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    After months of delays, House Republicans have released tens of thousands of pages of documents from Jeffrey Epstein’s estate, after Democrats earlier publicized emails suggesting that President Trump was aware that Epstein was abusing and trafficking young girls and women. In one of those emails, Epstein wrote that Trump “knew about the girls.” Trump’s allies say the larger set of documents released Wednesday afternoon provide evidence of Epstein’s later animosity towards Trump and support Trump’s claims that he was not previously aware of Epstein’s crimes. Still more evidence — namely, photographs and videos — may soon be publicized, as a petition for the House to vote on the full release of the “Epstein files” received its final signature from newly-sworn in Congressmember Adelita Grijalva. “There is a lot more to come,” says Spencer Kuvin, a lawyer who represents several survivors of Jeffrey Epstein’s abuse and who has reviewed much of the still-unreleased evidence, which is currently under a court protection order. “The FBI does have more information that needs to be released.”


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    After months of delays, House Republicans have released tens of thousands of pages of documents from Jeffrey Epstein’s estate, after Democrats earlier publicized emails suggesting that President Trump was aware that Epstein was abusing and trafficking young girls and women. In one of those emails, Epstein wrote that Trump “knew about the girls.” Trump’s allies say the larger set of documents released Wednesday afternoon provide evidence of Epstein’s later animosity towards Trump and support Trump’s claims that he was not previously aware of Epstein’s crimes. Still more evidence — namely, photographs and videos — may soon be publicized, as a petition for the House to vote on the full release of the “Epstein files” received its final signature from newly-sworn in Congressmember Adelita Grijalva. “There is a lot more to come,” says Spencer Kuvin, a lawyer who represents several survivors of Jeffrey Epstein’s abuse and who has reviewed much of the still-unreleased evidence, which is currently under a court protection order. “The FBI does have more information that needs to be released.”


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    After months of delays, House Republicans have released tens of thousands of pages of documents from Jeffrey Epstein’s estate, after Democrats earlier publicized emails suggesting that President Trump was aware that Epstein was abusing and trafficking young girls and women. In one of those emails, Epstein wrote that Trump “knew about the girls.” Trump’s allies say the larger set of documents released Wednesday afternoon provide evidence of Epstein’s later animosity towards Trump and support Trump’s claims that he was not previously aware of Epstein’s crimes. Still more evidence — namely, photographs and videos — may soon be publicized, as a petition for the House to vote on the full release of the “Epstein files” received its final signature from newly-sworn in Congressmember Adelita Grijalva. “There is a lot more to come,” says Spencer Kuvin, a lawyer who represents several survivors of Jeffrey Epstein’s abuse and who has reviewed much of the still-unreleased evidence, which is currently under a court protection order. “The FBI does have more information that needs to be released.”


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  • Seg1 spencer epstein email 2

    After months of delays, House Republicans have released tens of thousands of pages of documents from Jeffrey Epstein’s estate, after Democrats earlier publicized emails suggesting that President Trump was aware that Epstein was abusing and trafficking young girls and women. In one of those emails, Epstein wrote that Trump “knew about the girls.” Trump’s allies say the larger set of documents released Wednesday afternoon provide evidence of Epstein’s later animosity towards Trump and support Trump’s claims that he was not previously aware of Epstein’s crimes. Still more evidence — namely, photographs and videos — may soon be publicized, as a petition for the House to vote on the full release of the “Epstein files” received its final signature from newly-sworn in Congressmember Adelita Grijalva. “There is a lot more to come,” says Spencer Kuvin, a lawyer who represents several survivors of Jeffrey Epstein’s abuse and who has reviewed much of the still-unreleased evidence, which is currently under a court protection order. “The FBI does have more information that needs to be released.”


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  • People hold signs outside of a closed Starbucks as employees strike on December 23, 2024 in New York City. Photo by Adam Gray/Getty Images

    Four years after the first Starbucks store in the US unionized in 2021, workers across the country are still facing rampant union busting and still fighting for a first contract with the coffee giant. That is why a supermajority of unionized baristas with Starbucks Workers United recently voted to authorize an Unfair Labor Practice strike, which is set to begin on Thursday, Nov. 13, on “Red Cup Day,” in over 25 cities around the US. “Union baristas mean business and are ready to do whatever it takes to win a fair contract and end Starbucks’ unfair labor practices,” says Michelle Eisen, Starbucks Workers United spokesperson and 15-year veteran barista. “If Starbucks keeps stonewalling, they should expect to see their business grind to a halt. The ball is in Starbucks’ court.” In this urgent episode, we speak with Eisen about the impending strike and the state of the yearslong union struggle at Starbucks.

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    The following is a rushed transcript and may contain errors. A proofread version will be made available as soon as possible.

    Maximillian Alvarez:

    Alright. Welcome everyone to Working People, a podcast about the lives, jobs, dreams, and struggles of the working class today. Working People is a proud member of the Labor Radio Podcast Network and is brought to you in partnership within these Times Magazine and the Real News Network. This show is produced by Jules Taylor and made possible by the support of listeners like you. My name is Maximillian Alvarez and we’ve got an urgent episode for y’all today. By the time you hear this, Starbucks workers in over 25 cities across the country may be on strike. Last week, a super majority of unionized baristas with Starbucks Workers United voted to authorize an unfair labor practice strike ahead of the holiday season. The strike would begin on Thursday, November 13th, on so-called Red Cup Day Starbucks’s annual corporate holiday. In a press release from Starbucks Workers United, the Union States Union baristas announced Wednesday that they have authorized an open-ended unfair labor practice strike with 92% voting yes ahead of the critical holiday season.

    The vote comes after six months of Starbucks refusing to offer new proposals to address workers’ demands for better staffing, higher pay, and a resolution of hundreds of unfair labor practice charges. Union baristas are prepared to turn Starbucks’s Red Cup Day into the Red Cup Rebellion. If Starbucks fails to finalize a fair contract by November 13th, the strike actions could hit over 25 cities as an opening. Salvo and baristas are prepared to escalate if they don’t see new proposals and substantial progress towards finalizing a contract that addresses pay hours and staffing and the resolution of hundreds of LPs. Workers United and Starbucks are not currently engaged in contract negotiations as Starbucks has refused to put forth new proposals that address Union barista’s demands. Elected Union delegates overwhelmingly rejected Starbucks’s insufficient contract offer in April of 2025, which failed to improve wages or benefits in the first year of the contract and didn’t put forth proposals to address chronic understaffing.

    Starbucks’s failure to listen to and support their own baristas is moving them to take drastic action, which could include striking over unfair labor practices. Starbucks is the biggest violator of labor law in modern history with administrative law judges in the National Labor Relations Board, finding that Starbucks has committed more than 500 labor law violations. To date, workers United has filed more than 1000 unfair labor practice charges, including more than 125. Since January of this year, more than 700 unresolved charges remain including a set of national LPs around bad faith, bargaining and unilateral policy changes and specific LPs around retaliatory firings and discipline. Union baristas mean business and are ready to do whatever it takes to win a fair contract and end starbucks’s unfair labor practices said Michelle Eisen, Starbucks, workers United spokesperson, and a 15 year veteran barista. We want Starbucks to succeed, but turning the company around and bringing customers back begins with listening to and supporting the baristas who are responsible for the Starbucks experience.

    If Starbucks keeps stonewalling, they should expect to see their business grind to a halt. The ball is in Starbucks’s court in a letter to Starbucks employees that was released last Wednesday, Deanne Durbin reports at the Associated Press Starbucks’s chief partner Officer Sarah Kelly said the union has proposed a 65% pay increase immediately and a 77% increase over three years with additional payments for things like weekends or days when Starbucks runs promotions. Kelly also said some proposals would significantly alter Starbucks’s operations, such as giving workers the ability to shut down mobile ordering. If a store has more than five orders in the queue, any agreement needs to reflect the reality that Starbucks already offers the best job in retail, including more than $30 an hour on average in pay and benefits for hourly partners. Starbucks spokeswoman Jackie Anderson said Wednesday the union said that Starbucks is unfairly lumping together various economic proposals from the union to arrive at those pay raise figures.

    So to talk about all of this, I am honored to be joined on the show today by Michelle Eisen herself again. Michelle is a 15 year veteran barista and a spokesperson for Starbucks Workers United in 2021. Michelle and her coworkers in Buffalo, New York formed the first Starbucks Labor Union in the United States. Michelle, thank you so much for joining us today. I really appreciate it. I want to just kind of start with where we are right here right now. We’re recording on Tuesday, November 11th. The strike date is set for later this week. Tell listeners more about what they may be seeing this week, where this strike is coming from and what it tells us about the State of the Union struggle at Starbucks.

    Michelle Eisen:

    Yes, thanks so much for having me. So last week we announced that 92% of union workers voted to authorize a strike should the company not respond to our multiple requests for them to return to the bargaining table with new proposals that will address the outstanding issues, mainly more take home pay for workers, better hours to fix the staffing chronic understaffing in our stores and to resolve the numerous, you said it, hundreds of unresolved unfair labor practice charges that are still hanging over their heads. Starbucks is the largest labor violator of modern history that is undisputable and it’s hard to be a worker working in those conditions, right when you actually have to be afraid of your employer continually violating your rights. So we have made multiple requests for them to return to the table with these new proposals that will help settle these issues. Since labor relations broke down last December, they have failed to respond in any meaningful way and really in any way at all.

    They instead continue to misrepresent what the union’s demands are. I think it’s absolutely comical that 65% number that they’ve arrived at. They literally took all of this potential options that we presented them with last October. We were like, Hey, we could do this or we could do this and this, or we could do just this Either way. What we’re trying to do here is get more take home pay in these workers’ pockets. They added them all together and came up with that number. That’s like going into a restaurant, that’s like going into a Starbucks, adding together every single menu item and then being like, whoa, it costs a thousand dollars to eat here. And they know that it’s disingenuous. It’s actually just, it’s an actual misrepresentation of what went on in bargaining, and you have to question anyone who has to turn to flat out misrepresenting of the facts to make themselves look better or to make the union look worse. What does that say about them as a whole? Right?

    Maximillian Alvarez:

    Yeah, “the math ain’t mathing,” as the kids say.

    Michelle Eisen:

    Yeah, I mean it’s discouraging to say the least, but here we are. We’re two days out from Red Cup Day, which is I believe at least from the company’s own mouth, their biggest revenue day of the year. I worked many a Red Cup Day as a barista. It is not a pleasant day to be a Starbucks barista. That is for sure. And that’s when we were actually supported in the stores. It’s even worse now, and workers are saying, look, you’ve got, essentially the clock is ticking. Let’s see some action in the next 48 or so hours, or we will have to escalate. Workers don’t want to have to go on strike. A strike is a hardship. I think that’s incredibly important for people to recognize. Workers are laying a lot on the line if they have to embark on this, but their hands are being forced. The company is not offering another option, and so we do what we can do and the power that we hold is our labor, is our ability to produce these billions in dollars of revenue that the company reports every single year. And so we’ll see what happens come Thursday morning.

    Maximillian Alvarez:

    And just to tease it out even more for listeners, it sounds like right now the strike isn’t hinging on some nitpicky details on a couple proposals. It sounds like Starbucks isn’t responding to any of these proposals.

    Michelle Eisen:

    The last offer, I won’t call it, I am hesitant to even call it an offer that came from their side when it came to the economic elements of the contract was nothing. They said no, they didn’t engage with a single potential solution or proposal to what we were offering. They said, our rep reply is zero increase for the first year of the contract. That’s not an offer. That’s an unserious response to what is going on here. And what we’re engaging in is very serious. It is the difference between a worker being able to pay their rent and buy groceries or having to make the choice between the two. This is a multi-billion dollar global corporation. We paid our CEO $98 million for the first four months of his employment with this company. They spent $81 million for a four day manager’s retreat in Vegas just this June. It would cost less than both of those numbers to finalize a multi-year union contract with their union baristas less than a single day’s profit, less than one single day’s profit could settle this. We need serious offers that have serious solutions.

    Maximillian Alvarez:

    I want to take a step back for a minute, right? I mean, as I mentioned in the intro, you were there in Buffalo when with the first store to unionize back in 2021, and we were covering that as it was happening. And every year since I’ve been interviewing different Starbucks workers in different stores around the country, many of those stores have been closed. Many of those workers have been fired, but the struggle has continued with each year. But I want to sort of ask, since we’re fortunate enough to have you here, if we could kind of remind listeners of what’s happened in between those two critical points in time. Can you take us back to that union drive in Buffalo and remind us of where that push came from? What were the conditions that workers were fighting against unionizing for? And yeah, let’s kind of walk folks up from 2021 to now and give them a broad sweep of how the struggle has developed since then that has led us all the way to this point where workers at locations around the country are prepared to strike to get that first contract that they’re still trying to get.

    Michelle Eisen:

    Absolutely. So I started with Starbucks in 2010, which feels like an actual lifetime ago. I came to the company for a lot of reasons, but for a lot of the same reasons. I think most Starbucks baristas do. I had another job in the arts. I was a stage manager. I needed some supplemental income, I needed access to healthcare, and this is what Starbucks was, right? They were like, Hey, we have flexible hours. Hey, you can have access to healthcare if you work 20 hours a week. It presented itself as a solution, and honestly, when I started with them, it was pretty much what it was cracked up to be. I got the hours I wanted. They worked around my production schedule. I had access to affordable healthcare. Things were pretty good. I felt pretty valued overall. Our stores were well staffed. It was a nice environment.

    I got to interact with a lot of people. I got to learn about coffee. It was a cool gig. And then things as I think they do in any sort of capitalist society, they start to slide. The guys in charge are like, how can we make this company more profitable? And if we can’t directly make it more profitable, how can we make it appear to be more profitable? And inevitably what I think ends up happening in most cases is they look at it and they’re like, oh, we can’t necessarily make people spend more money, but we can spend less on the workers, which will make our bottom line look that much more exciting and profitable.

    Maximillian Alvarez:

    Every goddamn industry that we cover, it feels like a bunch of NBA holding douche bags in corporate offices have all come up with the same genius idea, which is, Hey, let’s pile more work onto fewer workers, whether it’s the railroad industry, hospitals, schools, retail or service jobs. This is the trend that I’ve been hearing from workers and I interview workers for a living, but it’s just like, Jesus, this is happening everywhere.

    Michelle Eisen:

    Like what do they have actual control of? They can’t technically control what the product costs that’s out of their hands in most cases. They can’t control rent prices. If they’re renting a space, what they can control is how many workers they put on the floor, what they compensate those workers and how much work they intend to have each one do. And that’s what inevitably ended up happening at Starbucks. We saw staffing levels go down, saw the responsibilities of each worker increase, and the compensation either for the most part stays stagnant. And I say that because when we decided to organize in 2021, I was making 16 cents more an hour after being with the company for 11 years than someone who had been hired yesterday. So what they did is they stopped investing in their loyal tenured employees, and then the intention was bring people on.

    It became this churn and burn workforce. So that’s where we found ourselves in 2021. Not only did we find ourselves in that exact place, but we found ourselves in that place in the middle of a global pandemic. So we saw policies being rolled out that workers in these stores were expected to carry out without any input from us, and they were rapid fire. It was a pandemic. Things were happening, safety procedures, health procedures, everything was changing day in, day out. None of those changes were being done with input from the people who are actually in these stores. And for me, that was the kicker. It was like, how can you be expecting us to enforce policies when you haven’t even talked to us about how difficult these policies are going to be to enforce or you’re not supporting us while we’re being asked to enforce these policies?

    On top of that, Starbucks was one of the few companies that stayed open through the entirety of the pandemic, which is, if you think about it, kind of insane because this is face-to-face. It’s not a virtual job. I’m not a virtual barista. I have to go in every day and I have to be face-to-face with people at this point. We don’t know what this pandemic is going to do. There’s not even a vaccine on the horizon. Whatever you feel about that, I’m obviously very pro, but regardless, we are being asked to do this. And the company stayed open and they stayed open under the guise of we are serving our communities. These baristas are essential. In the meantime, they’re raking in profits. Why? Because in the midst of this upside down worlds, you could still go down to the corner to your local Starbucks and get your caramel macchiato. So they were offering just this tiny bit of normalcy in this complete chaos, and they were convincing the workers that it was important that we stay open to serve our communities. Meanwhile, we have the CEO at this point. We’re four CEOs in, by the way, since 2021. I think that’s important to note.

    Maximillian Alvarez:

    Yeah, I’ve lost count at this point.

    Michelle Eisen:

    At that point, it’s Kevin Johnson and he’s on these financial shows every other day, bragging, I mean openly bragging about the amount of profit the company is bringing in the middle of this pandemic. And I’ve, myself included, and I’ve got coworkers who are working for this multi-billion dollar corporation now. I’m here full time because my other job was also an in-person job. The theaters shut down. So now I’m finding myself at Starbucks more hours than I generally did, and I’m still not sure I’m going to be able to pay my bills. And these things are not computing. So between them just not taking care of the workers who were bringing in this ridiculous amount of money in the face of this pandemic at the very moment that they should be, they should be stepping up and doing better. We’re just seeing them do worse and worse and worse.

    And so I actually, organizing was not my first instinct. My first instinct was to get the hell out of there, and that is the decision I had reached just a few weeks before we decided to organize. I was like, I got to go. I was hoping production work was going to start opening up in some capacity. I didn’t even know what I was going to do for health benefits. But honestly, by that point, the benefits costs had increased so much that it wasn’t even serving the purpose it was originally serving for me. And then I was approached by a coworker about, Hey, what if we unionize? And honestly, my first thought was like, yeah, let’s do it. Because I was pissed. I was like, if they’re not going to take care of us, then we’re going to show them what we’re going to do. And then the secondary reason, which is the more lasting reason was I was hopeful that it might work and that I wouldn’t have to leave because I didn’t want to. I had been at that store for six years at that point. I’d been with the company for 11. I loved being able to go in there and see my coworkers, and we were in a really great community. I had regulars I’d known for years.

    And so we decided to try, and I’ll be honest with you, I didn’t think it was going to result in what it resulted in. And I don’t say I didn’t think we were going to be successful. I did think we were going to be successful. What I didn’t expect was the company’s response. I thought they were going to be upset at first, maybe a little hesitant, but I then expected them to get on the right side of history because really the company, that’s what Starbucks had always done. I had seen them make mistakes in the past. They’re obviously not perfect by any stretch of that word, but generally speaking, I’d also seen them acknowledge that a mistake was made and then get on the right side of things. And so the fact that we’re four years in and they still are on the wrong side of this story is kind of mind blowing to me, disappointed is not a strong enough word.

    It’s more just like, what are you doing? You have an opportunity here to right this wrong. Get on the right side of history, set the standard like you have always done or claimed to have always done and be applauded. Most of the worlds will forget the last four years even happened. All of a sudden Starbucks will be held up as this example of how to treat your workers and we’ll all go on our merry way. So the fact that they’re still fighting is shocking. But we won miraculously in spite of the company’s behavior, which was absolutely egregious. A lot of those charges that you refer to at the beginning of this took place in that first three months of the campaign. They were just breaking labor law left and right, you would not believe, shipped in a hundred plus store managers from across the country, stationed them in Buffalo, had them in our stores surveilling us, intimidating, you name it, you name it.

    It was taken care of. There were threats, there were bribes, there were all of the things that you would think there would be. Somehow we pulled it out mostly because we had what the company will never have, and that’s the connection to each other. We were able to acknowledge that no, as much as they were trying to gaslight us, these issues really did exist and they needed to be acknowledged and there needed to be solutions. And if the company wasn’t going to help us find those solutions, we were going to find them for ourselves. And then the rest is kind of, I don’t want to say a blur because it’s been four years of very intense work, but as soon as it was seen that it was possible, then we had thousands of Starbucks workers saying, yo, these issues exist in our stores and we want to be a part of this.

    We want to be a part of this in spite of the company’s response, which at that point was very publicly obviously. And so since then we have over 650 elections, 12,000 somewhere in the realm of 12,000 unionized baristas, 45 states and dc You were right. The company has closed some locations. They announced that big mass closure just last month, which did affect some of our stores, which is very disappointing. And again, yet another example of a multi-billion dollar corporation being able to make absolutely ridiculous decisions without any worker input and putting the onus on the individual to figure out how they’re going to survive, which when your CEO gets to commute to and from work in a private jet, it doesn’t seem all that fair.

    Maximillian Alvarez:

    No, I mean, in here in Baltimore, I believe it’s six cafes have closed, including the one on Charles Street, which was the first one in the state of Maryland to unionize. I was in the room when those workers were watching the NLRB count the votes of their union election. I’ve been to that Starbucks and many others across the city. I’ve talked to a lot of workers who have unionized here, and it feels like, again, a story that I’ve heard and reported on every year since you guys won that first election in 2021, I believe Starbucks announced that they’re going to be closing nearly 500 locations in North America in the current quarter. But that didn’t just start now. I mean, I remember interviewing workers in Ithaca, New York, and they closed down every single location. They were the first city I believe, in the United States where every Starbucks location was unionized and then Starbucks closed all of them.

    And those workers, at least some that talked to were pretty clear. They’re like, yeah, this is retaliation. And I just kind of want to tease that out a bit more. And I want you to please tell me if I’m wrong here because you’re the person I would listen to. And I asked jazz BZA to tell me the same thing. But I struggle as someone who, again, interviews workers for a living who’s filmed with Starbucks workers, who’s interviewed over this podcast, plenty of Starbucks workers, and I’ve seen the excitement that your movement has generated in the working class and across this country over the past four years. It’s been really beautiful to see people cheer every time they see, Hey, a new store is unionizing in this state or a new one’s unionizing in that state. And the Starbucks Workers United campaign itself became a really central figure in the narrative over the past few years about the new labor movement.

    While I subscribed to a lot of that, I felt what was missing from that narrative and what I was seeing in folks is like, I’m excited that you all are excited that a new store has unionized, but why can’t I get you to care about the store that just closed that you were excited about three months ago, or the workers who have been fired that you were sharing their stories a year ago. It’s felt like we’ve only understood the forward momentum of this movement, but we haven’t reckoned with the intense backlash or the fact that you still don’t have a contract yet.

    Michelle Eisen:

    I think that, well, obviously it’s more exciting to talk about the wins and to talk about that kind of excitement. And I think there are a lot of outlets, I assume we’re talking about supporters and news outlets and whatever that seem to be failing to report on just how egregious Starbucks has been in reaction to this. I think some of that comes from fear of pissing off Starbucks. I think some of that comes with like, oh, well, if we do piss off the billionaire, what’s going to happen? And that is disappointing. I think part of me also says, I don’t personally want to necessarily focus on that. I want to support the workers who are going through it. And I think it’s incredibly important to note that the union workers who had their stores closed down had the right to legally bargain over the effects of that closure and were able to secure protections that the non-union workers were not able to get.

    So we hear a lot about like, well, why should I organize if the company can just come and close my store anyway? You’re right. I mean, we don’t have control over store closures. They can cite business reasons, and for the most part, they can back that up and we just have to go along with it. But what we can do is protect the workers who are affected by those closures, which is what we were able to do for the unionized workforce, that there were thousands of non-union workers unfortunately, that were affected by these closures who had zero recourse, who had zero voice. And so I think at least it’s more effective from our point of view to say, yeah, the company has responded in this way. Yes, it’s absolutely ridiculous and unnecessary and uncalled for. However, here’s how we are able to fight back. We are able to fight back in all of these ways because these workers joined, fought to join a union.

    I would love to wake up tomorrow and hear that Starbucks has decided to stop violating US labor law. Unfortunately, I think we’re not quite there yet. And that’s part of why workers are going to potentially be forced to go on a strike in a couple of days because the company’s union busting has been such that it has forced workers to be like, you need to stop. If you’re not going to stop, we’re going to withhold our labor until you do, which is the power that workers in this country have. It’s not anything that should ever be taken lightly, especially when for every one barista who is committed to go on strike, there are dozens of allies who have committed not to cross those picket lines, which is a big deal. So we need community and allies to know that if workers go on strike, please don’t shop at Starbucks, don’t shop at any Starbucks, just go to your local shop. They offer a lot of great things as well. Workers need to feel that support. And I think that’s part goes back a little bit to what you were saying. The way that we respond to Starbucks behavior is by just showing them how unacceptable it is. And for workers, it’s withholding their labor and for customers and communities, it’s withholding their revenue, right?

    Maximillian Alvarez:

    Yeah. I mean, as we’ve said a bajillion times on this show, but we will repeat until the end of time, never be a scab, never cross a picket line. You can get your goddamn coffee anywhere else. This is the United of America. You can get coffee anywhere. I wanted to sort of ask when it comes to the current kind of situation, and I don’t want to ask you to speak on anything that would be improper to speak on, but it’s a question that I know is on a lot of our listeners’ minds because it feels quite apparent that after a few years of organized labor upsurge in this country, from new unionization efforts to big and small strikes in different industries that have been happening over the past few years, it feels now that the empire striking back and with a national labor relations board that under the second Trump administration, it seems like it’s just been license that corporations can take to effectively not engage at all with unions or worker grievances. There just seems to be a newfound confidence in the employer class that we’re seeing in the form of mass layoffs happening, everyone gloating about how they’re going to replace us all with AI and raking in profits while working. People are standing in food lines kind of deal. That’s where we are in the country writ large. I know Starbucks, as we’ve been talking about, has been not great up until this point, but is it possible that they’ve gotten even worse with the new NLRB that we have in 2025?

    Michelle Eisen:

    Corporations are absolutely emboldened right now, and Starbucks is absolutely one of them. So US labor law, regardless of what administration we’re under is lacking. We can all agree that it is not strong enough and that campaigns are not really one in the courtroom. They are one in the streets, they’re one in the shops, right? It is the workers’ power and their ability to stand up to the boss very publicly calling these companies out for Starbucks. It’s a lot about brand recognition. And when you make that brand uncool because of the way they’re treating their workers in a lot of other things, why does it take 40 minutes for me to get a nice chai? That’s not acceptable. That’s where the power comes from. So yes, things are really, really bad right now. We are essentially living in an oligarchy, absolutely, that is the 1% versus the rest of us, and I don’t care what your income is.

    Most of you fall under the category of the rest of us. That’s just what it is. And so yes, it is the worst, but that it’s ever been, I think at least at this moment, the current policies that have rolled out under this new CEO have actually only made workers’ jobs more difficult. They’ve not made anything easier. They’ve not made the environments in the cafes more easier. But in a lot of ways it’s so black and white right now that it feels like, at least at the beginning of the campaign, Starbucks was still trying to maintain this air of we are already so good. Why should our workers want anything better? And there were a lot of people I think, who were kind of buying that. And today I think it’s much, much harder for them to come out on that line because it’s not simply not true.

    I love that the comment in that letter to workers where they said Starbucks is already the best job in retail. Yeah, it’s the best job in retail for Brian Niccoll. What we’re trying to do is make that legit, is make it the best job in retail, that number of over $30 an hour, they have done, again, what they did with our proposals, they tried to add up all of the potential benefits that they say they offer and they’re like, well, this is what you make an hour. I’m sorry, but my Spotify premium that comes with my employment, my landlord’s not going to accept that as currency to pay my rent. You can’t lump those things together and say, well, this is the compensation that our employees are being given. In most states, the majority of states, the starting rate for Starbucks barista is $15 an hour, and most Starbucks workers struggle to get more than 19 hours a week.

    So they control how much they pay you an hour, they control how many hours they then give you, and then they say, but if you manage to qualify for healthcare and if you manage to qualify for these other benefits, you actually make over $30 an hour. So I don’t know what you’re complaining about. So yeah, right now things are probably as bad as they’ve ever been in the country for the majority of workers, but it’s galvanized. Most workers, we’ve only seen our organizing increase since this administration came into power and since the CEO stepped into this role, why? Because workers are looking around and saying, the only people coming to save us are ourselves. And so if the only way to stop the CEO from rolling out additional policies that are just making our jobs harder is to stand up and say, no, we’re going to organize and then you have to talk to us before you roll out these policies.

    It’s the law. So while it’s unfortunate that the NLRB is where it is and that corporations feel emboldened to just do whatever they want because God knows how long it’s going to take to litigate something, we know that that’s not where the strength is going to come from for this fight. The strength is going to come from workers continuing to stand up. And I’m grateful every day that Starbucks workers continue to do just that. I mean, I would love to say that if I had not been at the very first store that I would’ve been brave enough to do this. I want to think that I would’ve been, but I don’t know that I was very naive. I didn’t know how the company was going to react, and I was like, yeah, let’s do it. Then the company reacted the way they did. And still in spite of that, we’ve got dozens of workers a week reaching out to us and saying, Hey, we don’t care. We know it’s going to be hard. We know it’s going to be a fight. We know how this company is going to react, but we still think it’s worth it to take this on, not just for the immediacy of our jobs and our livelihood, but they understand that they’re setting a path that’s going to change the lives of workers beyond them. And I think if that’s not hopeful in this very dark time, I don’t know what is

    Maximillian Alvarez:

    Preach sis. I agree. I mean, it continues to be one of the few wells of hope from which I can draw to get out of bed in the morning, wherever poor working people are standing up against injustice and fighting for a better life for themselves and others. Therein lies the hope for all of humanity. I mean, I genuinely believe that, and I’m reminded of that every time I get to talk to a working class warrior like yourself. And I want to sort of circle back to the shop floor level, like you were saying. I want to impress upon people listening out there, what the working conditions are in Starbucks stores today. Have they changed much from the time when you were unionizing in Buffalo and also get a sense of the Starbucks workers United unionization effort across the country right now, because I think you named it that in the past 10 years, conditions have visibly changed, not only for workers, but for consumers.

    And I think that’s another factor to include here that maybe in the recent past, your average person was saying, well, the Starbucks near me is good and it seems like a good job. I don’t get what these workers are complaining about. And now a few years later, it’s like every business in corporate America is trying to sell us a version of reality that does not sync up with our experienced reality. The one that always cracks me up are these artisan coated Chipotle commercials where they’re like, oh, we make everything fresh and it’s all there for you. And I’m like, motherfucker, have you been into a Chipotle in the past few years? It’s like two stressed out people. Like half the menu isn’t available and everybody’s pissed off. And that’s every store I go into and people notice that Starbucks workers are stressed to hell, that there doesn’t seem be enough people that there seemed to be a lot of drinks piled up at the end of the counter over time. You just sort of internalized this sense that everything’s kind of going to shit. So I wanted to kind of ask, yeah, what does that look like in the year of our Lord 2025 for working people at Starbucks? And yeah, could you tell us a little more about those working conditions and kind of the state of the union movement across the country?

    Michelle Eisen:

    I think it looks exactly like what you just described, and I think it’s comical that you used Chipotle as the example. I don’t know if you knew this, but our current CEO was the former CEO of Chipotle.

    Maximillian Alvarez:

    I had blissfully forgotten it, but now you reminded me.

    Michelle Eisen:

    So it’s not shocking that you are going to walk into a Starbucks right now and it’s going to feel like walking into the Chipotle that serves lattes, right? It looks like that. It looks like two stressed out workers and orders piling up and mobile orders spewing out of the sticker machine and a line of customers. And it is an unpleasant experience. I think what I think we haven’t focused enough on, and I’m glad that you sort of integrated this in, is how the consumer is being affected. I mean, obviously as a union organizer, I’m fighting for the workers’ working conditions, but to assume that that doesn’t directly correlate to the consumer’s experience is absolutely ridiculous. All of the demands that the union has had has focused on how do we improve our conditions and therefore improving the customer’s conditions and therefore improving the company overall, those things are all absolutely connected, but as a consumer, you should be insulted.

    You should be absolutely pissed off and insulted that you are spending what you are spending on a single beverage at Starbucks and then walking in to pick it up in the conditions you’re walking into. You see, especially this time of year, Starbucks loves their holiday ads where they present these warm, beautiful cafes and there’s a barista who’s making a beverage and then has the time to have a conversation with the person who they’re handing the beverage to. And the reality is, once upon a time, that environment did exist. It’s not like a complete fantasy. I lived it. The stores were staffed appropriately. Mobile order hadn’t completely taken over and overhauled the entire cafe experience, and we had the opportunity to have a coffee tasting. I used to lead coffee tastings in the lobby all of the time with customers and try new blends out and try new pastries.

    And guess what? Me being off the floor for 10 minutes didn’t completely tank the entire ship, which is what happens right now. If a worker, God forbid, gets sick, there’s no buffer. And so right now the conditions are, I would say, worse than they were when organized in 2021. And that seems incredibly hard to believe because they were pretty damn bad in 2021. But no, the policies that have rolled out have heaped additional responsibilities on the already understaffed stores and workers are being told, figure it out. I don’t know how you’re going to do all of these things, but it’s your job to figure it out. No, it’s not my job to figure it out. My job was very clear. I know what my responsibilities were. It is not my job to take on the five additional ones that you just added. And if you’re going to say that that is the case, then we need some sort of discourse to discuss it.

    And that’s where the union comes in because the workers forming their own union, it’s them inserting themselves into the conversation right now. You have to talk to us before you roll out an additional policy that’s going to make my job harder, especially when you’re rolling that out without additional compensation, which is what we really need to talk about. It is not like workers are saying, no, I don’t want to do the work. It’s like, you need to compensate me fairly for what that work is. And if you’ve doubled my workload since I came on and my compensation has not changed, how is that fair? And so as a consumer, I should be very angry that I’m paying for what I’m paying for and I’m walking into the conditions. I’m walking into baristas, don’t want to look angry. I know that SNL has done multitudes of skits.

    Sometimes you go back and you look at the old Starbucks skits and it’s like the representation of this pretentious barista who knows everything there is to know about coffee and tries to make you feel stupid. That’s not the reality. But there was something to the sort of level of respect and integrity that came with that role. The fact that there’s this implied sort of way of thinking in this country that service workers don’t deserve a certain level of respect or that these are somehow not real jobs. That’s something that everybody needs to get the hell over. Every single job is a real job. Anytime somebody is giving you their labor, they deserve to be compensated fairly. They deserve to do that job in a safe environment. I don’t care what it is. There’s a lot of like, well, this is a starter job. It is.

    You’re not going to have access to coffee between 7:00 AM and 3:00 PM when all of the kids who you think are supposed to be doing this job or at school, who do you think is doing this job? And let’s say for sake of an argument that somehow this is right. Somehow, yes, this job should only be done by 14 to 16 year olds. You’re okay with 14 to 16 year olds being exploited. You’re okay with them not being fairly compensated for their labor. You’re okay with them not having safe working conditions. You got to pick an argument here. And so what we’re here doing is fighting a company that can, if there was ever a company on this globe afford to do better by its workforce, it is this company. And so we’re fighting. We’re fighting very hard. We’ve been fighting for a very long time, and we’re at the point now, where’re done and workers will go on strike by Thursday if this company does not come back with some new proposals and resolve all of these ridiculous, unfair labor practice charges that are still hanging over their head, that’s embarrassing. If I’m the CEO o of this company, I would be fricking embarrassed that this is what it’s been reduced to. So the fact that he’s just business as usual, I don’t know. I guess if I’m a shareholder, I’m kind of questioning that as well.

    Maximillian Alvarez:

    Yeah, I mean, to be honest, I feel like it’s really remarkable how much good faith the Starbucks brand has lost in recent years because the company has shown the public what it really is, and the public has responded accordingly. But I feel like again, in another era, even just a decade ago, if Starbucks was doing that, the impact would be even greater. But it’s kind of like the impact has been mitigated a little bit because everything’s going to shit. And it’s just like people are just like, yeah, pile on. Everything sucks. Consumers experience sucks. Everything’s more expensive. So it becomes harder to point out the exceptional villainy of any one company. But I wanted to sort of really drive that home for folks listening as we round the final turn here, I know I got to let you go, but let’s bring folks back down to the picket line level and what can they expect to see this week, and this is an indefinite strike. What are the coming days and weeks look like? What can folks out there do to stand in solidarity with y’all? Because I know there are more ways than one to do that.

    Michelle Eisen:

    So there’s a few things. First is you can go to no contract, no coffee.org. You can sign our pledge that says you will not cross the picket line and you’ll not shop at Starbucks. You will not spend your money at Starbucks while workers are on strike. That’s number one. Workers are standing strong. They’re going to withhold their labor. They’re going to sacrifice a lot during a holiday season to show the company that this is what it’s going to take to get this contract. And supporters, allies, consumers can do that by withholding their revenue. That is the number one that includes don’t buy teachers Starbucks gift cards, think outside the box when you want to get gifts. You would be shocked how many Starbucks gift cards go to teachers this time of year? Get them something from a local shop, anything. So don’t buy gift cards.

    Don’t cross the picket line. In fact, join the picket line. Our picket lines are pretty exciting and notoriously pretty fun. We would love to have you on that picket line and don’t shop at Starbucks. That’s the strongest message you can send is like you said, we’re in a place right now where everything feels really bad and it’s hard to say, well, is this place worse than the next place? Every place is really bad right now and it’s going to feel good to do something that you know is on the right side of history and supporting workers in this moment so that we can settle this fair contract is the right thing to do, and then we look forward to welcoming you back into these cafes when we have that contract and we’ve worked to actually improve the cafe experience. We want you to come back when things are great.

    We don’t want you to come back when everything’s on fire. Why would you want to put yourself in that situation? I think what you just said about how do you decide who’s worse? I think the flip side of that is because everyone sucks so bad right now, how easy would it be for this particular company to come out on top? How easy would it be for them to all of a sudden change course, write their relationship with their unionized workers and then it’s an easy choice? Then guess what? Everybody sucks except Starbucks, and isn’t that someplace they would like to find themselves? It’s certainly the place that workers would like to find them, right? So I think those are the top things. Sign the go to, no contract, no coffee.org. Sign the pledge that you’re not going to shop at Starbucks. Well, if workers have to go on strike, if you see workers on strike, throw them your support, honk your horn wave, let them know that you’re standing behind them.

    You would be shocked at how far just that knowledge can go for the mentality of workers. This might be a long time if we have to engage in this. It’s going to be a long time during the holidays when people are sacrificing time with their families to be out there on the picket line. So showing them that customers and consumers and their communities are behind them on this and willing to stand with them. It goes a very, very long way. And if you have ever have an opportunity to let Starbucks know what you think on their public posts maybe, or we often give out what they call customer connection surveys in stores where you can let the company know what you think about the service or that situation. Voice those opinions. I’ve never seen problems solved so fast in stores as to when a customer has an issue, believe it or not, barista will be saying, this is a problem for four months. One customer will send in a comment saying, Hey, why is your ice machine broken again? And all of a sudden the ice machine is broken the next day. So it is important. Consumer’s voices do matter.

    Maximillian Alvarez:

    Alright, gang, that’s going to wrap things up for us this week. I want to thank our guest, Michelle Eisen, a 15 year veteran barista and a spokesperson for Starbucks Workers United who formed the first Starbucks Labor Union in the United States with her coworkers in Buffalo, New York back in 2021. And of course, I want to thank you all for listening, and I want to thank you for caring. We’ll see y’all back here next week for another episode of Working People, and if you can’t wait that long, then go explore all the great work that we’re doing at The Real News Network where we do grassroots journalism that lifts up the voices and stories from the front lines of struggle. Sign up for the Real News newsletter so you never miss a story and help us do more work like this by going to the real news.com/donate and becoming a supporter today. I promise you guys, it really makes a difference. I’m Maximillian Alvarez, take care of yourselves, take care of each other, and don’t ever, ever cross the damn picket line solidarity forever.


    This content originally appeared on The Real News Network and was authored by Maximillian Alvarez.

    This post was originally published on Radio Free.


  • This content originally appeared on The Intercept and was authored by The Intercept.

    This post was originally published on Radio Free.

  • Comprehensive coverage of the day’s news with a focus on war and peace; social, environmental and economic justice.

    The post The Pacifica Evening News, Weekdays – November 12, 2025 appeared first on KPFA.


    This content originally appeared on KPFA – The Pacifica Evening News, Weekdays and was authored by KPFA.

    This post was originally published on Radio Free.

  • Blessed are the bruised, for they remember the shape of mercy.

    In a world increasingly adrift from its ancient moorings, I find myself compelled to share a profound truth, whispered not through dogma, but through the very pulse of the Earth and the enduring wisdom of generations. It is a lament, yes, but more powerfully, it is an urgent invitation to return, to remember, and to reclaim what has been tragically cast aside.

    My journey to this understanding was, like many awakenings, born from a crucible of pain. Not long ago, a relentless dental agony drove me into the arms of modern medicine. An extraction, swift and costly at $300, followed by the sterile trappings of anesthesia and antibiotics, left me physically depleted and spiritually disquieted for three days. My body ached, my spirit weary, searching for a deeper solace than the temporary cessation of pain.

    It was in that post-operative haze that memory unfurled its gentle hand, guiding me back to the sun-drenched paths of my childhood in Ghana. I saw my mother, her hands etched with stories, her eyes luminous with knowing. When a toothache plagued me then, there was no clinic, no harsh intervention. She would simply place a sliver of fresh ginger between my aching gum and the offending tooth. It was an act devoid of fanfare, steeped only in faith and ancestral knowledge. I would sleep with its pungent warmth, and inevitably, within a day or two, the root would loosen, the rotten tooth falling away on its own, a silent testament to nature’s gentle efficacy.

    A quiet fury, mingled with tears, rose within me. How had I come so perilously close to forgetting this sacred inheritance? How easily had I traded the intuitive wisdom of my matriarchs—my mother, her mothers, her fathers, a lineage of stewards of profound earth-knowledge—for the transient relief offered by a system that often alienates us from our own healing power?

    This personal forgetting mirrors a grander, more tragic amnesia plaguing humanity. Our Earth, whom I call The Goddess Mama, is weeping. Her tears are not tempestuous floods of rage, but a slow, profound ache, a shuddering tremor beneath the surface of our collective consciousness. She grieves not with thunderous roars, but with the subtle, pervasive sorrow of a mother watching her children systematically erase her name, privatize her essence, and dismiss her ancient lore as mere folklore.

    She is more than just soil and sky; she is the primal breath animating the wind, the rhythmic pulse in every river, the nascent whisper within every womb. She birthed mountains, midwifed stars, and infused the very fabric of existence with life. She is the ancient keeper of potent herbs, the weaver of sacred healing songs, the eternal guardian of ancestral fire. Her cries, though often unheard amidst our cacophony, resonate everywhere:

    In the cracked and barren feet of farmers, dispossessed from lands that were once their birthright, now parceled and exploited.
    In the struggling lungs of children, gasping for air that used to be a pristine blessing, now thick with the pollutants of industrial neglect.
    In the deafening silence of once vibrant forests, where the joyous symphony of birdsong and the hallowed prayers of ancient trees have been brutally silenced by the chainsaw.

    Goddess Mama mourns not solely for the tangible resources stripped away, but for the profound spiritual void left by what has been forgotten: the rituals of reverence, the sacred covenant of reciprocity, the delicate balance between giving and receiving that once sustained all life. She remembers a time when healing was a profound ceremony—when leaves were gathered with whispered gratitude, when roots were boiled with hallowed reverence, when the human body itself was honored as a sacred temple, not a mere transaction. And she weeps now, for her potent medicines are being patented and commodified, her life-giving waters privatized, her timeless wisdom relegated to the dusty shelves of “superstition.”

    But the Goddess Mama is not vanquished; she is stirring. Her indomitable spirit rises in the prophetic dreams of the young, in the steadfast resistance of the marginalized, and in the resonant poems of those who dare to speak truth to power. She calls us back to a different kind of table—not the one built by insatiable greed and dispossession, but one forged from the enduring bedrock of memory, the boundless wellspring of mercy, and the sacred, unyielding hunger for justice.

    She beckons us to remember a fundamental truth: genuine healing flourishes not in dominance, but in devotion. It blossoms not through relentless extraction, but through compassionate exchange. It thrives not in rigid control, but in profound communion.

    The cries of the Goddess Mama are not merely laments of despair. They are powerful, insistent invitations: to return to our essence, to listen with awakened hearts, to kneel in the living soil and humbly seek forgiveness, to rebuild this sacred table with the tireless work of our hands, the open empathy of our hearts, and the profound humility of our spirits.

    Today, this ancestral technique of healing, embodied by a simple root like ginger, is what I am honored to share with people across continents—the United States, Europe, and beyond. Regardless of color, creed, gender, or origin, I offer it freely, for the Goddess Mama’s wisdom was never intended to be hoarded or exclusive. It was meant to flow, to connect, to heal.

    This is the table she calls us to—a table where healing is no longer a commodity to be bought and sold, but a sacred community to be nurtured. Where the broken are not pitied but honored for their resilience. Where the cries of the Goddess Mama are not ignored in the rush of progress, but answered—with deliberate action, with profound reverence, and with a heartfelt return to the wisdom that birthed us all.

    The post The Cries of the Goddess Mama first appeared on Dissident Voice.


    This content originally appeared on Dissident Voice and was authored by Sammy Attoh.

    This post was originally published on Radio Free.

  • Blessed are the bruised, for they remember the shape of mercy.

    In a world increasingly adrift from its ancient moorings, I find myself compelled to share a profound truth, whispered not through dogma, but through the very pulse of the Earth and the enduring wisdom of generations. It is a lament, yes, but more powerfully, it is an urgent invitation to return, to remember, and to reclaim what has been tragically cast aside.

    My journey to this understanding was, like many awakenings, born from a crucible of pain. Not long ago, a relentless dental agony drove me into the arms of modern medicine. An extraction, swift and costly at $300, followed by the sterile trappings of anesthesia and antibiotics, left me physically depleted and spiritually disquieted for three days. My body ached, my spirit weary, searching for a deeper solace than the temporary cessation of pain.

    It was in that post-operative haze that memory unfurled its gentle hand, guiding me back to the sun-drenched paths of my childhood in Ghana. I saw my mother, her hands etched with stories, her eyes luminous with knowing. When a toothache plagued me then, there was no clinic, no harsh intervention. She would simply place a sliver of fresh ginger between my aching gum and the offending tooth. It was an act devoid of fanfare, steeped only in faith and ancestral knowledge. I would sleep with its pungent warmth, and inevitably, within a day or two, the root would loosen, the rotten tooth falling away on its own, a silent testament to nature’s gentle efficacy.

    A quiet fury, mingled with tears, rose within me. How had I come so perilously close to forgetting this sacred inheritance? How easily had I traded the intuitive wisdom of my matriarchs—my mother, her mothers, her fathers, a lineage of stewards of profound earth-knowledge—for the transient relief offered by a system that often alienates us from our own healing power?

    This personal forgetting mirrors a grander, more tragic amnesia plaguing humanity. Our Earth, whom I call The Goddess Mama, is weeping. Her tears are not tempestuous floods of rage, but a slow, profound ache, a shuddering tremor beneath the surface of our collective consciousness. She grieves not with thunderous roars, but with the subtle, pervasive sorrow of a mother watching her children systematically erase her name, privatize her essence, and dismiss her ancient lore as mere folklore.

    She is more than just soil and sky; she is the primal breath animating the wind, the rhythmic pulse in every river, the nascent whisper within every womb. She birthed mountains, midwifed stars, and infused the very fabric of existence with life. She is the ancient keeper of potent herbs, the weaver of sacred healing songs, the eternal guardian of ancestral fire. Her cries, though often unheard amidst our cacophony, resonate everywhere:

    In the cracked and barren feet of farmers, dispossessed from lands that were once their birthright, now parceled and exploited.
    In the struggling lungs of children, gasping for air that used to be a pristine blessing, now thick with the pollutants of industrial neglect.
    In the deafening silence of once vibrant forests, where the joyous symphony of birdsong and the hallowed prayers of ancient trees have been brutally silenced by the chainsaw.

    Goddess Mama mourns not solely for the tangible resources stripped away, but for the profound spiritual void left by what has been forgotten: the rituals of reverence, the sacred covenant of reciprocity, the delicate balance between giving and receiving that once sustained all life. She remembers a time when healing was a profound ceremony—when leaves were gathered with whispered gratitude, when roots were boiled with hallowed reverence, when the human body itself was honored as a sacred temple, not a mere transaction. And she weeps now, for her potent medicines are being patented and commodified, her life-giving waters privatized, her timeless wisdom relegated to the dusty shelves of “superstition.”

    But the Goddess Mama is not vanquished; she is stirring. Her indomitable spirit rises in the prophetic dreams of the young, in the steadfast resistance of the marginalized, and in the resonant poems of those who dare to speak truth to power. She calls us back to a different kind of table—not the one built by insatiable greed and dispossession, but one forged from the enduring bedrock of memory, the boundless wellspring of mercy, and the sacred, unyielding hunger for justice.

    She beckons us to remember a fundamental truth: genuine healing flourishes not in dominance, but in devotion. It blossoms not through relentless extraction, but through compassionate exchange. It thrives not in rigid control, but in profound communion.

    The cries of the Goddess Mama are not merely laments of despair. They are powerful, insistent invitations: to return to our essence, to listen with awakened hearts, to kneel in the living soil and humbly seek forgiveness, to rebuild this sacred table with the tireless work of our hands, the open empathy of our hearts, and the profound humility of our spirits.

    Today, this ancestral technique of healing, embodied by a simple root like ginger, is what I am honored to share with people across continents—the United States, Europe, and beyond. Regardless of color, creed, gender, or origin, I offer it freely, for the Goddess Mama’s wisdom was never intended to be hoarded or exclusive. It was meant to flow, to connect, to heal.

    This is the table she calls us to—a table where healing is no longer a commodity to be bought and sold, but a sacred community to be nurtured. Where the broken are not pitied but honored for their resilience. Where the cries of the Goddess Mama are not ignored in the rush of progress, but answered—with deliberate action, with profound reverence, and with a heartfelt return to the wisdom that birthed us all.

    The post The Cries of the Goddess Mama first appeared on Dissident Voice.


    This content originally appeared on Dissident Voice and was authored by Sammy Attoh.

    This post was originally published on Radio Free.

  • Organizing for a Breakout

    There is a military axiom that if your positions are encircled by far superior forces, you will inevitably be annihilated,  unless you break out. I have been a member of our labor movement and left wing since I got out of high school in 1979. For every one of those 46 years our labor movement has been under heavy attack, and at the end of every year we were smaller and more exhausted than when it began. This year will be no exception.

    With only a few scant exceptions the U.S. labor movement continues to avoid the key question of new organizing. The call to “Organize the Unorganized!” is no longer heard. Embattled unions must draw to their support the masses of unorganized – or face destruction. As the left, we had better face up to the fact that unorganized workers do not get organized by themselves. That’s our job. William Z. Foster taught us the simple fact that, “The left wing must do the work.”  

    New union organizing today continues to dwindle in scale and in degree of success, with only a few contrary examples. Much of today’s labor journalism – what little remains – tries mostly to rally the faithful by extolling mythic breakthroughs and upsurges. Readers of this good-news-only reporting might not realize that our labor movement has already been exterminated from entire industries and regions of this vast country.  They might not know that most of the unions do little to organize the unorganized.

    But the recent UAW win at Volkswagen, the Staten Island Amazon success, the Teamsters’ Corewell Health East victory, UE’s addition of 35,000 new members, or the remarkable 13,000 workers in the 650+ store Workers United organizing wave at Starbucks, are all proof that large numbers of workers can be organized even in today’s hostile climate. Public opinion polls blare that overwhelming majorities of working people strongly support unions. Who among us is surprised by this fact? But why, at such a moment, are the unions doing so little to make new organizing any sort of top priority?

    The only force capable of reversing labor’s decline is a unified, activated, and focused left.  A labor left which works diligently to bring the healthy center elements inside the unions to the realization that mass campaigns of new organization are not just vital to our very survival, but actually possible today. A left that comprehends the consequences of further inaction. With the legality of the NLRA now headed for our thoroughly corrupted and Trump-controlled “Supreme” Court – there is no time to waste.

    Scattered but expanding efforts such as the Emergency Workers Organizing Committee (EWOC), the Inside Organizer School (IOS), various Workers Assemblies, numerous salting initiatives, and other assorted left organizing projects are reflections of the wide support for labor organizing among workers. These efforts cannot substitute for the labor unions lacking coherent organizing programs, but they are adding greatly to the process of training members and organizers in the push towards new organization.

    The broad labor leadership must be challenged on this key question. Only the left possesses an understanding of the significance of new organizing. We are part of the most financially wealthy labor movement in the history of the world, yet our small organizing efforts putter along as ineffective as ever. Some unions make sporadic forays into new organizing, but timid and erratic approaches doom much new union organizing long before the employers begin their bombing.

    Yes, some unions are organizing and winning, but it is largely disconnected and scattered. Sitting atop this failed organizing situation is the AFL-CIO itself, both incapable and unwilling to show leadership on this life-and-death question. My own extensive efforts to generate organizing leads, to salt, to train organizers, and to initiate real organizing campaigns ends up too often searching in vain for even a single union interested in new organizing. An end must be put to this situation.

    Faced with this crisis it’s time to turn the members loose!  Members in great numbers can be trained and deployed with little delay. Then mobilized to reach out to the unorganized workers who surround us on all sides. There is no need for more complicated “studies” to find them, or expensive conferences to delay the task. New organizers must be trained basic-training style, and sent to the workplaces. Older and retired organizer talent must be tapped and mobilized, offsetting today’s dire experience deficit. It’s time for salting to be deployed on a massive scale in multiple industries, joining those salts already in place.

    There is no time to wait for perfect targets to be discovered or developed. The unions who come forward can be pushed to do more. Those who sit it out will be bypassed. The labor left must mobilize, to stimulate individual participation as well as to place pressure on the unions to take this necessary action. A left obsessed with a grab-bag of disparate issues must set them aside. To the workplaces! Organize the unorganized!

    Such a push will bring new drives, some wins, some losses, and valuable experience will be gained. It will certainly stimulate the employers and governments to combine and counterattack. The class struggle battle will be joined. We bet on the mood of the masses, workers across many sectors hopeful for progress, fed-up with the status quo, and tired from decades of backward steps. There are real signs that such a strategy has merit. The Starbucks organizing phenomenon itself offers one example.

    Such a course of action – even if only launched in a few sectors or regions – would be electrifying. Thousands even tens of thousands would be put into motion. And the unions, now being decimated, will begin to move forward. The unorganized will join in small detachments at first, but in larger numbers as momentum builds. Breakout will become a possibility.

    Is success guaranteed? Of course not. But we can proceed with the knowledge that with history as our guide, labor organizing upsurges are made possible by this chemistry. If you want to play a part in saving and rebuilding the labor movement you must jump-in and help row. It’s as simple as that. A labor left that complains, daydreams, waits on complacent labor leaders, or chooses to avoid the working class with 101 peripheral issues, will accomplish nothing.

    To sum up; if we do not get out of this encirclement, and move forward towards break out, the labor movement will be annihilated. It’s that simple. All of us have a role to play, old and young, experienced and new. The labor left has a role to play, directly in the workplaces and within the unions themselves. As volunteers of all types, as organizers, as salts, and as community supporters. It’s time to go for broke and push as hard as we can on the labor leadership to either lead, or get out of the way.

    The post Organizing for a Breakout first appeared on Dissident Voice.


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  • “Nearly 30 million people are living in areas of the US with limited water supplies,” Carey Gillam reported for The New Lede, an environmental news website, in January 2025. Gillam’s report was based on a US Geological Survey (USGS) study that assessed water availability in the United States from 2010…

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  • Liza Jessie Peterson performing The Peculiar Patriot at Baltimore Center Stage. Photo by Teresa Castracane.

    Rattling the Bars host Mansa Musa explores how a one-woman play, The Peculiar Patriot, reveals the human cost of mass incarceration and the enduring ties between slavery and the prison system. The artist behind the play, Liza Jessie Peterson, has worked with incarcerated youth for decades, bringing their stories to the stage and to national audiences. Performed in more than 35 US prisons and filmed at Louisiana’s Angola Prison—once a plantation, now a maximum-security facility—the play became the basis of the documentary, Angola: Do You Hear Us? (Paramount Plus / Amazon Prime). As the fight for abolition and prison reform gains momentum, this story reminds us that art is not decoration—it’s a tool for awakening, organizing, and freedom.

    Producer / Videographer / Post-Production: Cameron Granadino

    Transcript

    The following is a rushed transcript and may contain errors. A proofread version will be made available as soon as possible.

    Mansa Musa: Welcome to this edition of Rattling the Bars. I’m your host, Mansa Musa. In African tradition, we have what is known as the griot. The griot is a storyteller, but more importantly, the griot is one that translate our oral history into telling events, activities, and monumental accomplishments of African people. Today we have a griot, but more importantly, we have a revolutionary griot. We have a woman that has been inspired to take and tell the stories of African people that’s under the 13th Amendment, but more importantly to educate people about the humanity of these people that we call prisoners and to give them a space so their voices can be heard and the value can be turned up. Liza Jessie Peterson is an activist and actress, playwright, poet, author, and youth advocate who has worked steadfast with incarcerated populations for more than two decades. Her critically acclaimed one-woman show, The Peculiar Patriot, was nominated for a Drama Desk Award, Elliot Norton, and a recipient of a Lilly Award. The play is also available on Audible. Liza performed a peculiar patriot in 35 prisons across the country, and a documentary ain’t to do you hear us voices from a plantation features her historical performance of the play at Louisiana State Penitentiary, also known as Angola. The documentary is in streaming on Paramount Plus and Amazon Prime and made a prestigious shortlist for an Academy Award. Welcome to Rattling the Bars, Liza.

    Liza Jessie Peterson: Thank you for having me.

    Mansa Musa: Okay, so let’s start by introducing yourself to our audience and tell ’em how you got in this particular space. I know you got a lengthy bow and we’ll get into that later on, but tell our audience a little bit about yourself and how you got in this space.

    Liza Jessie Peterson: I, I’m a writer, actress, a poet. I like to call myself an artivist because I’m an artist, but I use my art as activism. So the two intersect, and I started, I really got into, I’ve always been an artist, but my activism in the car spaces dealing with incarcerated populations started in 1998 when I started teaching poetry and creative writing to incarcerated adolescent boys at Rikers Island in 1998, and they were 16, 17, 18 years old. And when I first got the assignment, I had never been to prison or jail. I didn’t know the difference between prison and jail. Again, this is in 1998, so mass incarceration was not even a term that people were using at the time. And I went in, not for any other reason, but to teach poetry as a teaching artist for three weeks, and then you get assigned to another school. So the first school that I was assigned was called Island Academy. An Island Academy happened to be at Rikers Island. And so my three week workshop turned into three years because all the teachers kept passing me around.

    The workshop was so effective. And when I walked in the doors of Rikers Island in 1998, I knew nothing about the prison industrial complex outside of just kind of a little bit what I heard about. I heard about Mia, and I’m from Philly, so move, but I didn’t have an intimate understanding of the system. And it was literally a correctional officer who said to me in my first week there, he said, you don’t know where you are, do you? And I said, yeah, I’m at Rikers Island.

    He said, no. He said, you’re on a modern day plantation. And he pointed to the boys who were in uniform who were 16, 17, 18 years old. He said, that’s the new crop. They’re the new cotton. Come on. And I said, Ooh, I never heard that. And he saw the shock look on my face, and he said, yeah. He said, when you go home, he said, you put prison industrial complex into the computer, see what you find, and next time I see you, we’re going to have a conversation about it. And I literally was boot kicked down the rabbit hole of all this information. So as I’m learning information, I’m becoming an evangelist because it’s new to me.

    It’s shocking. It’s new and shocking. So I’m bringing that information into my classroom. So my poetry workshops became political ciphers with the boys. And so that’s why the workshop became so popular. And I became the poet in residence at Rikers Island.

    Mansa Musa: And in every regard, unpack the impact that they had seeing out young men. How did that make you feel as you became more conscious? Because like you said, he made you aware of this industrial complex, but your consciousness was there beforehand, but this put you in a specific space of how did you see the relationship between the prison industrial complex and the new crop?

    Liza Jessie Peterson: So when I first was at Rikers Island, and I’m looking at the boys, and they’re all black and brown, black and brown adolescent boys, and I could feel something, I knew something was, I said, this doesn’t feel right. It was a feeling, but I couldn’t articulate what I was feeling.

    It’s like when you walk into a spider web, you can feel something on you, but you can’t see the web. So I knew I was in something, I could feel something, but I couldn’t articulate what it was until I did the research and I understood the intentionality of what I was seeing was an intentional web that was entrapping our young people and was criminalizing normal adolescent behavior because in 16, 17, 18 years old, their prefrontal cortex is still developing, right? So they’re challenging, they’re bucking up against authority. I mean, that’s the nature of adolescent development. But black and brown adolescents are criminalized for adolescent behavior and criminalize harshly and not given second chances most times.

    Mansa Musa: Right? Yeah. The fact that we here in America was the one chance we had was taken away from some movies born here has chatter. But to your point, I think it was like a spiritual awakening that led you ultimately to where we at now. And without giving out too much information about the peculiar patriot, and it embodies so many facets, so much knowledge and so much emotion, so much information. Talk about that without giving it away. We want our audience to go see it. Can you talk about some of the characters and some of the different moving parts?

    Liza Jessie Peterson: So The Peculiar Patriot is about a woman whose name is Betsy, Betsy Laquanda Ross. And it’s a play on Betsy Ross, who claims she sewed the flag, but we know that one of her enslaved women sewed the flag. We know that she took the credit for it. And so the main character is going to visit her best friend, Joanne, who’s incarcerated. So the play takes place over a course of visits on the visiting room floor of a women’s correctional facility. So the audience is eavesdropping in on an intimate homegirl conversation between two friends on the visiting one floor of prison.

    Mansa Musa: And you know what, the interesting thing about that, and I was listening, looking at some of the clips, because you visit so many different prisons, I think over 40 and jails, and I was listening to some of the response that you was getting from the oils when you opened the floor up.

    And one that stuck out to me the most was when I said something to you off camera when the guy said, you did a bit. And he said it was so much intentionality, almost like, what was your jail number? Where did you do your time at? That’s what we do when we locked up. You say, I was locked up. Where was you locked up at? But when he said that you did a bit able, why did you think he had that kind of perspective about that coming out, looking at that space and saying the resignation with this is, I can identify with this, but why you think he, wow, wow. I’m curious if that took you by surprise when he said it.

    Or did you really think that it was going like, okay, I know the impact it’s going have. Wherever I go at, I know the impact it’s going to have on terms of awakening people’s conscience or giving a common identity?

    Liza Jessie Peterson: Well, I never know the impact it’s going to have, so I never know what the impact is. But because I started working at Rikers Island in 1998 and worked there in many different capacities, and because I had traveled with the show and over 35 prisons in penitentiaries across the country, and I had a loved one who was incarcerated. So I’m on the visiting room floor. So all of that time that I spent in those carceral spaces professionally, personally, I had the jungle on me. And you could smell the jungle. That’s the simplest way I can put it. You know what I mean? I got you. I’m not writing from outsider who’s a spectator. I was in it and I wasn’t just a teaching artist, I was going to court dates, I was doing court advocacy, I was a counselor. So I’m in the day room playing spades in the, I’m in it, I’m on the top of the slave ship, and then I’m in the bows of the slave ship in an intimate level. So the only way I can, like someone said to me, he said, who’s incarcerated? He said, yeah. He said, you got the jungle on you and we could smell the jungle on you. So there’s an authenticity that just resonates, that is nothing but a feeling. It’s not anything that I can tangibly say. It is like when I went to Angola, they could smell the jungle on me. As soon as they saw me, they could smell the jungle on me.

    Mansa Musa: And you know what I did 48 years prior to being released? And one of the things that, so we always imprison, always stro to have a connection to the community with the visiting aspect of the visiting floor. As you talk about, and you got long-term, the family members come in. So in the visiting room, the extended family is established in the visiting room. I see you every time I come because you going to see your brother, your mother, your husband, or somebody. So we visited the same time. Eventually we developed a relationship in terms of communication, but I know your loved one inside. So when you come in, I see, oh, he, that’s my man. We on the tier together. Then he introduce me to you. That’s my sister. Right? Okay, cool. This is my mother. But ultimately, as the years go on, we become like family. And that part of this, the story is people can identify with because they know the relationships that come out of that space, but that you always, when did you get to a point where you say, I got to do something with this experience. I got to put this experience in a package that to take it on the road to educate people, to let people feel my spirit, to merge with other spirits. When did you get to that point where you say, alright, this is where I’m at with this now. I’m going in writing a play, or I’m going to find some people that can help me. I’m going to build this out because it’s what the spirit do with the ancestors is called me to do.

    Liza Jessie Peterson: It was a combination of two things. So when I was teaching at Rikers Island, I was in it. So I didn’t go to Rikers Island thinking, oh, this will be a cool story to write about as a job. It was a gig. I’m thinking, I’m just going to be there for three weeks. I mean, I’m out and I’m going to another school. And I wound up being there for three years. And then when I was in Rikers Island, at no point did I say, oh wow, this would be an interesting story. Because remember now I’m an evangelist. I’m learning about all this about the prison industrial complex. So I’m on fire. So I’m there bringing this information that I’m learning, this new information I’m bringing directly into the classroom. So as I’m learning, I’m teaching this information to my students. So I’m deep in the trenches of it. And I remember going the first time I went to go visit my boyfriend at the time who was upstate, and in New York, they have this area called Columbus Circle. And at Columbus Circle, you have to go there at 12 midnight because that’s where all the fleet of buses to take the family members to the different correctional facilities upstate. And this is my first time.

    So I get down there and I see all these men, women, children with bags. It looked like people were going on a casino trip, and it was maybe about seven or eight fleet of buses, and they’re all going to travel to the upstate correctional facilities to visit their loved ones. And I remember thinking to myself in that moment, I said, this is the greatest love story. Never told. I said, because it’s nothing but love getting on these buses, traveling for eight hours to sit with their loved one for however many couple hours come on, and then get back on that same bus. And then we’re just walking through this city on the subway. We have no idea who we’re sitting next to or who we’re passing by on the street that was on that bus the night before. So I knew that that was the greatest love story that needed to be told. And that was the first instinct, the first time it hit me.

    Because I’m teaching, I’m with the boys every day on the weekends, I’m going to visit my man. And I remember calling my best friend who’s a writer, because mind you, I’m an actress. So I’m still trying to pursue that dream as an artist. And I called her up one day and I said, I didn’t sign up for this. My whole life is in prison. I’m teaching in prison. I’m learning all this stuff about this industry. On the weekend, I’m going to go see my man. I said, I’m an actress, I’m supposed to be acting like, what is this? And I just broke down. I started crying. I was like, I did not sign up for this. I didn’t want this. And she literally, she laughed in my face on the phone and she said, are we allowed to curse from here? Yeah. She said, bitch, you got a story to tell click and hung up the phone. So I just got my journal out. And remember, I had been doing all this research, I’m with the boys, so I have relationships, personal relationships with my students. I’m on the bus, so I’m meeting the other women. That’s right. And family members. So I have relationships with the familiar faces of going to the same facility. And seeing the women and how’s your man doing? How you doing? How the kids, so there’s relationships in the building with the family members who are trooping to go see their loved one and then being the vision room floor. So I had all this in me and my cup just runneth over. So it really just took my best friend saying, you got a story to tell and hanging up on me. And I said, oh. And it just came out of me.

    Mansa Musa: And the story you have told, because like I said earlier, we was talking off camera, the prison industrial complex is so vast, everybody got a story. But it’s how the story’s being told. And in this regard, this story never been told. It’s been told, I know from being locked up, the guy next door to me, I know his story in isolation. I know the relationships I built over 48 years in prison. I know individual stories, but you telling if it’s 2.5 million people in the prison industrial, you telling our story, every time you talk about this, you telling the story of somebody’s family in California, in Philadelphia, in Mississippi and Alabama. They get on these buses, they go through all this crazy hardship to visit their loved one. They endure unimaginable things in order to spend a little time with their family. That’s right. That’s right. And when they leave, they leave hurt. Happy, elated, but they never leave full filled. But now they got a story that’s being told that can give them some fulfillment because now I can say like, oh, that’s me right there. But okay, so now you find yourself in Angola. Alright, we going to go to the clip.

    Liza Jessie Peterson: Because of the significance of the land I was on, it was more than a performance. It felt like a calling. It felt like a mission. Angola was a plantation. Just because you see prison with your physical allies, what do you see beyond that? Start questioning. Why do we send people to prison? And who’s actually here? My best friend, she said, you got a story to tell. Write that shit down. I just put the rage on the page. I’ve had to do something, man, we need help. I’ve been to 35 prisons across the country, but this I knew was historical. To be on a prison plantation, not just to perform, but to activate everybody, clung on to every word that she said. I’m telling you, that place erupted. You jumpstarted our hearts in our minds. Here was some truth that somebody couldn’t handle. Everybody knew why it was being shut down.

    When I walked out on stage, I didn’t even give it any thought. It was instinctive. I said, babe, I was in the presence of a whole bunch of sleeping giants. And I said, oh, they awake now.

    Mansa Musa: Okay, so talk about this experience and you call it rage on page, right? Revolutionary storytelling. Why was it rage on page? What made it rage on page? And is that a misnomer?

    Liza Jessie Peterson: No, because when I started doing the research about the prison industrial complex, the information was so horrifying. The profiteering off of human suffering, it made me angry.

    And then I’m literally seeing the outcome, seeing our children being warehoused. So I’m not just reading about it. I’m showing up every day at Rikers Island and I’m seeing our children 16, 17, 18 years old being warehoused. And so not only was the prison industrial complex warehousing the mothers and fathers, but now I’m seeing it warehousing the children in real time.

    So that’s where the rage came from. I was incensed that this human rights atrocity was happening in our front yard. And it seemed to me like nobody was ringing the alarm outside of small academic circles. But I was like, we are the artists. This needs to be amplified. What artists do we amplify?

    That’s our role. That’s right. And so the rage came from just the indignity, the injustice and the correlation with the similarity of the slave industry to incarceration, mass incarceration industry. And I said, oh, wow, they’re still enslaving us. So I mean, as a human being, you have to be enraged when you’re faced with injustice, when you’re reading about injustice, and then when you’re witnessing it in real time, I’m seeing it every day. I go to work, I’m looking at it, I’m reading about it, and then I go to work and I’m seeing it. So that was the rage. I put the rage on the page.

    Mansa Musa: And so talk about when you went down in Angola and they shut you down, they shut down the play. And before then you had been to different places. So one this two part question. Did you ever get that response from any other institution? And then how did that make you feel when they did what they did In Angola, mainly when we know we on big Masters Plantation, this is one of the largest plantations, they still riding on horses with shotgun. They crop dusting with the windows open and killing out people. So we know where that background is, but talk about how shut you down when they came in and did what they did, what was your reaction and how did you process that?

    Liza Jessie Peterson: So it was so interesting. I knew, well, first of all, I have to give a shout out to Norris Henderson. He is a triple og, deserves so much praise and credit. And he’s the one who brought me down. So I was there on his invitation and on his reputation.

    Mansa Musa: Right, which is impeccable.

    Liza Jessie Peterson: Yes, absolutely. So when I had the opportunity to go to Angola, I knew, and as I said in the documentary, which I hope the audience will have an opportunity to go and watch that I was on sacred ground because it was Angola, which is Angola Prison, which is Louisiana State Penitentiary. That’s the official name. But the reason why it’s called Angola is because it used to be a plantation and the majority of the enslaved Africans were from Angola in Africa. So they called the plantation Angola because the enslaved people were from Africa. And when it transferred into a prison, they kept the name of the plantation as a nickname for the prison. They called it Angola. So-

    Mansa Musa: That’s a history lesson.

    Liza Jessie Peterson: So that’s why they call it Angola. So I knew I was on sacred ground. I knew, and I did some research prior to me going to Angola, even before I even knew that I was going to have an opportunity. When I first wrote the play in 2001, 2000, I had read about the Angola three and did like 45 years in solitary confinement just because they were Black Panthers. And so I had had a little bit of background information about Angola. So to have opportunity to actually go to Angola I knew was special because of the land that I was on. I knew it was sacred ground. I knew my ancestors had toiled, that land had suffered in that land, their bones and their flesh was in that land.

    So that’s what made it special for me. They had a resonance, but I didn’t know what was going to happen. I had no idea what should be down. I went down there with the intention to have my play filmed while I performed it. We had gotten permission to film it.

    Mansa Musa: Right, right. And in terms of once they came in and said, shit is over with, Donald Trump was on 60 minutes of day Leslie Stall, and he got a question that he didn’t particularly key to say, oh, I’m finished. I’m out here. How did that make you feel in terms of what you leaving behind? Like you say, I got permission to come down here to film this. I’ve been doing this everywhere I’ve been going. So it’s not like you don’t know what’s coming. And like I’m saying, get a gun and kill all the police in the prison. I’m doing my piece. What did you feel when they shut you down though? And they said like, yeah, this old what? And I didn’t let you finish.

    Liza Jessie Peterson: I was really hurt and angry because Norris came backstage and he said, we have to shut it down. There’s been an emergency. But standing right behind him was a white correctional officer. So I knew that. I knew it wasn’t Norris. Norris was just delivering the message. He was just a messenger. And so I looked at him and I said, oh, and I immediately knew what it was. I said, oh, it’s the information they couldn’t handle with the information about the play. And I was really upset because I had planned to talk back. I wanted to talk to the brothers afterwards. I have dialogue. I was going to go visit. They have a drama group. So I was going to go visit the drama group and just make a day of it, really having dialogue about art and just this art and storytelling. So I was really angry. I was very, very angry.

    Mansa Musa: And you know what? And the George Jackson got a quote where he talk about the real dragon and he say, and this is what I got out of it, and I haven’t seen the piece yet, but my background in this space and being in the presence of artists. And like I told you, we had this activity where they was beating the drums and everybody was like, every time you had that boom, but they seen from the beginning that the veil of these guys’ eyes are going to be taking off. They seen from the beginning that, oh, we can’t teach ’em how to read because if we teach ’em how to read, they’re going to become informed. And they become informed. They’re going to be turner. They seen her Tubman spirit being ready to be generated. So yeah, they had to get you out here. It ain’t had to do with nothing other than that because of that environment and because just like you say, it’s sacred ground, it’s hollow ground. And because hollow ground, they experienced the same thing we experienced. They experienced from the other side. It was your ancestors that did this.

    Liza Jessie Peterson: Absolutely.

    Mansa Musa: And you should be in internal fear all the time. So when you come to work, you come to work with, am I going to go home tomorrow? Not because somebody, you got that kind of instinct that something going on in the environment, but you know that at any given moment this thing could flip. So when somebody come down, you diffusing the fabricate. But talk about, because you talked about the transformative aspect of being an actress, and we know that like Amir Barack, we have Austin Wilson, we have people that wrote plays that later became movies and came in a theater. Fences. Talk about in this regard the transformative aspect of it from your perspective in terms of being an actress and the transformative aspect of the theater and things of that nature. If I’m clear on my question, when you say transformative aspect, you’re talking about me personally or the transformative aspect that it has on audiences? On audiences. Well, the beauty of theater and the power of theater is that audiences are seen. They can see themselves. And when people can see themselves, art touches the heart. And when you can touch the heart, then you can transform and change consciousness. And when you can change consciousness, that can transform and change action. But it starts, but art goes to the heart. You have to touch the heart. So that’s the power of theater. And even in film is to, when you see yourself, there’s a power in seeing a reflection of yourself or an aspect of yourself being dramatized that has a healing and inspiring capacity.

    Mansa Musa: It relates to that. Let’s talk about the black culture production as a vehicle for black liberation in terms like that, the theater and the transformative. Can you make a connection between that and liberation, black people’s liberation, raising people’s awareness that they become a space where they start looking at self-determination. They start looking at taking control over their lives. Because I seen, oh yeah, I seen Liza, I seen a play. And the guy told you, go back and research this. I said, oh, I seen that. I just came on the whim. Somebody said, oh yeah, let’s go down and see that. And I go down and see, now I could leave. I said, I heard her say something about plantation, prison, industrial complex. Next thing you know, I’m a social activist. I done been moved enough to say, I’m looking for places to put my energy. I want to be involved much like yourself. Do you see that coming out of this space?

    Liza Jessie Peterson: Absolutely. Absolutely. Art or the kind of art that I create, my intention is to activate, to activate inspiration, to activate healing, to activate consciousness. And again, I never know what the activation is going to look like, but all I have, but when I’m writing and I’m creating, I’m performing… My intention is to activate. And I’ll share a story about what happened after Angola. Brother Norris shared this with me, brother Norris Henderson. So after my experience at Angola Penitentiary, which I hope the audience will go and watch, go watch that documentary.

    Mansa Musa: We watch and we watch.

    Liza Jessie Peterson: Watch Angola. Do You Hear Us? Is streaming on Paramount Plus and Amazon Prime. So after that experience, about two years later, our short documentary, 26 Minutes comes out. So Norris Henderson, he had a screening of the documentary of Angola for his community at his vote, voices of the Experience down in Louisiana. He does outreach work with the community. So maybe about a hundred people were in the audience. And so he said, of the people who are sitting in the audience watching the documentary, he said, how many of you all were in the chapel the day she performed, about seven men raised their hand, their home. So the men who were home started giving testimony. And this is what blew my mind, talk about activation. One man said, he said, after you left, because it created an uproar, not just in the chapel, but throughout the entire plantation because they were live streaming it. So the men who were not in the chapel, they were watching it on the tv, in the housing area.

    Liza Jessie Peterson: Listen, listen, listen. So the whole plantation was activated. So he said the lines for the phones was the longest we ever seen them, right? I said, Ooh. And he said, prior to that day, he said, maybe one or two men will be released a year. That’s it. He said, but you had activated the whole plantation to the point where Norris, now he had already done the groundwork, A community activist. So he had already identified candidates in the upcoming election who were for prison reform. So all he did was take that electric energy from the show. And he just steered it. And he said, okay, y’all want to do something? He says, you tell your family members to vote for these judges. You tell your family members to vote for this prosecutor. You tell your family members to vote for this sheriff. And so as a result, through their family members, now, the men couldn’t vote, but their family members could. They elected two black female judges. They unseated an incumbent sheriff.

    And they elected a progressive prosecutor. So cases that were ignored and were just languishing, when you go to appeal, they can ignore the appeal. That’s right. The two black female judges who were in the audience at the screening, they said, well, at least let’s give these appeals redressed. Let’s at least look at them. Yeah, let’s look at, they may not have merit, but at least they deserve to be, get a second chance to at least be seen.

    Mansa Musa: Right. Get a second chance.

    Liza Jessie Peterson: Exactly. 300 men came home. So my director, the director of the film, and we looked at each other, we said, wait a minute, this is not because of us. They said, oh yeah, it was a combination. You, your art activated, created this electricity of awakening, the sleeping giant. The infrastructure of the political framework was already there. So Norris just said, he just steered it, said, we put all that energy, you put it right here. And that’s what they did. And they were able to liberate themselves.

    Mansa Musa: That’s a powerful story right there. And like I said, I interviewed Norris, I interviewed his collective down there, him and another guy. So I know

    Liza Jessie Peterson: Chico.

    Mansa Musa: Yeah. So I know their attitude and I know how intentional they are about doing things. And they’re doing some remarkable work in Louisiana

    Liza Jessie Peterson: In the Jim Crow South.

    Mansa Musa: Oh yeah. That’s a thick layer that he’s navigating. And like she said, he was able to get some essential places changed because of his activation, his activities. But more importantly, you ignited the energy that made people want to do something. Yeah, want to do, I was locked up always. This was something that we always try to do when we locked up. We always try to get legislation changed. We always try to mobilize our family. So this is a common practice in the prison industrial. This is our response to what’s going on in prison. Industrial comp. This is our response. And I try to impact policy to make a change. Whereas though now, like in Maryland, the doors is being opened because of our activism. So it’s like Lord has been passed that now people can stand up and get another chance. But talk about what’s the future of the peculiar patriot? Are you planning on expanding it, add more to it, bring other people in it? Where you at with that? Talk about that.

    Liza Jessie Peterson: So the future of the Peculiar Patriot. Well, I started the prison tour in 2003, and my first tour was at Rikers Island, and I toured it in 35 prisons in penitentiaries across the country. And then in 2017 was when it got its first traditional American off-Broadway theatrical production. So from 2003 to 2017, theaters were not fucking with me. Right.

    But in 2017, the National Black Theater in Harlem, they opened up their doors, showed to production, loved. Absolutely, absolutely. I love the National Black Theater, Barbara and Tears Legacy Theater and with her daughter and is now running with Jonathan. So I’ve done several productions of it in different theaters. So now I’m at the point because when people see the play, they’re seen not only are incarcerated population scene, but the family members of the incarcerated are seen, told from their perspective. So many and students are learning, family members are seen. And there’s so many communities that want and need to see this play. I’m one, it’s a one woman show. I can’t be everywhere. I can’t go to, there are other incarcerated populations who I want to see this play as well. So what’s next is the dream is to film the peculiar patriot play so that it can have a life outside of me physically being on stage. I don’t have the capacity to. It’s gone after I leave Baltimore. The play is going to New York. It’s going to be a New York Theater workshop at an off-Broadway theater at the end of April. It’ll be there for six weeks. So the goal, the dream, the vision is to film the play so that it can be a network special that people can watch.

    And then it can go to all the communities. And I don’t have to be there in person to perform it. I cannot do that.

    Mansa Musa: And you know what? In every regard, that’s exactly what need to be done. Because the conversations that come out of it is, it kind of reminds me as you talked about it, when Jesse Jackson ran for president. He didn’t win. But what happened was he went all across the country and everybody registered voters. And in the black community in particular, Maxine Ward got elected to a position because after he left, they was sitting back saying like, well, we got all these elected registers. What’s the next thing to do? The next thing to do is to start taking over these offices, these places, on all levels. So this is the same conversation that’s going to come out of this. Okay, we look at this, our money’s going into building these bohemoth places we call prisons. Taxpayers money is being misused and misrepresented. You got people that’s hungry. So now you have a conversation about what this is. And now the family member say like, you know what? I can change this and get my family member out.

    Liza Jessie Peterson: And that’s the other part of it too, that if this play activated the incarcerated population and then the men activated their family members. And there are a lot of community activists who are doing the same work that Norris is doing all over the country. So art has the ability to activate and to get the attention. You were talking about you and your comrades when you were down. It might’ve been like a small community circle of y’all. But you see a play and you have more of the general population kind of awakening to maybe things that you had already been saying. But then you have artist coming to reiterate what you were saying and go, oh wow. You know what? That’s right. What you were saying is right. So it’s just kind of that affirmation of what the groundwork. And so the power of having a film, having this play filmed is that I want to show that art and activism is a blueprint for liberation. And to show what Norris, he already had the groundwork done, laid down. He already had the candidates targeted, targeted of who to vote for, and then how an incarcerated population can become a powerful voting block through their family.

    Mansa Musa: And in DC, speaking of that, in DC, we got the right to vote return census. No matter where you at, you can vote. If you’re a DC resident, no matter where you at in the country, you can vote. So we in the process of trying to do something with that. But is there anything you want to talk about before we close out? Anything you want to say? I really appreciate this. I was sitting back thinking that when we was talking about the youth in Rikers Island, I was saying, how would I describe that? Would that be maternal? Would it be a maternal? Then I said, nah, that ain’t maternal. That’s the matriarch. That’s what that is. It shows itself in maternal ways, but it’s really the matriarchal aspect of what goes on with our women. And no matter what they tell you say when a woman present is present, I’m talking about being present and understand where she at in terms of who she are, who she is. Everybody falls in line.

    Liza Jessie Peterson: Oh, they were my sons. Yeah.

    Mansa Musa: Everybody falls in line because I know this is what I know. And you said it said this is a love story, but you represent the love. So it don’t make no difference how we look at it. When we see you in this role, we see love. And my Conrad, she just got a doctor’s degree and she did a part called Black Love. And when she explained it, and she was representing her thesis, representing her doctoral, like when she started explaining black love, they was like, everybody was in awe because she was saying like, this is exceptional. So when as a black woman, you express an exception. But I digress. Is there anything you want to say before we close?

    Liza Jessie Peterson: No, I’m just grateful for this conversation and I hope that the audience will watch the documentary and you, if there’s anybody out there that can support filming The Peculiar Patriot and making the dream a reality, holler at me.

    Mansa Musa: Holler at you. Girl. We want to thank you, Liza, for coming in and engaging us in this conversation and ushering our ancestors. We love our ancestors. Absolutely. And we love that our ancestors are proud of us for representing what the spirit that they generate throughout this country.

    Liza Jessie Peterson: That’s right.

    Mansa Musa: Liza is the epitome of that in terms of identifying the spirituality of our ancestors and putting it out there in a manner that anybody can relate to that got a brain. And if you’re in the DMV, come check out The Peculiar Patriot at the Baltimore Center Stage. This is the closing weekend for it. And we ask that you continue to support The Real News and Rattling the Bars. Guess what? We are actually the real news.


    This content originally appeared on The Real News Network and was authored by Mansa Musa.

    This post was originally published on Radio Free.