieutenant is just standing there watching this.

    People are gesturing to him, like please come talk to me. I need you to come talk to me, and he was just standing there. I lost it. I came up to the railing because I was one the second floor and just screamed across the whole unit, and I said you need to look at the PREA reports against this officer. And she turned, and she was just like I don’t have any PREA reports against me. I said there’s three women on this unit that have reported you for sexual assault. You do not need to be here. And I looked at the lieutenant again, and I said, where are the reports? And she’s like, you’re a liar. She’s just screaming insults.

    Finally, I looked at her and said you touched me. I filed a report, and I looked again at the lieutenant. Where are the reports? That’s when the officer said, you keep lying, and I’m coming for your blood. Right after she said that, the lieutenant turned around and walked out of the unit, and we were left on our own with her until midnight.

    Basically, in short what she did was she started upstairs and she started tearing up rooms, one at a time, all the way to midnight. Just tearing rooms apart one at a time. Because as an inmate you’re not allowed to sleep. If the officer doesn’t want you to sleep, you don’t have the right to sleep at night. And she starts at the room right next mine. She looks at the clock. It’s 11:55. Steps out, looks at me, and says, this isn’t over. I’m starting over tomorrow night.

    The next night was New Year’s Eve, but I had spent all day trying to get SIS, the Special Investigative Service, and then the staff investigative and the captain to come talk to me. Only one person came and talked to me. I said this is what happened, and I would like to report a threat against my physical safety because she said she was coming for my blood. Ironically enough, she actually didn’t work our unit that night. She was actually pulled from our unit. And later on, a staff member had told me of something that had happened within the prison.

    The captain allegedly had pulled [the officer] from our unit, said you can’t work our unit after what happened. She wasn’t working another unit. She was actually put on leave while they were investigating. So she had allegedly tried to call the captain on her work phone and leave a voicemail, but she left a voicemail on the wrong line and it was a different prison administrator. So the officers were talking shit about it. They don’t keep secrets either.

    One [officer] had told me that she’s probably coming back to your unit because she thought she had left a voicemail on the captain’s phone saying, on a first-name basis, you know nothing happened. Please let me come back to work. I’m just alone at home with the kids. They’re driving me crazy. I don’t want to be home. Please let me come back to work. Saying they’re obviously closer than anyone imagined, and you need to prepare yourself.

    Coincidentally enough, she did come back a lot more subdued. But it was only for two nights and the second night happened to be January 6 [in 2021]. She tried to start some kind of riot or fight in our unit. Again, it was sexually explicit.

    We were on a COVID quarantine. We had active COVID cases in our unit, and she pulled two different inmates from different units who weren’t on COVID quarantine into our unit until she found the right inmate that went by the nickname that she was looking for. She convinced two other officers to send their inmates to a COVID quarantine unit.

    And that inmate gets there and that inmate is not even properly dressed. She’s in pajamas, and the officer said, hey, your girl’s in the shower with another inmate. And just let this inmate walk around our unit to go to the showers. Obviously, if that’s the case, they’re looking for a fight. They’re looking for an altercation.

    When that didn’t happen, when she found her girlfriend in the TV room and went back and told the officer, the officer said, naw, she’s lying. Her knees are wet. I mean, the level of foulness that was going on here. When the other inmate found out what was happening, she went at the officer and said I don’t know why you’re doing this to me. The moment she raised her voice this officer hit her body alarm, and there were six officers in our unit trying to figure out what’s going on.

    Those of us who were standing in the computer line, right in the vicinity of what happened—we all raised our hands saying witness. You must record us as witnesses as to what just happened. So she was walked off our unit for the final time that night. It took something like that to get her off our unit, not the fact that I had said there’s sexual harassment and allegations against her, actively pending investigations in this unit.

    Why was she working this unit? Because the BOP does not investigate their own.

    GOSZTOLA: You’re all given these hotlines you can call if you’ve got complaints. Like you’ve just said you can directly complain to the Justice Department’s inspector general. What’s the fear like? How many people are afraid because they’re not going to do anything but also because officers might see they complained and they’ll face some kind of punishment for letting people know that an officer is a problem?

    WINNER: First and foremost, when I brought it to the prison’s attention that I had filed the DOJ IG report, I was told, oh, you did that the wrong way. That goes to Washington, DC, and we would never have seen it. Which is ridiculous because that’s what we’re told to do. You can try to do it within the prison, but the safest way to not have retaliation is if you go through the centralized federal government so there’s a documentation. That way you can say I filed this. They put me in the SHU.

    The second was when they did finally interview me—So they didn’t directly ask me but they said, do you feel like you’ve been victimized? Are you a victim right now? So that’s when you’re like, I guess not. The word victim means you are going to be separated and put in the SHU.

    Drug Addiction, Substance Abuse in Prison


    GOSZTOLA: While you were at Carswell I presume you got to see that US prisons are not places for people to be sent it in order to help them deal with their drug addiction or substance abuse problems. What can you share about that? There are a lot of people who might suggest that’s what you can do if someone is having those issues. Those facilities could help them take care of that.

    WINNER: Yes, the worst place you can go if you have a drug addiction is a county jail, and then later on, a prison—either state of federal. Because there are drugs in both institutions. Even more than that, you are sitting in all these triggers of what caused the addiction in the first place.

    You’re in a powerless environment. You are up front facing your depression, or whatever has triggered or started that addiction. It’s not treated as a medical condition. It’s treated as a moral issue. It’s treated as a character flaw. It’s treated as a, oh, well, if you just sit in this cell long enough and the methamphetamines are sweated out of your system, your addiction is over. Without going to the root cause of why people use to escape.

    I went in, and I didn’t even have an alcohol habit. I had cut out all alcohol as a yoga teacher for two years before my arrest. During the George Floyd uprising, while we were on lockdown, people started passing me pills to get high. It went from there to K2, which is a liquid form of spice—it makes you hallucinate—to trying liquid meth on paper. Because the pressure was so much that people were actually giving it to me for free at first because they thought I was going to swing on an officer.

    I was that tightly strung. I was that confrontational, and I was that unruly at times. I never had a physical addiction or craving to it, but when we were told we would be put on lockdown for COVID, and we would go into the same lockdown conditions as the George Floyd lockdown, my mental dependency on using to cope with being confined—I basically crept from one room to the other.

    There were four officers in the unit, and I still managed to do it. I went to all the dealers and got 32 days worth of drugs, racked up like a 200 dollar bill to get myself through COVID itself and then the lockdown. It became a mental dependency for me because I was already on an SSRI.

    At the start of the lockdown, I realized that I have seasonal depression, and if I can’t go outside and feel the changing of the seasons, I get manic depression. So I was already on an SSRI for that, and it wasn’t enough to cope with everything being taken away again for something that was outside of our control.

    One of the things I feel the most guilty about is one of the girls that I used with, Zantana, was doing four years for trafficking fentanyl. Even before the lockdowns, this girl would pass out in chow at breakfast. She stayed high like every day of her prison experience, and everybody knew it. And not to say that the guards should have known it to punish her further. But that there was never an honest conversation with her about what rehabilitative services would help her kick this lifelong habit.

    She got out shortly before I did in 2021, and before I even had my ankle monitor cut off in October 2021, she died of a fentanyl overdose. So you want to talk about what the prison system can offer addicts as far as rehabilitation goes, that’s a big failure right there.

    They let her continue her habit in Carswell. She never had a disciplinary write-up, was never caught for being high, even though everybody knew she was high every day she was in that prison. Nobody said this is a psychological resource to deal with the root causes of your addiction. She slipped through the cracks and now she’s dead. Anybody who says that simply being pulled off the streets and put into confinement is a treatment for drug addiction—I mean, they’re wrong.

    GOSZTOLA: When you left Carswell, you tried to stay in touch with some of the people you were incarcerated with. Did you try to communicate with some of the people you left because you cared about what they were going through in the facility?

    WINNER: Yes, but one of the most inhumane things about this whole thing is you trust people with your life, and you do some of the hardest days of your life with them. When you get out, it is a crime to stay in contact with them. Maybe there were times when I thought it was worth it—letting people know, hey, I made it home. But beyond that, it’s a one-way track back to prison.

    GOSZTOLA: I didn’t know that.

    WINNER: When you are on federal release, or federal probation, it’s a violation to be in contact with any felon, whether they’re currently incarcerated, currently on probation, or they’ve already finished their time and just have felon status.

    GOSZTOLA: Wait, so hypothetically, if someone was prosecuted under the Espionage Act like you and has this felony on their record, you can’t talk to them about your experience until after your probation ends?

    WINNER: Correct. Well, and not even the Espionage Act. Anything.

    GOSZTOLA: I know it would go for anything, but I also understand that although it’s a small universe of people if anybody wanted to reach out to you and give you support now that you’re no longer in prison you wouldn’t want to do that because it could send you back to prison.

    WINNER: It’s kind of established that Terry Albury and me—We’ll connect in the future.

    GOSZTOLA: That’s what I’m thinking of. I’m thinking of Jeffrey Sterling, who has gone through this who has their own experiences. John Kiriakou is actually in your documentary, but you can’t really talk to these people because they have felonies on their record.

    WINNER: Mmm-hmm, I can’t talk with anybody whose been incarcerated in a way that’s meaningful. So there’s nobody that I’m legally allowed to talk to who has been through what I’ve been through.

    ***

    In Part 2, which will be posted later, Reality Winner comments on NSA whistleblower Edward Snowden, President Donald Trump taking classified documents with him to his Mar-a-Lago estate, and upcoming Hollywood films that will bring her story to the silver screen.

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