{"id":16726,"date":"2021-02-02T01:52:57","date_gmt":"2021-02-02T01:52:57","guid":{"rendered":"https:\/\/www.radiofree.org\/?p=157250"},"modified":"2021-02-02T01:52:57","modified_gmt":"2021-02-02T01:52:57","slug":"scott-waide-playwright-andrew-kuliniasi-unleashes-another-creative-bomb-on-culture-sex-and-gender","status":"publish","type":"post","link":"https:\/\/radiofree.asia\/2021\/02\/02\/scott-waide-playwright-andrew-kuliniasi-unleashes-another-creative-bomb-on-culture-sex-and-gender\/","title":{"rendered":"Scott Waide: Playwright Andrew Kuliniasi unleashes another creative bomb \u2013 on culture, sex and gender"},"content":{"rendered":"
<\/a>A scene from Andrew Kuliniasi\u2019s earlier play Meisoga. Image: My Land, My Country<\/div>\n
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COMMENT:<\/strong> By Scott Waide<\/em><\/p>\n

In a nation such as Papua New Guinea where oral storytelling is central to the intergenerational transfer of knowledge and wisdom, playwright Andrew Kuliniasi has taken things to a whole different level by embedding historical accounts and capturing snapshots of a society in transition in a Western art form.<\/p>\n

In 2015, Kuliniasi wrote Meisoga<\/em>, a play based on life of Sine Kepu, the matriarch of her grandmother\u2019s clan. It tells of a young woman forced into leadership by a series of unfortunate events.<\/p>\n

His new creation, He Is Victor,<\/em> is an attempt to capture a moment in time in modern Papua New Guinea society where HIV, TB and discrimination are issues families have to contend with.<\/p>\n

\"AndrewAndrew Kuliniasi \u2026 \u201cThe story is a contemporary PNG tragedy.\u201d Image: My Land, My Country<\/p>\n

Andrew Kuliniasi writes:<\/p>\n

\u201c<\/em>He Is Victor follows the story of a young \u2018gun for hire\u2019 journalist named Tolilaga (which means a person who always wants to know) as she tries to uncover the mysterious death of her cousin brother Victor.<\/em><\/p>\n

\u201cThe family hasn\u2019t told her anything and has been keeping Tolilaga out of the loop. Meanwhile Tolilaga struggles with her motivations for finding the truth as she needs one big story for her to get a new job and promotion.<\/em><\/p>\n

\u201cAt the closing of Victor\u2019s<\/em> hauskrai, she finds Victor\u2019s journal that chronicles the moments leading up to his death.<\/em><\/p>\n

\u201cThis story is a contemporary PNG tragedy.<\/em><\/p>\n

\u201cIt deals with very hard hitting issues that a lot of Papua New Guineans are afraid to talk about.<\/em><\/p>\n

\u201cThe main character, Tolilaga, delves into the issues and exploits the narrative. She\u2019s a sensationalist but that doesn\u2019t mean her stories don\u2019t have merit.<\/em><\/p>\n

\u201cWhat Tolilaga tries to do is show the truth, the ugly truth. But the truth in PNG, the land where we live, the unspoken is very controversial.<\/em><\/p>\n

\u201cThis play deals with issues of discrimination against people with HIV, tuberculosis and how these diseases are contracted. The play also questions our culture, in conversations we have about sex and sexuality, gender roles and family bonds.<\/em><\/p>\n

\u201cThis show is going to get people talking and I\u2019m expecting a lot of conversation. Is this show controversial? It maybe depending on individual audience members.<\/em><\/p>\n

\u201cBut the one thing I can say is there will be a lot of crying. So if you\u2019re coming to watch the show, bring a box of tissues.<\/em><\/p>\n