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This content originally appeared on The Real News Network and was authored by The Real News Network.
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This content originally appeared on Radio Free Asia and was authored by Radio Free Asia.
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A claim emerged in Chinese-language social media posts that the Pentagon criticized the commander of United States Indo-Pacific Command over remarks that the U.S. navy is open to the possibility of escorting Philippine ships.
But the claim is misleading. The Pentagon did not criticize the commander’s remarks. Instead, it released a statement that echoed his sentiments.
The claim was shared on Weibo on Sep. 1, 2024.
“U.S. Commander’s threat to send ships to escort Filipino ships was quickly and embarrassingly met with a slap in the face by the Pentagon!” the claim reads in part.
“The U.S. Indo-Pacific Commander, Samuel Paparo, has just made a statement about ‘sending warships to escort Philippine ships’, to which the Pentagon quickly responded by saying that it was only an option in the context of the consultation. It seems that the Pentagon is not in favor of Paparo’s proposal,” it reads further.
The claim came after the U.S. Indo-Pacific Commander, Samuel Paparo, attended a conference in Manila with the Philippine military chief, Romeo Brawner in late August. According to media reports, Paparo was talking to reporters on the sidelines of a military forum organized by the Indo-Pacific Command.
At the conference, Paparo responded to a question about the possibility of U.S. convoys accompanying Philippine ships.
Confrontations between the Philippines and China over territorial disputes in the South China Sea have recently intensified, with the two sides trading blame for several ship collisions.
In a statement released in late August, the U.S. Department of State condemned Chinese maneuvers in the sea and reaffirmed its commitment to assist the Philippines in the event of an armed attack from another nation in the area.
But the claim about the Pentagon criticizing Paparo is misleading.
Paparo’s remarks
Keyword searches found several media reports of Paparo’s remarks in August here, here and here.
“Escort of one vessel to the other is an entirely reasonable option within our Mutual Defense Treaty,” Paparo told reporters, as cited by Reuters, in response to a query whether Washington would consider providing escorts to ships from the Philippines taking supplies to disputed geographical features in the waterway.
“I mean certainly, within the context of consultations,” Paparo added.
Defense ministry reaction
Pentagon press secretary Pat Ryder responded to a question about Paparo’s comment at a press conference on Aug. 27 that while the Philippines leads its own operations, the U.S. would consider convoying Philippine ships if requested to do so.
Ryder and Paparo’s statements both emphasized that while the U.S. Navy could possibly convoy Philippine ships, such a move would first be forwarded by bilateral consultations.
Translated by Shen Ke. Edited by Shen Ke and Taejun Kang.
Asia Fact Check Lab (AFCL) was established to counter disinformation in today’s complex media environment. We publish fact-checks, media-watches and in-depth reports that aim to sharpen and deepen our readers’ understanding of current affairs and public issues. If you like our content, you can also follow us on Facebook, Instagram and X.
This content originally appeared on Radio Free Asia and was authored by By Zhuang Jing for Asia Fact Check Lab.
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General Motors HQ, Detroit. Photo: Jeffrey St. Clair.
The evidence suggests that empires often react to periods of their own decline by over-extending their coping mechanisms. Military actions, infrastructure problems, and social welfare demands may then combine or clash, accumulating costs and backlash effects that the declining empire cannot manage. Policies aimed to strengthen empire—and that once did—now undermine it. Contemporary social changes inside and outside the empire can reinforce, slow, or reverse the decline. However, when decline leads leaders to deny its existence, it can become self-accelerating. In empires’ early years, leaders and the led may repress those among them who stress or merely even mention decline. Social problems may likewise be denied, minimized, or, if admitted, blamed on convenient scapegoats—immigrants, foreign powers, or ethnic minorities—rather than linked to imperial decline.
The U.S. empire, audaciously proclaimed by the Monroe Doctrine soon after two independence wars won against Britain, grew across the 19th and 20th centuries, and peaked during the decades between 1945 and 2010. The rise of the U.S. empire overlapped with the decline of the British empire. The Soviet Union represented limited political and military challenges, but never any serious economic competition or threat. The Cold War was a lopsided contest whose outcome was programmed in from its beginning. All of the U.S. empire’s potential economic competitors or threats were devastated by World War II. The following years found Europe losing its colonies. The unique global position of the United States then, with its disproportional position in world trade and investment, was anomalous and likely unsustainable. An attitude of denial at the time that decline was all but certain morphed only too readily into the attitude of denial now that the decline is well underway.
The United States could not prevail militarily over all of Korea in its 1950–53 war there. The United States lost its subsequent wars in Vietnam, Afghanistan, and Iraq. The NATO alliance was insufficient to alter any of those outcomes. U.S. military and financial support for Ukraine and the massive United States and NATO sanctions war against Russia are failures to date and are likely to remain so. U.S. sanctions programs against Cuba, Iran, and China have failed too. Meanwhile, the BRICS alliance counteracts U.S. policies to protect its empire, including its sanctions warfare, with increasing effectiveness.
In the realms of trade, investment, and finance, we can measure the decline of the U.S. empire differently. One index is the decline of the U.S. dollar as a central bank reserve holding. Another is its decline as a means of trade, loans, and investment. Finally, consider the U.S. dollar’s decline alongside that of dollar-denominated assets as internationally desired means of holding wealth. Across the Global South, countries, industries, or firms seeking trade, loans, or investments used to go to London, Washington, or Paris for decades; they now have other options. They can go instead to Beijing, New Delhi, or Moscow, where they often secure more attractive terms.
Empire confers special advantages that translate into extraordinary profits for firms located in the country that dominates the empire. The 19th century was remarkable for its endless confrontations and struggles among empires competing for territory to dominate and thus for their industries’ higher profits. Declines of any one empire could enhance opportunities for competing empires. If the latter grabbed those opportunities, the former’s decline could worsen. One set of competing empires delivered two world wars in the last century. Another set seems increasingly driven to deliver worse, possibly nuclear world wars in this century.
Before World War I, theories circulated that the evolution of multinational corporations out of merely national mega-corporations would end or reduce the risks of war. Owners and directors of increasingly global corporations would work against war among countries as a logical extension of their profit-maximizing strategies. The century’s two world wars undermined those theories’ appearance of truth. So too did the fact that multinational mega-corporations increasingly purchased governments and subordinated state policies to those corporations’ competing growth strategies. Capitalists’ competition governed state policies at least as much as the reverse. Out of their interaction emerged the wars of the 21st century in Afghanistan, Iraq, Syria, Ukraine, and Gaza. Likewise from their interaction, rising U.S.-China tensions emerged around Taiwan and the South China Sea.
China presents a unique analytical problem. The private capitalist half of its hybrid economic system exhibits growth imperatives parallel to those agitating economies where 90–100 percent of enterprises are private capitalist in organization. The state-owned-and-operated enterprises comprising the other half of China’s economy exhibit different drives and motivations. Profit is less their bottom line than it is for private capitalist enterprises. Similarly, the Communist Party’s rule over the state—including the state’s regulation of the entire Chinese economy—introduces other objectives besides profit, ones that also govern enterprise decisions. Since China and its major economic allies (BRICS) comprise the entity now competing with the declining U.S. empire and its major economic allies (G7), China’s uniqueness may yield an outcome different from past clashes of empires.
In the past, one empire often supplanted another. That may be our future with this century becoming “China’s” as previous empires were American, British, and so on. However, China’s history includes earlier empires that rose and fell: another unique quality. Might China’s past and its present hybrid economy influence China away from becoming another empire and rather toward a genuinely multipolar global organization instead? Might the dreams and hopes behind the League of Nations and the United Nations achieve reality if and when China makes that happen? Or will China become the next global hegemon against heightened resistance from the United States, bringing the risk of nuclear war closer?
A rough historical parallel may shed some additional light from a different angle on where today’s class of empires may lead. The movement toward independence of its North American colony irritated Britain sufficiently for it to attempt two wars (1775–83 and 1812–15) to stop that movement. Both wars failed. Britain learned the valuable lesson that peaceful co-existence with some co-respective planning and accommodation would enable both economies to function and grow, including in trade and investment both ways across their borders. That peaceful co-existence extended to allowing the imperial reach of the one to give way to that of the other.
Why not suggest a similar trajectory for U.S.-China relations over the next generation? Except for ideologues detached from reality, the world would prefer it over the nuclear alternative. Dealing with the two massive, unwanted consequences of capitalism—climate change and unequal distributions of wealth and income—offers projects for a U.S.-China partnership that the world will applaud. Capitalism changed dramatically in both Britain and the United States after 1815. It will likely do so again after 2025. The opportunities are attractively open-ended.
This article was produced by Economy for All, a project of the Independent Media Institute.
The post The Decline of the U.S. Empire: Where Is It Taking Us All? appeared first on CounterPunch.org.
This content originally appeared on CounterPunch.org and was authored by Richard D. Wolff.
This post was originally published on Radio Free.
Updated Sept. 8, 2024, 10:06 p.m. ET.
At least 24 people were killed in Vietnam as the region’s most powerful storm of the year swept across the north of the country, the government said.
Of those who died, nine people were killed by the storm, the Tien Phong news site reported on Monday without providing details, while 12 died in landslides and three were swept away by floods.
Typhoon Yagi made landfall on Vietnam’s north coast on Saturday, battering Quang Ninh and Hai Phong with winds of up to 149 kilometers (92 miles) per hour and injuring 229 people. Rescuers are still searching for three missing people as the storm was downgraded.
More than 8,000 homes were damaged by winds which tore down power and telecommunications lines, according to the Vietnam Disaster Management Authority.
Waves as high as 4 meters (13 feet) sank 25 boats and swept away fish farms.
Torrential rainfall – as much as 400 millimeters (16 inches) in some provinces – destroyed more than 120,000 hectares (297,000 acres) of rice and other crops.
Vietnam’s meteorological agency downgraded Yagi to a tropical depression Sunday, allowing Hanoi’s Noi Bai International Airport to reopen.
Prime Minister Pham Minh Chinh visited Quang Ninh province and the port city of Hai Phong on Sunday, ordering the government to provide authorities with 100 billion dong (US$4.1 million) each in emergency assistance, state-run media Voice of Vietnam said. Deputy Prime Minister Ho Duc Phoc set aside 20 billion dong ($813,000) to fund disaster recovery in Son La and Dien Bien provinces.
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Yagi first hit the Philippines a week ago, killing at least 20 people, before tearing across the Chinese island of Hainan. It was the strongest autumn typhoon to make landfall in China since 1949, according to the Xinhua news agency. Four people were killed in Hainan and 95 were injured, China’s Global Times reported.
Scientists say extreme weather, fueled by rising temperatures, will have an increasing impact on the region in coming years.
“Science, including by the Earth Observatory of Singapore (EOS) has shown that storms are getting stronger due to climate change, primarily because warmer ocean waters provide more energy to fuel the storms, leading to increased wind speeds and heavier rainfall,” EOS Director Professor Benjamin Horton told Radio Free Asia.
“Climate change is causing storms to potentially move to different locations, with EOS studies showing a shift in the latitude where storms reach peak intensity, exposing new areas to storm impacts, particularly towards the poles; this is primarily due to warming ocean temperatures expanding the tropical climate zones where storms form.”
Edited by Mike Firn and Taejun Kang.
Updated to add comments by Earth Observatory of Singapore Director Benjamin Horton.
This content originally appeared on Radio Free Asia and was authored by By RFA Staff.
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A journalist who made a feature-length documentary using on-the-ground footage of the 2019 Hong Kong protests has spoken about the need to face up to the trauma of the months-long movement.
The protests, which began as an outpouring of anger over plans to allow the extradition of criminal suspects to face trial in mainland China, were a key milestone in Hong Kong’s transformation from one of the most free-wheeling cities in Asia to the restrictive semi-police state it is today.
The filmmaker, who gave only the nickname Alan for fear of reprisals, will screen his film “Rather be Ashes Than Dust” in Canada this month to mark the fifth anniversary of the protest movement this year.
Built from thousands of hours of handheld footage from Hong Kong’s streets, much of the action takes place amid pitched street battles between frontline protesters wielding umbrellas, bricks and Molotov cocktails confronting fully-equipped riot police with non-lethal bullets, water cannons and a seemingly inexhaustible supply of tear gas.
For Alan, editing his film involved reliving the chaos, terror and heartache of those months, as well as facing up to his own traumatized response.
“I knew all of the scenes inside out,” he told RFA Cantonese in a recent interview. “Every location, exactly what happened there — where shots were fired, where people were arrested, where blood was spilled.”
PTSD
Alan, who like many Hong Kongers has suffered with post-traumatic stress disorder after witnessing so much violence and anguish on Hong Kong’s streets, had to take the edit slowly.
“There were some scenes where I really couldn’t stop crying,” he said. “I would cut for maybe one or two minutes, then I wouldn’t be able to carry on.”
Only some protesters took on police at the barricades, however. The film also portrays peaceful protesters in their thousands and millions coming out in support of the “Five Demands”: the withdrawal of amendments to extradition laws; fully democratic elections; an amnesty for all arrested protesters; accountability for police brutality and the withdrawal of the use of the word “rioters” to describe them.
While the extradition amendments were withdrawn after crowds of masked activists stormed the Legislative Council on July 1, 2019, the government continued to describe the protests as “riots” instigated by “hostile foreign forces,” and eventually quashed an independent report into police violence.
Tens of thousands of people were arrested and packed into overcrowded jails amid reports of abuse in custody, while electoral rules were rewritten to ensure that only “patriotic” candidates loyal to the ruling Chinese Communist Party could stand.
Inner conflict
At times, Alan found that his role as a supposedly impartial observer was at odds with his desire to help those he was filming.
“One time, the police pinned down a couple,” he said of one incident, which happened as protesters occupied the Hong Kong International Airport at Chek Lap Kok. “I was some distance away at the time, but I could see them going after people.”
“I really, really wanted to warn them to get out of there fast,” he said. “But I was a coward and kept quiet – I just kept on filming the whole thing.”
That decision haunts Alan to this day, leading him to feel that the film could encourage similar “soul-searching” in others.
“The couple got arrested in the end,” he said.
Later, he was to act as a witness for protesters who were being arrested.
“Everyone who got arrested started saying their names and ID card numbers in front of a video camera,” Alan said. “Because there were rumors going around that anyone who got arrested would likely just disappear, never to be heard of again.”
“So we recorded all of their images and their voices, as evidence,” he said.
Sold-out theaters
“Rather be Ashes Than Dust” has already been screened at film festivals in South Korea, New Zealand and Sweden.
At the Busan International Film Festival last October, it played to three sold-out theaters that were packed with young Koreans.
“Hong Kong’s government is actually quite similar to that of South Korea: there’s a lot of conflict and disputes,” he said. “That atmosphere was the reason why so many young South Koreans came to watch my film.”
Alan thinks his film, which is scheduled to screen in Toronto on Sept. 28 and 29, will encourage others to face up to Hong Kong’s recent history, even if the wounds are very far from healed.
“It’s been five years now, and regardless of how you see things, I think we have to face up to what happened with courage and fortitude, because it’s our history,” he said.
“Then, maybe we can reflect on it, maybe do some soul-searching, ask if we did the right thing, and if it was enough?”
Even from exile, the film has a role to play, he believes, adding: “The media should never abandon its duty to speak out on behalf of the powerless, the vulnerable and the oppressed.”
Translated by Luisetta Mudie. Edited by Malcolm Foster.
This content originally appeared on Radio Free Asia and was authored by By Sze Tsz Shan for RFA Cantonese.
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This content originally appeared on Human Rights Watch and was authored by Human Rights Watch.
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A photo of an aircraft has been shared in Chinese-language social media posts alongside a claim that it shows a Chinese plane disguised as a Red Cross flight entering Ukraine to help Russia.
But the claim is false. The photo in fact shows a plane that carried a group of doctors to the Chinese city of Wuhan in 2020 following the outbreak of COVID-19.
The photo was shared here on X, formerly known as Twitter, on Aug. 24, 2024.
“China officially sent troops to participate in Russia’s ‘special military operation’ against Ukraine, with the first 15,000 troops entering the war under the name of the ‘Red Cross Forces’,” the caption of the photo reads in part.
The photo shows a white airplane on a landing strip with what appears to be China’s flag emblazoned on its tail.
China has repeatedly denied allegations that it supplies Russia with weapons amid accusations that it has built up Russia’s war machine by providing critical components.
Beijing exports more than $300 million worth of dual-use items – those with both commercial and military applications – to Russia every month, according to the U.S.-based think tank Carnegie Endowment for International Peace.
The think tank added the list included what the U.S. had designated as “high priority” items – necessary for making weapons, from drones to tanks.
The U.S. in May imposed sanctions on about 20 firms based in China and Hong Kong, saying one exported components for drones, while others helped Russia bypass Western sanctions on other technologies.
China said it was not selling lethal arms and “prudently handles the export of dual-use items in accordance with laws and regulations.”
The claim about the airplane carrying Chinese troops to Russia was also shared on X here and here.
But the claim is false.
A reverse image search on Google found it was published in Chinese-language media in 2020, as seen here and here.
According to the reports, the image shows a Chinese plane carrying doctors to Wuhan following the outbreak of COVID-19 as part of relief efforts and epidemic control.
Keyword searches found no credible or official reports about China sending troops to Ukraine to help Russia.
Did an unmarked Chinese plane transport aid to Russia?
Separately, a photo and a video of an aircraft with no markings were shared on X alongside a claim that they show a Chinese plane transporting prohibited materials to either Russia or Iran.
But the claim is false.
A closer look at the photo and the video found the word “ATLAS” written next to the hatch of the plane and the number “704” marked near the landing gear.
Keyword searches using these two clues found the plane in fact is from the U.S. cargo airline Atlas Air and has nothing to do with China.
Translated by Shen Ke. Edited by Shen Ke and Taejun Kang.
Asia Fact Check Lab (AFCL) was established to counter disinformation in today’s complex media environment. We publish fact-checks, media-watches and in-depth reports that aim to sharpen and deepen our readers’ understanding of current affairs and public issues. If you like our content, you can also follow us on Facebook, Instagram and X.
This content originally appeared on Radio Free Asia and was authored by By Zhuang Jing for Asia Fact Check Lab.
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Terry Allen, Ancient, 2000–2001, multi-media, 97 x 96 x 78 1/4 in. (246.4 x 243.8 x 198.7 cm), Courtesy of L.A. Louver, Venice, CA.
What allows you to stay active and engaged in your work?
The simplest way I could answer that would be that I’ve never thought of making art as a career. It’s certainly a job in a sense, but it’s just not a career. It’s a choice you make somewhere down the line about how you’re going to live your life. It doesn’t mean that you don’t have to deal with the same bullshit everybody else has to deal with as far as making a living and all of that, but it’s a shift in your mind where everything you do becomes a part of the same thing. That’s the way I’ve felt about it. Once that decision got made, and I don’t really know when it was, it was probably sometime when I was in school, that’s how I wanted to live my life. That’s pretty much been the throughline from the beginning.
Can you identify other throughlines?
It’s a necessity to confront your curiosity, confront the idea of mystery. When you throw yourself into making something that has never existed before and certainly in your own mind. It takes so long, especially the older you get, to breach your habits because after a certain period of time you have a lot of habits. You try to breach them to get to that mystery spot where things actually happen and you come out on the other side or that piece comes out on the other side and you might have as many questions about it as anybody else does, but it has become what it is. To me as an artist, that’s your job. Whether it’s a song, a sculpture, drawing, whatever it is.
Terry Allen, Harmony Sovereign, 1969, mixed media on paper, 38 1/4 x 31 1/4 in. (97.2 x 79.4 cm), From Cowboy and the Stranger copyright Terry Allen, Courtesy of L.A. Louver, Venice, CA.
You’ve done a lot of looking back recently, both for the book and reissues of your albums. What’s that been like?
Well the problem with that is that you always want to go forward. The things that you finished are finished and you want to move on, but the nature of the circumstances of your life is that, at least mine, is that, like these reissues with Paradise of Bachelors, had opened up a whole other audience to me and I found myself having to do retrospectives and dealing with the past just like you’re talking about. But at the same time, I’m chomping at the bit to do new work and I’m in the process now of making new work, that’s always the case. I think your curiosity, once something is done, you want to move on. So I don’t feel like I’m dragging stuff with a ball and chain or something behind me, but I’ve just been dealing with the past so much that I’m really glad to be back in my studio and see new things.
Did you have an initial vision of what type of artist you’d like to become as a young person?
No. I never thought that way. I think for one thing, there was nothing visual where I grew up. It was flat and empty and our house was pretty much empty of anything visual. There was an etching of a sailing ship that we had on the wall. My mother had a bunch of bird plates and Gibson Girl prints. That was pretty much it for the visual aspect. I was around a lot of music, but I don’t think I ever thought in terms of, “I’m going to do that,” at that point. It was in high school, when rock and roll hit like a bomb, when I first really wanted to do something, play something, draw something and write something. But it grew that way. It wasn’t any grand, sudden flash of, “This is what I want to do.” Although I did write in notebooks early on that I wanted to be a writer. I wanted to be an artist. I wanted to be a musician. Then I would switch those things around, but I never had any concept of what those even meant. I just had some vague notion, but not as far as any visual stimulation. If you didn’t have an imagination you were dead.
Terry Allen, The Paradise, 1976 as shown in The Great American Rodeo Show, Modern Art Museum of Fort Worth, Texas, 1976, Courtesy of L.A. Louver, Venice, CA.
Radio was the sole input that you got from the outside world. Listening to the radio, you’d have to be a moron, a cretin, to listen to those stories and not fabricate some kind of idea of what was going on in your imagination. That was all vivid and alive when I was a little kid. Yeah. A lot of people will trump up whatever they can against their hometowns just to propel themselves out of there. And I certainly did that myself. But there is a great beauty to that flat, endless nothing that you’re looking at, the horizon. Looking at that horizon line, it’s a natural magnet to go past what’s right in front of you into what you can imagine over that line.
You first developed a studio practice in art school. How important was that moment?
It was a huge epiphany, an experience of revelation, whatever you want to call it. Coming from Lubbock to LA, it was like going to Mars. It was the first time you encountered people that were deadly serious about making a picture, about making a song. Whatever they did, it was for real. It wasn’t some Sunday painting club. It was a premeditated act of necessity. That revelation I took to. That atmosphere I took to because it was suddenly finding yourself with a group of like-minded people that were all trying to get the same kind of freedom for themselves, but also in a town that was itself busting wide open. It was such a great time to be in Los Angeles because there were so many things that were happening at once, musically, visually, theater wise. In retrospect it was a major event in my life, going to that school. At the time you were just immersed in it. It wasn’t until it was over that you realized how important it was to you. The people you met, the facility you had, the incredible artists you were privy to and circumstances. It really set a stage for probably everything I ever did afterwards.
Have you come any closer to understanding why ideas come and go?
No. One of the amazing things about being able to make art is every time you begin something, it’s for the first time. You think you have all of this experience of using color or doing this or doing that or whatever, but when you sit down and confront another empty sheet of paper, it’s like you did it the first time. It’s the same with writing a song, that’s the way it is for me anyway. It’s always exciting and spooky at the same time. You can teach tricks, but I don’t think you can teach the heart of the matter.
Your first experience working with a record label wasn’t the greatest. What impact did this have on you?
It was like hitting yourself in the head with a hammer and learning that that hurts and deciding, “Well if I don’t want to hurt, I better not do that again.” It was a situation where I realized my circumstances. If I was ever going to get out into the world in any way, I was going to have to do it myself. And I was tough. I don’t know why, but circumstances just fell right for me, meeting Jack Lemmon in Chicago and Landfall Press and him liking the music and not knowing anymore about making a record than I did, figuring out how to do it. That’s what we did. I’ve always felt that way. If you really want to do something, you just figure out how to do it. You don’t worry about not being able to do it.
Terry Allen, Prologue … Cowboy and the Stranger, 1969, mixed media on paper, 38 1/4 inches × 31 1/4 inches (framed), From Cowboy and the Stranger copyright Terry Allen, Courtesy of L.A. Louver, Venice, CA.
That DIY spirit is a common thread between many artists I’ve spoken with.
The last thing in the world I ever thought I would be interested in doing is making bronze sculpture. And I got an opportunity to do a piece in LA called Poets Walk and I happened to meet a guy here who had a foundry who had asked me if I ever wanted to come in and work with him. I had no idea that I would ever take him up on it, but I did and literally went to school at that foundry on my own trying to learn how to do that, working with clay, making the mold and casting, really getting interested in it. That’s another thing about making art, you just never know where it’s going to take you and what you’ll find yourself learning, what you find yourself running into, what you find yourself abandoning. There’s an aspect of making art and being an artist that you crave insecurity to a certain degree. You’re constantly throwing yourself into areas that you don’t know. You don’t know what’s happening. How do you know how it’s going to turn out until you throw yourself into it and find out? That’s just one of the inherent natures of making things.
You’ve had a longstanding journaling practice. Do you always use the same type of notebook, pen or pencil?
I don’t. I grab whatever’s handy. I’ve always been a sucker for collecting empty books and I’ve got all different kinds. When one thing gets filled up, I grab whatever strikes my eye and write in it, but I don’t have a uniform. I did go through a period where I found these really nice books in Italy and used them a lot, but I don’t have any preference. If it’s nice paper and it feels good when you’re putting a pen on it, then that’s good for me.
Terry Allen, Corporate Head, 1990, bronze, with poem by Philip Levine 30 inches × 22 inches, Citicorp Plaza ‘Poets’ Walk,’ Los Angeles, California copyright Terry Allen Photo by, and courtesy of, William Nettles.
How do you have your studio organized?
I’ve got my keyboard and all my recording stuff in one room, then a big space that I have all of the other stuff in. It’s all one space. I periodically move my keyboard into the other space and will play music looking at certain pictures or certain ideas for video. It’s mobile in that sense. That’s another throughline, things being mobile, everything always being in motion. A good portion of my songs, especially early songs, came out of driving.
I love hearing about folks writing while in motion.
My first car had this white Naugahyde in between the seats. I would start thinking of songs and have a ballpoint or pencil, trying to write stuff down while I was driving. I had it written all over the Naugahyde. It comes from boredom, the motion of tires, the rhythm of it. It’s always been conducive to lyrics starting to happen and rhythms, melodies.
Is there anything else you want to talk about?
I just wanted to say that I’m really honored that Brendan did this book. It came out of a long association over a long period of time. All of the liner notes, everything he’s written, was the genesis of the book. I’m very proud of what he did and I probably haven’t told him that enough, but it’s true. He’s been a remarkable ally.
Everyone needs someone in their corner. It changes things.
It does, on a lot of levels. I couldn’t be more appreciative. It’s a very odd experience to have a book written about yourself because you have so many different selves that you’re dialing through every day that you wonder which one they’re going to pick.
Did it start to play tricks on your memory?
I have a pretty relaxed attitude about memory because I’ve never thought of it as anything other than fiction. Brendan delved into a lot of things that I haven’t thought about and found out a lot of things I didn’t know. That was, I can’t say shocking, but it was certainly unnerving at certain times and we talked a lot about that. How many different vantage points are there at looking at a person and looking at a life, whether it’s your own or whether it’s somebody else’s? You can stand on one side and see one thing, but when you get on the other, you see something else. The way he shuffled his way through that was remarkable. It’s a great thing to have for my kids. There’s a lot of history that he found out I didn’t know and now they have privy to.
I’d imagine it helped that you two already had a close working relationship.
That’s one thing that propelled the whole thing into motion. People were starting to ask me if they could do a biography. I talked to Brendan about it and I said, “Well, would you do it?” He said that he had been thinking about doing it. That’s where it started and then he took five years of his life to deal with it. Five years of mine too. It’s been a ride.
Terry Allen recommends:
Flights by Olga Tokarczuk
The Wild Bunch (End of the Line Edition) Jerry Goldsmith, Motion Picture Soundtrack
Perfect Days by Wim Wenders and Pina by Wim Wenders (3D)
American Utopia, a Musical Theater by David Byrne, Film by Spike Lee
Win Win, an album by Sam Baker
This content originally appeared on The Creative Independent and was authored by Jeffrey.
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Aspen in Sagebrush Steppe on Kiesha’s Preserve, Idaho. (No livestock grazing for 27 years) Photo: John Carter.
The Aspen Decline
What will our forests in the west be like in fall without those golden yellow leaves shining in the sun? Aspen forests in the Intermountain West support levels of biodiversity only exceeded by riparian (stream) communities. In this time of Climate Breakdown, aspen have been declining due to drought and temperature stress, with die-offs of large areas in the Western US in recent decades. Water stress during drought creates air bubbles in the water transport system of aspen, blocking flow of water and leading to mortality. Forest dieback during drought was simulated under a high emissions climate scenario showing that drought stress will exceed the mortality threshold for aspen in the Southwestern US by the 2050s.
Climate Breakdown
We hear slogans such as “net zero by 2050”, meaning we store as much carbon as we release. But the facts reveal that this goal will not be met. The world growth in energy demand, meat production, and population almost certainly will cause exceedance of the mortality threshold for aspen. Triage in the form of major changes in western land management is a must if we are to have a chance to save aspen, other western plant communities, and the wildlife that depend upon them.
Technologies such as Artificial Intelligence and crypto currency with their large data centers consume huge amounts of energy. AI consumes 33 times more energy than traditional computing systems. Barclay’s estimated that the global demand for oil would increase by 15% by 2050 despite adoption of electric vehicles and potential efficiency gains, air travel would place greater demand on oil, and petrochemicals will be the biggest contributor to oil consumption as demand continues to grow. In their “Deadlock” scenario, Barclay’s predicted that the world will fall way short of the goals of the Paris Agreement. This is due to the inability to decarbonize and lack of political will. Livestock production emissions are currently estimated at 11.1 – 19.6 percent of global emissions while global consumption of meat is expected to increase by 90% by 2050.
The U.S. Energy Information Administration acknowledges this. “Our projections indicate that resources, demand, and technology costs will drive the shift from fossil to non-fossil energy sources, but current policies are not enough to decrease global energy-sector emissions. This outcome is largely due to population growth, regional economic shifts toward more manufacturing, and increased energy consumption as living standards improve.” The UN Environment Programme also: “The world is in the midst of a triple planetary crisis of climate change, biodiversity loss and pollution and waste. The global economy is consuming ever more natural resources, while the world is not on track to meet the Sustainable Development Goals.”
Livestock Exacerbate Aspen Decline in the Western US
This is a dire situation exacerbated by the grazing of livestock on hundreds of millions of acres of our public and private lands in the Western US. Approximately 70 percent of National Forest and 90 percent of Bureau of Land Management managed lands are leased for livestock grazing. Other public lands managed by the Fish and Wildlife Service, National Park Service, States, and localities also permit livestock grazing.
A review of livestock grazing effects shows that livestock trample and compact the soil, leading to accelerated runoff and decreased infiltration of water into the soil. They remove the ground covering vegetation that shades the soil, thus increasing soil temperatures and evaporation. These factors combine to reduce soil water and elevate the water stress in plants already stressed by drought. Agencies and landowners must manage livestock to protect aspen stands so they and the wildlife that depend upon them have a chance to persist. Here, we use National Forests in southern Idaho and Utah as examples of failure in this respect but this failure is west-wide when it comes to addressing this major stressor of our ecosystems.
The Ashley National Forest Plan to Save Aspen
The Ashley National Forest is a diverse area with high peaks, forests, meadows, lakes and streams. It includes part of the High Uintas Wilderness. It contains habitat for a variety of birds and animals including Canada lynx, black bears, northern goshawk, Rocky Mountain bighorn sheep, deer, elk, moose, native cutthroat trout and others.
In an October 2023 Decision the Ashley NF approved the Ashley National Forest Aspen Restoration Project. This project was planned to “treat” up to 177,706 acres that would include any aspen community in the Forest. The treatments included prescribed burning, logging, mastication, chainsaws, girdling conifers, and ripping aspen roots with heavy equipment. These destructive measures were intended to stimulate regeneration of aspen stands. Eighty-three percent of the project would be carried out in roadless areas. The Forest Service uses an Orwellian twist on language to describe destructive activities such as logging and burning as “restoration” as if these forests didn’t do just fine before we came along with our livestock and destructive machines.
The Environmental Assessment produced by the Ashley NF noted, “Many aspen populations across the west are declining due to drought, browsing by large animals such as cattle, elk and deer, and lack of disturbance, particularly fire, requiring active restoration efforts to maintain and improve aspen forest health in the region.” We mapped the fire history and use of prescribed fires in the past in the project area.
Significant areas had already been subjected to fires, so why the decline in aspen? There was no analysis of this fact by the Forest Service as they proposed more burning, and to date, Ashley NF has not addressed the major issue, that of livestock grazing.
Portion of the Ashley NF showing aspen stands (green) superimposed on livestock grazing allotments (pink). Most of the Forest is divided up into 91 of these allotments.
We provided in-depth comments and an objection to this project using best available science asking that the effects of livestock grazing, stocking rates, and suitability of grazing these areas be addressed. Their response to detailed public input such as this was to deflect. In this case, the Decision Notice stated, “Other comments such as range capabilities are not described in detail in this decision due to the fact that many of the concerns were outside of the scope of this project.”
So, a major stressor, livestock grazing, is outside the scope of the project. This is typical of responses we receive from the Forest Service when we ask that well established principles of range science be applied so livestock grazing is managed within the capacity of the land and is balanced with the needs of wildlife, plant communities, and watersheds as the governing laws and regulations require.
The problem for the Forest Service is that if these principles were applied, stocking rates and numbers of livestock would be greatly reduced. This is not politically tolerable, so it is better to deflect and deny or not address the issue at all. Our team filed litigation against the Forest Service to stop this Aspen Restoration Project, resulting in it being withdrawn.
Water Developments – Industrialization of the Forest for Livestock
Map of Duchesne Ranger District in the Ashley NF with aspen stands (pink) and water developments (blue).
Because water developments (troughs, ponds, pipelines) are used by the Forest Service and other land managers to increase the extent of livestock access into previously little used areas, we requested their data for the locations of these water developments in the Ashley NF.
It turns out there are 1,755 of these water developments. When we mapped them and their proximity to aspen stands, there were few aspen stands that were more than a quarter mile from at least one water development, thus ensuring that livestock would have easy access to most stands. Despite this massive number, the Ashley NF had previously approved adding more of these developments which can result in adverse effects up to a mile or more away. Adding these developments is a typical response when degradation by livestock is noted, a placebo to keep the status quo in numbers of cattle and sheep. This is common across the West.
Is the Forest Service Engaged in Willful Blindness?
In 2000, we surveyed habitats in the Bear River Range in SE Idaho’s Caribou National Forest. The Bear River Range is part of the Regionally Significant Wildlife Corridor connecting the Greater Yellowstone Area to the Uinta Mountains and southern Rockies. In our Report, we showed how livestock grazing had degraded conditions in all habitats with the majority of 310 habitat locations including 71 aspen sites, not functioning properly (low production, lack of recruitment, barren understory).
Aspen stand in the Bear River Range adjacent to water troughs for sheep. Trees are stripped as high as sheep can reach and there is no regeneration or understory vegetation. Photo: John Carter.
This is no surprise as nearly 30 years ago the Forest Service Regional Assessments pointed out that aspen regeneration had not been successful due to heavy grazing by domesticated ungulates (meaning cows and sheep).
In the years since those assessments and our report, we have seen no action to reduce or better manage livestock grazing so plant and soil communities, stream systems, or aspen forests can recover and sustain themselves.
Early work by Forest Service research scientists and others documented the loss of aspen recruitment due to livestock grazing. A study of over one hundred aspen stands in Nevada found that in all cases where aspen was protected from livestock, it successfully regenerated without fire or disturbance and maintained multi-aged stands. In areas exposed to livestock grazing, aspen continued to decline.
The Pando Clone of aspen in Utah’s Fishlake National Forest is known as one of the oldest living organisms. It is suffering from lack of regeneration and disease like so many aspen stands across the west where livestock graze. In a 2019 Report, our team demonstrated that livestock (cattle) were removing most of the understory vegetation (70 – 90 percent). Yet, according to the Fishlake NF, “it is thought that the lack of regeneration is due to over browsing from deer and other ungulates. Insects, such as bark beetles, and disease such as root rot and cankers, are attacking the overstory trees, weakening and killing them. ” There is no mention of livestock as deer and other “ungulates” are blamed and no acknowledgement that insects and disease may be related to the stress from browsing and trampling by the dominant “ungulate”, cows. They predict the Pando could be lost, yet cattle still graze while they deflect.
Agency Foot Dragging Perpetuates the Problem
Aspen stand in the Bear River Range dying out in cattle allotment. Photo: John Carter.
In an ongoing case, the Ashley, Uinta and Wasatch Cache National Forests in Utah have been foot dragging in addressing the grazing of tens of thousands of domestic sheep on 160,000 acres of the High Uintas Wilderness. Once again, we have engaged in detailed analysis, comments and meetings, only to have any action delayed for 10 years while the degradation continues.
For decades I have been documenting degradation of these alpine and subalpine areas by domestic sheep. As the Forest Service continues delay, a team of volunteers gathered forage production data and we published a paper showing that if the sensitive nature of the landscape (steep slopes, highly erodible soils) and current forage production was incorporated into a new stocking rate analysis, the numbers of domestic sheep would need to be reduced by 90 percent or more. In other words, this wilderness is not ecologically appropriate for livestock grazing and to do so is to intentionally destroy the ecological integrity of this precious place so that a handful of livestock permittees can graze it with their sheep.
Kiesha’s Preserve – An Example of What Can Be
Aspen stand on Kiesha’s Preserve a decade after removal of livestock. Original trees are the standing dead in the background. Regenerated stand in foreground. Photo: John Carter.
At Kiesha’s Preserve in Idaho, deer, elk, moose, and sage grouse are there year around. When we purchased the land, aspen stands were diseased, had insect boreholes and were dying. We closed the Preserve to livestock 30 years ago and since then, the grasses and flowers and aspen have bounced back, the old aspen stands have died and new, healthy stands have grown back with no insect or disease issues. You can find no evidence of adverse effects from deer or elk because there is natural forage to support them.
Aspen stand on Kiesha’s Preserve with healthy and diverse understory years after livestock removed. Photo: John Carter.
Deer and elk winter in large numbers on the Preserve, finding grass and shrubs beneath the snow as the plant communities have recovered from a century of livestock grazing. On adjacent public lands there is little residual forage left after the livestock leave the allotments, so when an elk or deer digs through the snow, they find no forage for the energy expended.
The Message
As climate heating adds stress to the landscape, increasing mortality to aspen and other forest types, livestock effectively increase the effects of drought. It is time for the Forest Service and other land managers to stop deflecting around the destruction of aspen and native plant communities by livestock and begin to address the problem by removing water developments, reducing stocking rates and providing long term rest so plant communities such as aspen have a chance to recover and are better able to withstand drought.
For a library of books and articles on livestock grazing in the West, see Sage Steppe Wild.
The post Climate Breakdown: Losing Our Aspen Forests in the West appeared first on CounterPunch.org.
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Leaders of African countries are arriving in Beijing this week for a China-Africa summit, at which President Xi Jinping is expected to lay out his idea of a “shared future” with African nations, underpinned by Chinese demand for minerals and political support from Global South nations.
On the second day of the Forum of China-Africa Cooperation, which runs Sept. 4-6 in the Chinese capital, Xi is expected to call for higher-quality, “green” investments, as China backs away from its earlier readiness to bankroll major infrastructure projects in favor of more sustainable public-private partnerships.
China remains keen to boost trade and gain access to raw materials from the continent, including copper, cobalt and lithium from Botswana, Namibia and Zimbabwe. But following debt restructuring agreements with Chad, Ethiopia, Ghana and Zambia, the country will likely proceed with more caution when it comes to the big loan packages that were a feature of pre-pandemic cooperation.
African countries remain the primary focus of Xi’s flagship economic cooperation program. Yet Xi’s Belt and Road Initiative has been widely criticized for ensnaring poorer countries in “debt trap” diplomacy, with Beijing wielding most of the power in partnerships that offer scant gains for local residents.
Critics say China’s approach to its economic and trade partners in Africa remains colonial and extractive, and Beijing will want to try to shift that narrative at this week’s forum.
Why is China-Africa cooperation so important to Xi Jinping?
For Xi, it’s not just about trade and economic ties. There are big political gains to be made too.
Foreign policy under Xi’s rule, now likely indefinite, has been about reshaping the U.S.-dominated international order to more closely reflect China’s needs and priorities, including exporting a more authoritarian model of governance to countries under Beijing’s political influence.
Under Xi’s vision, a rising China will spread its wings (in Chinese) and influence globally, to the point where Beijing becomes a rule-maker rather than a rule-taker, as it starts to chafe under the U.S.-led “rules-based international order.”
For that to happen, it needs other, often poorer, countries to accept its rules and act as its allies in international institutions, including organizations under the aegis of the United Nations.
Xi Jinping Thought, which has been enshrined in the ruling party charter since 2022, describes this as “reform to the global governance system,” which according to the government’s China International Development Cooperation Agency, is at a “historical turning point.”
“While China has always pursued global preeminence, it initially sought to be unobtrusive and progress stealthily with a low profile,” according to a 2023 analysis by Paul Nantulya of the Africa Center for Strategic Studies.
“The Chinese Communist Party has signaled that the era of discretion is gradually being replaced with a bolder and more assertive approach.”
How extensive is China’s presence in Africa?
Beijing’s United Front outreach and influence operations in the continent seem to be working. African countries are consistent supporters of Beijing at the United Nations, voting Chinese nationals into top jobs at several U.N. agencies and backing attempts to rewrite the rulebook on human rights, while excluding democratic Taiwan.
And a Pew Research poll from 2023 revealed that Beijing gets its highest international approval ratings from Nigeria, Kenya and South Africa.
“China’s quest to ‘reform’ international governance has found willing partners in the Global South, including Africa, which has played no small part in advancing China’s international project,” Nantulya writes, warning that Chinese influence can also pose a challenge to “core African norms” and commitments on constitutionalism, human rights and democracy.
However, China’s efforts to selectively reshape the workings of the international system — including its human rights system — can also undermine core African norms and commitments such as those on constitutionalism, human rights, and democracy, he warns.
As a BRICS nation, South Africa has signed up for China’s New Development Bank to offer an alternative to the World Bank, while several African countries have joined its Asia Infrastructure Development Bank since its founding in 2015.
And Beijing’s Global Security Initiative, a bid to export Chinese norms and security priorities, was incorporated into an action plan adopted at the last China-Africa summit in Dakar.
In recent years, China has persuaded Burkina Faso, Malawi, Liberia, Senegal and others to cut diplomatic ties with democratic Taiwan, a precondition of diplomatic recognition by Beijing.
What can we expect to see at the China-Africa summit?
According to state media, China and Africa will be launching projects with green and sustainable branding, including growing mushrooms using Chinese technology, biogas promotion and greenhouse cultivation.
Beijing also says it wants to “further increase Africa’s capacity in realizing independent and sustainable development as well as help it accelerate poverty alleviation,” the China Daily reported.
Xi Jinping’s Belt and Road Initiative will also be a prominent feature of the forum.
Chinese companies have helped to build or upgrade more than 10,000 kilometers of railways, nearly 100,000 kilometers of highways, nearly 1,000 bridges and 100 ports, and 66,000 kilometers of power transmission and distribution lines in African countries, according to state media reports. They have also helped build a 150,000-kilometer backbone communications network.
But experts expect Beijing to move away from its previous focus on eye-watering infrastructure figures in favor of healthcare, sustainable development, the digital economy and innovation.
Chinese sovereign lending, once the main source of financing for Africa’s infrastructure, is at its lowest level in two decades, according to Reuters.
Yet public-private partnerships, Beijing’s preferred new investment vehicle globally, have yet to gain traction in Africa, the agency reported.
Chinese officials at this week’s summit will be wanting to change that.
Edited by Malcolm Foster
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After nearly two decades of obstruction by the U.S. military, The New Yorker has obtained and published 10 photos of the aftermath of the 2005 Haditha massacre, when U.S. marines killed 24 Iraqi civilians in revenge for an IED bombing that killed a service member. The graphic images show dead Iraqi men, women and children, many of them shot in the head at close range. The victims ranged in age from 3 to 76. Release of the photos came only after producers of the investigative podcast In the Dark sued the Navy, the Marine Corps and U.S. Central Command to force them to turn over the photos and other records. “What the photos clearly show is that these were innocent people who do not appear to be doing anything threatening at the time of their deaths,” says Madeleine Baran, host and lead reporter of the podcast. Four marines were charged for the killings, but the charges were dismissed in three cases, and the last ended with a plea deal that did not result in a single day in prison. Baran says the survivors of the massacre, who cooperated with producers to get the photos released, are still waiting for justice. “What they want is the world to know what happened to their family, to know that their family were good people, not insurgents, and they want justice,” she says.
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