{"id":848931,"date":"2022-10-21T05:51:10","date_gmt":"2022-10-21T05:51:10","guid":{"rendered":"https:\/\/www.counterpunch.org\/?p=260951"},"modified":"2022-10-21T05:51:10","modified_gmt":"2022-10-21T05:51:10","slug":"the-day-glo-elephant-in-a-darkening-room","status":"publish","type":"post","link":"https:\/\/radiofree.asia\/2022\/10\/21\/the-day-glo-elephant-in-a-darkening-room\/","title":{"rendered":"The Day-Glo Elephant in a Darkening Room"},"content":{"rendered":"
Reading James Henry Harris\u2019s N: My Encounter with Racism and the Forbidden Word in an American Classic (Fortress Press, 2021) recalls, first, a vibe from Richard Wright\u2019s Native Son (1940), To Bigger and his kind, white people were not really people; they were a sort of great natural force, like a stormy sky looming overhead More<\/a><\/p>\n The post The Day-Glo Elephant in a Darkening Room<\/a> appeared first on CounterPunch.org<\/a>.<\/p>\n\n