Image by Helki Frantzen.
At a decidedly leisurely pace, director Irene Lusztig painstakingly paints a portrait of an outpost of Americana in eastern Washington State, Richland where virtually all of the townsfolk, except for homemakers, worked since the 1940s at neighboring Hanford. By most economic indicators, those employed by Hanford’s industrial plant earned a decent if not opulent standard of living. The workers and their families enjoyed prosperity and a river in a lovely rural Northwestern setting, where these members of the proletariat could afford to buy consumer products, take their families on vacations and send their children to good universities.
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