{"id":317345,"date":"2021-09-19T07:38:05","date_gmt":"2021-09-19T07:38:05","guid":{"rendered":"https:\/\/www.counterpunch.org\/?p=214632"},"modified":"2021-09-19T07:38:05","modified_gmt":"2021-09-19T07:38:05","slug":"hitchcocks-sabotage-film-as-terrorism","status":"publish","type":"post","link":"https:\/\/radiofree.asia\/2021\/09\/19\/hitchcocks-sabotage-film-as-terrorism\/","title":{"rendered":"Hitchcock\u2019s Sabotage: Film as Terrorism"},"content":{"rendered":"<div id=\"attachment_214633\" style=\"width: 690px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-214633\" class=\"wp-image-214633\" src=\"https:\/\/www.counterpunch.org\/wp-content\/uploads\/2021\/09\/homolka.jpg\" alt=\"\" width=\"680\" height=\"520\" \/><\/p>\n<p id=\"caption-attachment-214633\" class=\"wp-caption-text\">Oscar Homolka in Alfred Hitchock's Sabotage.<\/p>\n<\/div>\n<p>As compulsively watchable as it is, Hitchcock's Sabotage makes a real hash out of Conrad's The Secret Agent\u2013that prescient novel which so accurately predicted the ways in which radical underground groups could be penetrated and manipulated by intelligence agencies into doing the repressive work of the state.<\/p>\n<div class=\"woocommerce\">\n<div class=\"woocommerce-info wc-memberships-restriction-message wc-memberships-message wc-memberships-content-restricted-message\">\n\t\t\t\tTo read this article, <a href=\"https:\/\/www.counterpunch.org\/my-account\/?wcm_redirect_to=post&#038;wcm_redirect_id=214632\">log in<\/a> <a href=\"https:\/\/www.counterpunch.org\/subscribe\/\">or Subscribe.<\/a><br \/>\nIn order to read CP+ articles, your web browser must be set to accept cookies.\t\t    <\/div>\n<\/p><\/div>\n<p>\t\t <a href=\"https:\/\/www.counterpunch.org\/2021\/09\/19\/hitchcocks-sabotage-film-as-terrorism\/\">More<\/a><\/p>\n<p>The post <a rel=\"nofollow\" href=\"https:\/\/www.counterpunch.org\/2021\/09\/19\/hitchcocks-sabotage-film-as-terrorism\/\">Hitchcock&#8217;s Sabotage: Film as Terrorism<\/a> appeared first on <a rel=\"nofollow\" href=\"https:\/\/www.counterpunch.org\/\">CounterPunch.org<\/a>.<\/p>\n\n<p class=\"syndicated-attribution\">This post was originally published on <a href=\"https:\/\/www.counterpunch.org\/2021\/09\/19\/hitchcocks-sabotage-film-as-terrorism\/\">CounterPunch.org<\/a>. <\/p>","protected":false},"excerpt":{"rendered":"<p>Oscar Homolka in Alfred Hitchock&#8217;s Sabotage.<\/p>\n<p>As compulsively watchable as it is, Hitchcock&#8217;s Sabotage makes a real hash out of Conrad&#8217;s The Secret Agent\u2013that prescient novel which so accurately predicted the ways in which radical underground groups c&#8230;<\/p>\n","protected":false},"author":378,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[228,230,9330],"tags":[],"_links":{"self":[{"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/posts\/317345"}],"collection":[{"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/users\/378"}],"replies":[{"embeddable":true,"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/comments?post=317345"}],"version-history":[{"count":3,"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/posts\/317345\/revisions"}],"predecessor-version":[{"id":320567,"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/posts\/317345\/revisions\/320567"}],"wp:attachment":[{"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/media?parent=317345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/categories?post=317345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiofree.asia\/wp-json\/wp\/v2\/tags?post=317345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}